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That story was also by Nicieza, and so is this one. It ends with at least one of the hunters realizing that they've been jerks, and Red Wolf adopting the only wolf pup that wasn't killed. Earlier in the story, Red Wolf was performing a ritual saying goodby to the original Lobo well, Will Talltree's original Lobo; there have been more Red Wolfs and Lobos than i can count.

Other Key Issues:

Red Wolf has actually carved a new headpiece for himself out of his first Lobo. He also talks about them being "together forever" which i guess refers to the headpiece but could also imply that the new Lobo is a reincarnation. Inbound References 1 : show Doctor Strange Previous: Marvel Super Heroes 5 Dr.

This issue was supposed to take place before Doctor Strange 25, where the new Lobo is first mentioned, but it wound up coming out a few weeks after it. What was going on with the stories in Marvel Comics Presents?

They wound up coming out months or even years after they were commissioned. Did the editors let writers and artists submit as many stories as they came up with without caring when they would be published? Is that one of the reasons Marvel Super Heroes was created, to handle the excess stories?

How does the flashback to the War of Jokes and Riddles matter? I am Gotham, I am Suicide, and even the finale of I am Bane were all very deliberate moves on the part of Bane, to fool Batman into believing that he was victorious.

Jack Kirby Collector #72 by TwoMorrows Publishing - Issuu

While the War of Jokes and Riddles was not engineered by Bane like the rest, it showed how the Joker and Riddler both knew Batman so well that Bane would obviously recruit them to his mission. As the narration progresses, the connection between every arc of the run is made clearer and clearer. Rules of Engagement , Everyone Loves Ivy , and The Gift are all so clinically engineered to get to a certain point, and by the time the wedding is reached, the conclusion is all but inevitable. While many story choices in comics can feel like they were made later on, and retrofitted prior arcs to fit the narrative, King is able to show how intricately planned everything about his Batman run was from the start.

Bane and King has been tirelessly working to raise Batman to his happiest, only to bring him crashing down, and has finally succeeded. While the narration is going on throughout the issue, the art tells a different story. Fornes spends his pages depicting a fistfight between a raging Batman and a calculated Bane, which calls back to the fight they had so long ago at the end of I am Bane.

10 Best Fight Scenes In Comic Book Movies

Bruce even headbutts Bane early in the fight, and seemingly defeats him, only for Bane to open his eyes and begin anew. Alternating every two pages with Fornes, Janin draws scenes from earlier in the run, with the narration above providing a new context to each scene. Fornes imbues the fight with an incredible amount of emotion — there is this constant feeling of fury and rage coming from Batman, while Bane never looks impassioned.

Invincible #72

Every panel leads into the next, and even when the scene cuts to a flashback by Janin, the next panel picks up seamlessly from where the previous left off. The issue also very clearly mirrors issue 20 of this run, with the main, present day plot being entirely a brutal fight between Batman and Bane.

Previously On #72: The Wild Storm, Measuring Vertigo’s Popularity, & Commuter Comics

As the end of this issue reveals, the narrator this time around is Thomas Wayne, his father. The men from "Risks Unlimited" find themselves in a rip-snorting adventure in this nine-pager, drawn by Iger shop mainstay Robert Webb. Each page has an image area of 12" x 18" and aside from color notations written in blue pencil, a missing title logo stat, and several missing lettering corrections, the art is in Very Good condition. From the John McLaughlin collection. Auction Info Auction Dates.

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