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Table of contents

Philippe Graffin violin , Pascal Devoyon piano. The rarified world of Duparc's songs is one of classical collecting's most exclusive areas, as last month's Gramophone's four-page contemplation of a century's worth of performances of what is only a song uvre will demonstrate, criticism delving down to the syllabic and microtonal level. For those of you curious about these hyper-sensitive, mostly melancholy, deeply Romantic songs, the Naxos price will give you an easy entry to 14 of them and Duparc's only other work, a duet with Emily Pulley, soprano.

Paul Groves tenor , Roger Vignoles piano. Beach was best known in her time for her short piano pieces and her songs so it's good to finally have a representative selection of the former. There are 36 of her total of presented here, some in French and German texts and translations for all are included ; short, generally quiet with a narrow range of emotion, with plenty of delicate, pretty melody, these are songs intended for bourgeois consumption with a few rising to the level of the Romantic lied.

Notes on the Songs and Arias of Joesph Weigl

Katherine Kelton mezzo , Catherin Bringerud piano. Naxos American Classics 8. Whitely , Sonata Eroica, Op. Apparently a reissue of two out-of-print single discs, this almost complete four pieces are lacking cycle shows us Jongen as organ composer known primarily as an organist, he has lately been represented on disc by chamber and orchestral music. While some of his larger-scale pieces have a Wagnerian flow with a French atmosphere, later works demonstrate a master of organ color with subtleties of impressionistic quality. Judes, Detroit. Original and Priory releases.

A collection of chamber music containing harp which embraces just over years of fairly unusual repertoire, especially the two Russian rarities while the Dussek is not commonly heard either and everything offers its own colorful and satsifying soundscape for chamber music enthusiasts. Fibonacci Sequence.

Brahms -Op 72,1 Alte Liebe Candidus

After a hiatus and a move to a different distributor, the third volume of Medtner's EMI recordings is released, including three previously unpublished recordings the Novelle, Hymn and Primavera. Nikolai Medtner piano. The Verdi and Puccini are standard repertoire by now but the Zandonai lasts longer than the other two put together 31 mintes and is full of bold, virile melodies in its outer movements, has a catchy presto scherzo and a long adagio whose density of texture and depth of emotion is remarkable for a year-old composer.

Quartetto d'archi di Venezia. The wind trio is rigorously polyphonic and often seems to be imitating the registration of an organ of course, Karg-Elert was, with Reger, the most important organists and composers of organ music of his time while the quintet is almost a sunny late romantic serenade in style. The clarinet works, dating from around , are far more advanced in tonality or lack of it , especially the solo work and we should recall that among the composer's attractions were the works of Scriabin, Debussy and Schoenberg. An opera which occupied the composer for the better part of 30 years and two previous versions, the final product of his labors was premiered in The subject was an anti-tsarist military uprising in St.

Petersburg in The high point of Shaporin's career, it was also a major achievement for Soviet opera with the chorus ah, the good old masses! The music has enough acceptable modern touches to let us know we are in the 20th century while still cleaving to the demands of Socialist Realism and should appeal very much to collectors of Russian opera whether they have the LPs of this recording or not.

Hyperion Records

Detailed synopsis included. Ivanov baritone , A. Honegger's texts are by expressionist and symbolist poets and he paints dramatic pictures with independent piano parts which the composer states could be played without the voice, as little tone-pictures. Leguerney sets Renaissance poetry but with the typically French concision and marvellously idiomatic writing which drew the attention of and performances by such luminaries as Souzay and Bernac.

Welcome to Naxos Records

This reissue of various repertoire by Jewish composers who died in the Holocaust and of the anti-Nazi German Hartmann derives from Fonit Cetra recordings of and with various artists and contains some fairly unusual repertoire worth exploring both for seasoned collectors of the genre and is an excellent starting-point for those new to music and musicians suppressed by Nazi Germany. Alfred Frankenstein's description of the violin concerto says it all: "grandly scaled, highly dramatic composition, making marvelous use of the long lines and soaring lyricism which define the grand style so far as violin playing is concerned, but with an elegance and finesse especially characteristic of Martin".

The piano concerto, from , was written for the soloist here and is an athletic, demanding, virtuosic piece in its torrentially dramatic outer movements with a slow movement of an intensely elegiac quality. One of the world's most popular operas over performances in 20 languages by is also one of the least recorded not since CBS in the s , making this live Wexford Festival production a welcome bargain.

Premiered in , it is the best-known Czech opera after The Bartered Bride and absolutely full of local Czech color the title character playing the quintessential folk instrument of many cultures with over 30 minutes of purely orchestral interludes including the world-famous "orchestral favorite" Polka. No libretto but a very detailed synopsis. Two Whitlock sonatas in three months Well, for those of you interested in the composer or this organ, here are the early Short Pieces - two light concert pieces, two sweetly melodic slow ones and a rousing finale - and the first of two Fantasie Chorals whose titular reference to Franck is audible chiefly in the big spaces required for its leisurely main theme to make its greatest effect.

John Scott organ of St. Paul's Cathedral. Except for the five-minute Little Variations, everything here is a world premiere recording, led by the minute long song cycle of whose kaleidoscopic range of writing for both voice and piano recalls the 32 Piano Pieces of the previous year already released on BIS. Voice and piano often move independently but there are none of the wide vocal leaps in, say, Webern or Schoenberg and many portions of many songs will actually sound tonal.

The Sonatina is polytonal with echoes of jazz and Hindemith while the little Echo and Berceuse are wholly tonal, Romantic little surprises.


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Greek-English texts. Angelica Cathariou mezzo , Nikolaos Samaltanos piano. He premiered the now well-known Messiaen piece recorded here throughout West Germany to torrents of audience consternation and started carrying the banner for Webern as early as the late cantata is very seldom heard or recorded. The Fortner Aulodie , rev. The Chandos connection is made most literally with Ewazen's suite, whose movements are named after pubs in the English town of Colchester, Chandos' headquarters since the late s.

Center City Brass Quintet. Although not formally in Chandos' "Berkeley Edition" we offer this disc of guitar music, two of whose pieces were written for Julian Bream, in hope that it might persuade collectors not otherwise prone to buying a guitar disc. Craig Ogden guitar. A companion disc to last month's reissue 10G which featured music from Hypothetically Murdered, this release offered the world premiere recording of the complete incidental music to the satirical theatre production of King Lear not to be confused with the film score, whose music appeared on Naxos three months ago, 07G Consisting of 30 numbers lasting 45 minutes five of which were orchestrated by Gerald McBurney from the piano scores since the scenes were cut from the play before it opened , the music is in the same abrasive, flippant, discordant vein as the Hypothetically Murdered music.

Also included are two new pieces Shostakovich wrote for a stage play of Hamlet in which the director of the later film Kozintsev used a set of music the composer had previously written for a production of King Lear. This latter music 25 minutes contains ten Fool's songs which form a group which should stand with Shostakovich's other voice and orchestra works like the Symphony No.

English original texts included. Original Cala release. The minute variations vary the famous melody with extremes of tempo and articulation as well as irony and satire implicit. Niels Ullner cello , Rosalind Bevan piano. Dacapo 8. Wergo continues to delve deeper into Henze's early years with this well-filled release. Everything here dates from and the genial, sometimes spiky, neo-classicism is positively Gallic in flavor. The Ballet Variations even have a piano solo inspired by Franck's Symphonic Variations while the rest of the work is very Stravinskian.

Milhaud, Sauguet and Poulenc are the influences behind the Concertino and the Chamber Concerto with a nod to Hindemith and Henze's teacher, Wolfgang Fortner, in the latter while the orchestral interludes from the opera Boulevard Solitude, while very evocative and tonal, are the first to show the path the composer would take to his personal sound-world. This quasi "greatest hits" disc offers collectors the first budget-price sampling of the colorful and richly evocative music of this Australian composer.

SearchWorks catalog : Stanford Libraries

The greatest influences on his music are the vast landscapes and aboriginal cultures whose chants are often used overtly or covertly, as in 's Kakadu where birdsong also plays a part. The use of the didgeridoo in what is perhaps Sculthorpe's most famous work, Earth Cry , gives it a ritualistically overpowering emotional quality but, in Memento Mori - a meditation on the environmental destruction of Easter Island - the Dies irae is used to equally telling effect.

We keep offering new releases of Dubois' music in hope that more collectors will catch on to how delightful and enjoyable his music is. Anyone who likes Poulenc or the French-Impressionist tinged music of Stravinsky or Prokofiev or who likes the mood of the French chanson, the world of Paris between the wars will be glad to have met Dubois.

Yes, he didn't compose between the wars but his sense of joy in simple pleasures, pure and transparent forms and willingness to "merely" entertain make his music anything but anachronistic! This is the first disc to result from a highly unusual project; the commissioning of a cycle of ten quartets from one composer by Naxos playing at being an artistic patron in the sense that composers of the classical era and their aristocratic benefactors would have recognized quite well.

The prolific Maxwell Davies is probably one of few living composers ideally suited to such a project - always a composer of unusual fluency, his output has accelerated dramatically in the past several decades. No longer the iconoclastic 'bad boy' of the British avant garde, Davies continues to utilise classical and pre-classical forms, but nowadays as elements in a far more conventional harmonic vocabulary.

The nature-painting that has frequently preoccupied the composer, a long-time resident of the austere yet haunting landscape of the Orkneys, is a recurring feature of these quartets. An auspicious beginning to what may in time come to be seen as a defining feature of quartet writing in our time. Maggini Quartet. Schwantner's music is immediately identifiable by its luminous textures, bewitching sounds the crotales, harp and piano are critical for this, as well as various kinds of percussion and impressionistic delicacy which seems to combine Debussy, George Crumb and Messiaen.

The works here date from to and are generally high on atmosphere and, in the second of Music of Amber's two movements, even a bit on energy. LeFanu shares with her mother, Elizabeth Maconchy, a gift for dramatic and economical music, highly expressive and not readily classifiable according to any particular school or dogma.