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Destruction via the Mirror Image The book, "Destruction via the Mirror Image" is about twelve astronauts picked to explore outer space in hopes of finding a.
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It is difficult, painful even, to treat a photograph of a loved one as an oft-cited example merely as chemical emulsion on paper.

Cultural genocide

The central visual focus of every medieval Christian church was a sculpture of Jesus on the cross, usually fixed on a rood screen at the emtrance to the chancel. Many roods were strikingly lifelike; the one from Boxley Abbey in Kent could move its eyes, lips and arms. Protestant reformists seized it in and paraded it through market towns, showing off the rods and wires that manipulated it as proof of the fraudulence of the Catholic church. The only remnant of the church is a medieval marble statue of the dead Christ, which was discovered buried under the hall in the s.

The prone figure lies with mouth open and wounds still seeping; its abundant pathos is compounded, however, by missing feet, an arm and a hand - all smashed off by sixteenth-century iconoclasts. It is often those objects that are most resistant to disappearance - either through their material solidity or through the care with which they are preserved - that incite iconoclasm.

While the two fragments appear gnawed, like hard chocolate, they are far from pulverised.

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Even when an artefact does disappear, taken out of circulation either by an aggressor or someone determined to save it, its absence may amount to a fresh image that is equal to or greater than its original. Think of an empty plinth or a vacant picture frame. When iconoclasm is a form of political or religious protest wrought by a minority against the face of the status quo rather than a state-sanctioned process of societal reform , the creation of powerful new images may well be the intended outcome.

It is a wonderful image; apparently it was born of no particular complaint except a general derision towards the former king. Other protests were more focused.

DIAN LONG: Soundscape China / Destruction of Chinese Pop

The years saw a crescendo in the militant activities of the suffragette movement, spearheaded by attacks on paintings hanging in public museums. Some targets were paintings of women, others depicted men. That is not to say, of course, that harm actual or metaphorical was intended to the woman the sculpture represented, nor, in all likelihood, to the artist himself.


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The artist hails from New England, where the Puritans settled after leaving Europe in the early seventeenth century, and he freely admits the influence of its culture on his Minimalist , anti-representational, anti-superstitious, rational art. In the decades following the late s and s Puritan revival in the guise of Minimalism, images have flooded back into contemporary art.

The kind of ascetic vision proposed by the likes of Andre is hard to maintain for long in the information age. Today, artists seem to fret not about whether to allow images into their work at all, but which ones, and to what end. Perhaps this is the delayed influence of Marcel Duchamp , who often saw creativity as a process of choosing from the world of already existing objects.

Duchamp penned a moustache and goatee on to a postcard of the Mona Lisa L. Main menu additional Become a Member Shop. Expand Tate Etc.


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Whether the driver is Muslim, Druze or Christian is not the point. Painter and video artist Rima Saab expresses her memories of Beirut via an exhibition of mixed-media paintings.


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We can see cracked windows surrounded by torn posters on a crumbled wall. This work which combines oil painting and digital art also provokes feelings of disorder and destruction.

Destruction Fridays Episode #4 - Mirror

Photographer Elsie Haddad focused her lens on pre-war places. Her composition of four untitled photographs 25x25 cm each reflects her interest in spaces caught between past and future, between stagnation and movement. Old tables, couches and a vintage ashtray can also be seen in her composition.

A Distant Dead Planet Could Mirror Earth’s Future Destruction – Uncached

The body parts in two of her photographs are not the principal subject, but possibly tools that illustrate that this pre-war place belongs to someone. With her photographs, she frames parts of a forgotten individuality, fragments of memory. For more information call The ancient manuscripts of Timbuktu are a door into Africa's golden age.