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- SparkNotes: Hamlet: Themes
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SparkNotes: Hamlet: Themes
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Interpreting the Play Script: Contemplation and Analysis predilection to see politicians as liars and careerists is the base of all my questions and answers on politicians - fiddling - credit crunch etc. In his destruction of his beloved creature Hamlet is lucid and brilliant, fueled by rage and thoughts of Gertrude's betrayal. Ophelia is the only outlet for the hostility that he must keep secret from the King. The belief that Hamlet still genuinely loves Ophelia, and that his deep sensitivity and hunger for justice compel him to behave the way he does, allows us to conclude that Hamlet is at once so heartless and yet so virtuous.
The actual recognition of his love for Ophelia can only come when Hamlet realizes that she is dead, and free from her tainted womanly trappings: I loved Ophelia: forty thousand brothers Could not, with all their quantity of love, Make up my sum. Even when he confronts his mother and is so relentless that the Ghost must intercede on her behalf, we know that Hamlet longs to show her affection; to comfort her and to be comforted by her.
But love, pleasure, and tenderness all have disappeared behind Hamlet's encompassing wall of depression and overwhelming responsibility. The royal couple's actions have destroyed his faith in humanity, and he contemplates suicide. He declares "I do not set my life at a pin's fee" I. To die; to sleep, No more, and by a sleep to say we end The heart-ache, and the thousand natural shocks That flesh is heir to; 'tis a consummation Devoutly to be wish'd.
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To die, to sleep; III. Although Hamlet himself desires to see Claudius pay for his crime, he realizes the evil in the deed of killing the King, prompted by both "heaven and hell" II. The Ghost has placed Hamlet in a most unnatural position by asking him to commit murder. Hamlet hates the King for his treachery, but he would not act on that hate if he were not prompted to do so by the Ghost.
Hamlet is an introspective scholar. He is reflective and pensive, and we see this throughout the play as Hamlet delays the moment of revenge as long as he possibly can. It appears to the audience that only a little time has elapsed since Hamlet's meeting with the Ghost, but, in fact, months have gone by.
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And the perfect opprtunity to kill Claudius as he prays alone in his chamber is passed up by Hamlet, who makes excuses that the timing is not yet perfect. Hamlet's arguments for not killing Claudius at prayers are both subtle and logical -- too subtle, in fact, considering the enormity of Claudius' deed and the virtual certainty that Hamlet possesses of his guilt. Yet he holds back his sword--his heart does not seem to lie in its blade. When he returns from exile in Act V, we see a very different Hamlet.
He is calm, rational, and less afraid of death than merely indifferent. He has come to the realization that destiny is ultimately controlling all of our lives: Sir, in my heart there was a kind of fighting, That would not let me sleep: methought I lay Worse than the mutines in the bilboes. Rashly, And prais'd be rashness for it, let us know, Our indiscretion sometime serves us well When our deep plots do pall, and that should learn us There's a divinity that shapes our ends, Rough-hew them how we will.
Using fate as the scapegoat, Hamlet can distance himself from the act of killing Claudius. He can now admit that he knows nothing of the world, "since no man knows aught of what he leaves, what is't to leave betimes? Let be.