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Table of contents
Munson Memorial Library
Two fables. With TMCM 14 , there is a photo of two mice statuettes with cheese, but the most prominent piece of cheese is a lighted candle! In this version, the town mouse ate a hearty country meal. The two arrived in the city home during dinner and hid. They were intruded upon by a cat, a cook, and two dogs, all at once! In BW 20 , the boy was so glad to see people after his first shout that they were not very angry at him for having fooled them.
The second time, some were quite angry.
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The next time they heard the boy cry, they ignored it until one cry was cut off in the middle. All they ever found of the boy was his pointed shepherd's hat. These two texts are acknowledged as from Tall Book of Nursery Tales Very simple, varied art. Ronald Duncan. Illustrated by John Bratby.
Cornwall, UK: Elephant Press. Here is a lovely set of ten short stories, each with a colored full-page illustration. This copy is numbered of and signed by both the author and the illustrator. The covers are black morocco, with a spine lettered in gilt and the front cover graced by a gilt version of Bratby's most dramatic design from "The Tale of Tails" on Though the title-page lists as the date of publication, the colophon indicates that the work begun in was concluded in The colophon also declares that the book is printed on handmade paper made by Timothy Powell of Sheepstor, Devon.
The title-page is done attractively in red and black. I read and enjoyed the first two stories. The first presents a monkey and elephant who daydream of going into business but find all their dreams failing. The second describes two flowers who must learn through experience to treasure what they offer.
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There is a list of subscribers at the rear; with all those subscribers, I am surprised that I found a copy of the book. Very good condition throughout. Not in Bodemann. Edited by Lawana Trout. Art Editor: Pat Wosczyk. NY: Scholastic Book Services. A wild and varied book meant perhaps for pupils in junior high school.
The book contains folktales, songs, tricks, games, crazy pictures and cartoons, and black-and-white illustrations. Besides two fables from India and one from Japan, the book contains "The Starved Farmer and His Fat Dogs" and FC: "whatever he had remarked of her beauty, he had said nothing yet of her brains. Translated by Mack Singleton. Is this a privately financed book? Done by a group or program at the University of Wisconsin? Its title-page is identical with its cover.
The pages throughout are from typewritten originals. After a few pages of introduction v-x , it marches through the text in rhyming quatrains, adding only a single page of notes afterwards Then on we find an introduction to and translation of "Pamphilus," a source and model for Libro de Buen Amor. I have read the first four or five fables in Ruiz' work to get a sense of this translation.
The rhyme seems to bend the syntax and word-order a good deal, and there are frequent apostrophes marking dropped syllables. It would be fascinating to learn the circumstances of this book's coming to be. Retold by Freya Littledale. Pictures by James Marshall. NY: Scholastic Inc. There are two Easter eggs pasted on 30 of the good copy, and there is some water staining on the older extra, but this is a delightful pamphlet. The fable is well told. Tom fools the hunters and the fishermen. Both unite with the townsfolk in turning against Tom when he needs them.
The best illustration 21 recurs on the back cover: the wolf looms over Tom. Tom mistakes the voice at first. The wolf eats all the sheep and tells the moral. Tom realizes and changes his behavior. The 5 th printing adds a number to the cover TW and improves the paper stock for the pages.
Caged (Star Breed, #3) by Elin Wyn
Hans Christian Andersen. The emperor here seems to be a lion or a big cat, though he moves in a mostly human world with human ministers and human subjects. The two weavers seem to be a fox and a cat. Fools cannot. Does this mean I'm a fool? If so, I must not let anyone know. Then comes the emperor, who repeats verbatim what the prime minister had said. The emperor in this version gives his weavers an extra twenty bags of gold and promises twenty more if he likes the finished work.
The artists in this book present this lion in long underwear, with his tail sticking out of the button-flap on the bottom. At the parade, everyone is wondering if he or she would be able to see the new clothes. After a little girl tells the truth, people comment "She's right!
The emperor is in his underwear! And suddenly he knew that they were right. The weavers had already run off with the forty bags of gold. They were no fools! Adequate cartoon illustrations. Diane Wakoski. Title-page drawing by Tom Montag. Milwaukee, WI: Pentagram Press.
Animal Studies Bibliography
Wakoski's fable builds off a typical enough fable that she quotes. A scorpion asks a frog for a ride across the pond and promises that he will not sting the frog. He does sting him in fact in the middle of the pond and to the frog's outraged cry "You promised! I couldn't help it. Everyone in the story who reads the poetry falls in love with the poet.
The lady lion has to kill the scorpion and watch the coyote also fall in love with the poet.
The moral: "If you are a lion and want the love of other lions, rather than scorpions or coyotes, don't write poetry. The lady poet, of course, is loved by everyone, but married to none. Written and illustrated by Norman Kirk II. NY: Vantage Press. This is a large-format book of drawings with a short bit of text to accompany each black-and-white drawing.
The text always occupies the left-hand page, the drawing the right-hand page. The use of the word "fables" for these fifty prose pieces is a stretch. Many of the combinations involve a play on words, either in the title or in the moral. It finishes with this line: "The moral of this fable is that a windsome lass will fire any man's hearth. The text speaks of a giant pitcher containing pancake batter. The story works around to this finish: "The moral of this fable is to watch your pitcher when the batter is up.
Many of the puns are real groaners, far fetched and not worth the fetching. There is some good fun here. Michael Gross. Illustrated by Mila Lazarevich.