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Immerse yourself in relaxing with this book. Writing by Apostle Nosa Ighama. This book is written to help you discover the life-changing approach to God's.
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You see, between your born-again spirit and your flesh is your soul. Your soul is not born again. Hence, you may think your old thoughts and you may struggle with your new reality. Nevertheless the massive supernatural power that saved you permeated your total being, spirit, soul and body. That is why, in your own interest, God commands you to do something about your soul. How quickly you fulfill your destiny, to become like Jesus, is determined by you.

You alone control it, not God. You can pray and command from here till kingdom come, nothing will change.

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Change occurs when you renew your mind by reading, and adjusting your life, your behavior to what the Word of God says. You alone will determine how quickly you grow, by choosing to renew your mind with the Word of God. Your soul is like a gate keeper. It controls the volume and the rate that the things of the Spirit will flow into our body. The more renewed your mind is, the more the flow. The less renewed your mind is, the less the flow. You must learn to tap into the boundless resources of God within you — by simply agreeing with the word of God.

The greatest good you can do to yourself is to feed on the word, and ensure that your soul is in agreement with it. Your soul has ultimate power to release or keep you bondage to sickness by blocking the very life of God from within you from flowing into your circumstances. As a believer, everything you need is already inside you. You are the one that must release it, from within. You do what you do because you appreciate Him. God has not only done, He has also delivered them all to you.

You are called to release the treasure from within. This changes everything. Grace has already been released inside you. Jesus paid it all. If there is one master key you need as a believer, it is the knowledge that you are spirit, soul and body and that you can release the power of resurrection from within you by simply renewing your mind with the word of God and conforming your life to scriptures.

Unleashing The Power Within. James published between and In its original context it was one of eight stories set around the fictional Mugby Junction and its branch lines. It was inspired by the Staplehurst rail crash of June , which Dickens himself survived, having attended to dying fellow passengers.

He subsequently suffered panic disorders and flashbacks as a result. The final two stories were based on original screenplays, one by Clive Exton, who was an experienced television screenwriter, and the other by John Bowen, who was primarily known as a novelist and playwright [11] [12] , but also had extensive television experience, including adapting The Treasure of Abbot Thomas earlier in the series. In an interview in Lawrence Gordon Clark stated that the stories "focus on suggestion. The aim, they say, is to chill rather than shock. Partly because television is not best suited to carrying off big-screen pyrotechnics , but mainly because they want to keep faith with the notion of a ghost story in its literary rather than cinematic tradition.

After the first two adaptations, both done by Clark, the tales were adapted by a number of playwrights and screenwriters. In most instances the adaptations alter the original source material. For example, A Warning to the Curious frequently deviates from its literary source. The screenplay avoids the convoluted plot structure of M. James's original, opting for a more linear construction and reducing the number of narrators. In addition the central character, Paxton, is changed from a young fair-haired innocent who stumbles across the treasure to a middle-aged character driven by poverty to seek the treasure and acting in full awareness of what he is doing.

To take another example, in his screenplay for The Signalman Andrew Davies adds scenes of the traveller's nightmare-plagued nights at an inn, and reinforces the ambiguity of the traveller-narrator by restructuring the ending and matching his facial features with those of the spectre. For example, the appearance of the spectre is stressed by the vibrations of a bell in the signalbox and a recurring red motif connects the signalman's memories of a train crash with the danger light attended by a ghostly figure.

The Stalls of Barchester was the first dramatic production he directed. They backed you up with marvellous technicians, art departments, film departments and so forth. I was itching to move into drama and knew I had exactly the source material I wanted. I'd discovered M. James at boarding school and loved him. I brought a copy of M. The fact that period drama always has been very popular at the BBC probably helped. Clark recalls that "Paul Fox gave us a tiny budget Budgets were really tiny, and we shot for ten days and brought the film in for about 8, pounds.

The filming of the adaptations took place at a variety of locations, although East Anglia , where M. James set many of his stories, was the location for early instalments. The Stalls of Barchester was filmed at Norwich Cathedral and in the surrounding close. With the exception of the final film, the tales were directed by Lawrence Gordon Clark and produced by Rosemary Hill.

The final episode was directed by Derek Lister. BBC Four revisited the series at Christmas , and in began to produce new adaptations of stories by M. James, broadcast along with repeats of episodes from the original series. This was followed by a documentary, M. James: Ghost Writer. The critical reception of the films has been varied, but several are regarded as classic television ghost stories. They may boast the odd signifier of cheap s telly — outlandish regional vowels, inappropriate eyeliner, a surfeit of depressed oboes — but lurking within their hushed cloisters and glum expanses of deserted coastline is a timelessness at odds with virtually everything written, or broadcast, before or since.

Unleashing The Power Within

The production values have received particular praise. Helen Wheatley writes that "the series was shot on film on location , with much attention paid to the minutiae of period detail; Lawrence Gordon Clark [34]. The Signalman is perhaps the most critically acclaimed. Simon Farquhar suggests that the film is the first evidence of Andrew Davies's gift as an adaptor of literary fiction: "despite an extremely arduous shoot, Davies and Clarke's fog-wreathed, flame-crackling masterpiece manages something the production team could never have imagined: it's better than the book.

The production heightens the story's crucial features of repetition and foreshadowing. Sergio Angelini writes about A Warning to the Curious : "Of Clark's many adaptations of James's stories, this is perhaps the most varied in its use of landscape and the most visually arresting in its attempt to create an otherworldly atmosphere.

Using long lenses to flatten the scenery and make the ghost indistinct in the background, John McGlashan's fine cinematography brilliantly conveys the ageless, ritualistic determinism of Ager's pursuit and signposts the inevitability of Paxton's demise. The result overall remains satisfyingly unsettling, however, thanks also to Petherbridge's restrained, psychologically acute performance.

The adaptations have had an influence on the work of the writer Mark Gatiss. Interviewed in , Gatiss said that Lost Hearts is his favourite adaptation because it is the one that frightened him as a child [37] and that "I absolutely love The Treasure of Abbot Thomas. The moment when Michael Bryant has found the treasure and He just says, rationally, 'It is a thing of slime, I think. Darkness and slime The doctor is heading up the drive and he can't quite see him in the sunlight. Then it pauses to that amazing crane shot. Very spooky. The reception of the two later instalments, Stigma and The Ice House , was decidedly critical.

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Most reviewers concluded that switching to original stories instead of adaptations was "misjudged". There is so much that Christ already got for you by His death, burial and resurrection. They are done deals. But they are all stored up in the Testament, waiting for you to grow into them.

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You see, between your born-again spirit and your flesh is your soul. Your soul is not born again. Hence, you may think your old thoughts and you may struggle with your new reality. Nevertheless the massive supernatural power that saved you permeated your total being, spirit, soul and body. That is why, in your own interest, God commands you to do something about your soul.


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How quickly you fulfill your destiny, to become like Jesus, is determined by you. You alone control it, not God. You can pray and command from here till kingdom come, nothing will change. Change occurs when you renew your mind by reading, and adjusting your life, your behavior to what the Word of God says. You alone will determine how quickly you grow, by choosing to renew your mind with the Word of God.


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  6. Your soul is like a gate keeper. It controls the volume and the rate that the things of the Spirit will flow into our body. The more renewed your mind is, the more the flow. The less renewed your mind is, the less the flow. You must learn to tap into the boundless resources of God within you — by simply agreeing with the word of God. The greatest good you can do to yourself is to feed on the word, and ensure that your soul is in agreement with it. Your soul has ultimate power to release or keep you bondage to sickness by blocking the very life of God from within you from flowing into your circumstances.