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Take a look at her early roles. When a multimillionaire man's son is kidnapped, he cooperates with the police at first but then turns the tables on the kidnappers when he uses the ransom money as a reward for the capture of the kidnappers. Riggs and Murtaugh are on the trail of South African diplomats who are using their immunity to engage in criminal activities. A man obsessed with conspiracy theories becomes a target after one of his theories turns out to be true.

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Unfortunately, in order to save himself, he has to figure out which theory it is. With personal crises and age weighing in on them, LAPD officers Riggs and Murtaugh must contend with deadly Chinese triads that are trying to free their former leaders out of prison and onto American soil. Martin Riggs and Roger Murtaugh pursue a former LAPD officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs. Bret Maverick, needing money for a poker tournament, faces various comic mishaps and challenges, including a charming woman thief.

Two newly paired cops who are complete opposites must put aside their differences in order to catch a gang of drug smugglers. After an accident, a chauvinistic executive gains the ability to hear what women are really thinking. A career criminal nabbed by Mexican authorities is placed in a tough prison where he learns to survive with the help of a young boy. Porter is shot by his wife and best friend and is left to die. When he survives he plots revenge. During a cryogenics test, a pilot frozen in awakes in but time is running out, as his body starts to age rapidly. An old flame discovers her ex-boyfriend from the past is a relocated FBI informant out to stop the bad guys.

Porter is bad, but his neighbours are worse. Street-wise and tough, an ex-marine, he is betrayed by a one-time partner, and shot in the back by his junkie wife. He survives and returns, looking to recover his share from the robbery of an Asian crime gang. The money has passed into the hands of "the Outfit", a slick gangster organisation that runs the city. He has to make his way through a world populated by heroin dealers, prostitutes, sado-masochists, gunmen and crooked cops, a place where torture is a way of life.

His only friend is a former employer, a prostitute, and her loyalty is in question, given she now works for the Outfit.

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He makes good early progress, but then falls into the hands of Fairfax, the crime boss. Mel as Parker aka Porter is a bad guy who comes across as a good guy because everyone else in this flic is even more nasty than he is. It's a simple play on perspective not often utilized in the movies. Usually, the hero is A HERO, white hat and all, even with a few quirks or deficiencies to his character. And the key to the whole picture is buying into Mel as a bad man, all despite his many years in heroic roles beforehand. It works very well, especially in the beginning, where it really needed to.

There's an early scene during the credits where Mel forces himself to smile in a mirror, as preparation for putting forth his 'best face' to a teller at a bank. One gets the impression this really is a man unaccustomed to smiling, a sour, angry man. There's a danger, in a film sense, of satirizing such moments too much, to the point of slapstick comedy - rather than dark comedy, which it really is.

But Mel doesn't mess around here: The rest of the cast is top-notch, by the way. The casting directors must have had a field day on this one. Then Mel himself is beaten; the whole theme of the movie seems to be about pain: It ends up being very cathartic. The cinematography also helps this picture: The lines on Mel's face are deeper than ever; he seems to carry years of pain there.

And years of guilt, maybe. Visit Prime Video to explore more titles.

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Find showtimes, watch trailers, browse photos, track your Watchlist and rate your favorite movies and TV shows on your phone or tablet! Get to Know Rachel Brosnahan. Share this Rating Title: Porter enlists the help of Rosie, a call girl, who is affiliated with the Outfit. Porter once served as her limo driver, during which time they had a one-night stand.

Lynn's jealousy and the fact that Porter had cheated on her with Rosie led to Resnick and her double-crossing Porter. To get to Resnick, Porter must deal with a lowlife drug dealer and gambler named Arthur Stegman, crime bosses from the Outfit, the Triads, and two corrupt police detectives named Hicks and Leary. Resnick is seeing a dominatrix named Pearl, who has connections with the Triads, when Porter violently re-enters his life.

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Resnick is killed by Porter in Rosie's apartment when Porter catches him abusing Rosie. Porter then kills three of the Outfit's hitmen, who have been sent to kill him. Carter explains to Porter that he is only an underboss and is not authorized to make any financial decisions. Porter then makes Carter phone the boss. Porter hears the boss, Bronson, refuse over the phone, so he carries out his threat and kills Carter.

With the aid of Rosie, he kidnaps Bronson's son Johnny. He arranges for Hicks and Leary to be busted by their own colleagues in Internal Affairs by planting Leary's fingerprints on the gun Porter used to kill Resnick. He steals Hicks's badge, then leaves it with the gun in Resnick's hand. The next day, Bronson and his associate Fairfax join the hunt. Porter is captured by the Outfit's men after a shootout involving Stegman, Pearl, and the Triads, which ends with Stegman and all of Pearl's men being killed.


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Porter is taken to a warehouse, where he is beaten and tortured for several hours, to force him to give up the location of Bronson's son. Porter is locked inside a car trunk and taken by Bronson and his men to an apartment that had previously been rigged with plastic explosives. After his captors meet an explosive demise, Porter is picked up by Rosie. Although credited as director, Brian Helgeland's cut of the film was not the theatrical version released to audiences. After the end of principal photography, Helgeland's version was deemed too dark for the mainstream public.

The film's tagline became: After 10 days of reshoots, a new opening scene and voiceover track also were added, and Kris Kristofferson walked on as a new villain. Helgeland's version, Straight Up: The Director's Cut version features a female Bronson, voiced by Sally Kellerman , does not include the voice-over by Porter and several Bronson-related scenes, and has an entirely different, ambiguous ending.

A June 4, , look at "movies improved by directors' cuts" by The A. Straight Up as "a marked improvement on the unrulier original.


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Mel Gibson stated in a short interview released as a DVD extra that it "would've been ideal to shoot in black and white. In addition to this, the production design used muted shades of red, brown, and grey for costumes, sets, and cars for further effect.