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Head to these concept stores and design shops for some serious interior inspiration. From locally-made ceramics and jewellery to posters and postcards, there's  Missing: (Notes).
Table of contents

• Summer House in Mykonos / ARP - Architecture Research Practice
• GRADUATION PRODUCTS
• Catalog of Copyright Entries. Third Series: July-December - Google Libros
• Greek Design on the Island – Clothing
• Greek Architecture

Art Exhibitions , New York N. Galleries and museums. James Nachtwey; Books and reading Best books. William Pedersen , Rockefeller Center. Stu Jackson American basketball coach. New York N.

Summer House in Mykonos / ARP - Architecture Research Practice

High definition television. Kevin Anderson. Carlos Kleiber. Rolling Stones. The ancient workers were no less painstaking; in many cases, the joints between the blocks are all but invisible, even under a magnifying glass. The Parthenon was part of an ambitious building campaign on the Acropolis that began around b.

A generation before, the Athenians, as part of an alliance of Greek city-states, had led heroic victories against Persian invaders. This alliance would evolve into a de facto empire under Athenian rule, and some to cities across the Aegean began paying Athens huge sums of what amounted to protection money.

GRADUATION PRODUCTS

Basking in glory, the Athenians planned their new temple complex on a lavish, unprecedented scale—with the Parthenon as the centerpiece. But unforeseen problems arose as soon as workers started disassembling the temples. For example, the ancient Greek builders had secured the marble blocks together with iron clamps fitted in carefully carved grooves.

They then poured molten lead over the joints to cushion them from seismic shocks and protect the clamps from corrosion. But when a Greek architect, Nikolas Balanos, launched an enthusiastic campaign of restorations in , he installed crude iron clamps, indiscriminately fastening one block to another and neglecting to add the lead coating.

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Rain soon began to play havoc with the new clamps, swelling the iron and cracking the marble. Less than a century later, it wasclear that parts of the Parthenon were in imminent danger of collapse. In a set of vivid drawings, he depicted how the ancient builders extracted some , tons of marble from a quarry 11 miles northeast of central Athens, roughly shaped the blocks, then transported them on wagons and finally hauled them up the steep slopes of the Acropolis. To speed up the job, engineers built a flute-carving machine.

The device, however, is not precise enough for the final detailing, which must be done by hand. This smoothing of the flutes calls for an expert eye and a sensitive touch. To get the elliptical profile of the flute just right, a mason looks at the shadow cast inside the groove, thenchips and rubs the stone until the outline of the shadow is a perfectly even and regular curve. The ancients spent a lot of time on another finishing touch. With hundreds of thousands of chisel blows, they executed this pattern in precisely ordered rows covering the base, floors, columns and most other surfaces.

The dates come from the inscribed financial accounts. One key factor may have been naval technology. Since the Athenians were the greatest naval power in the Aegean, they likely had unrivaled mastery of ropes, pulleys and wooden cranes. Such equipment would have facilitated the hauling and lifting of the marble blocks. Another, counterintuitive possibility is that ancient hand tools were superior to their modern counterparts.

After analyzing marks left on the marble surfaces, Korres is convinced that centuries of metallurgical experimentation enabled the ancient Athenians to create chisels and axes that were sharper and more durable than those available today.

The idea is not unprecedented. Modern metallurgists have only recently figuredout the secrets of the traditional samurai sword, which Japanese swordsmiths endowed with unrivaled sharpness and strength by regulating the amount of carbon in the steel and the temperature during forging and cooling. Moreover, the restoration team has confronted problems that their ancient Greek counterparts could never have contemplated.

During the Great Turkish War in the late 17th century—when the Ottoman Empire was battling several European countries—Greece was an occupied nation. The Turks turned the Parthenon into an ammunition dump. More than blocks from those walls—eroded over time—now lay strewn around the Acropolis. For five years, beginning in , Cathy Paraschi, a Greek-American architect on the restoration project, struggled to fit the pieces together, hunting for clues such as the shape and depth of the cuttings in the blocks that once held the ancient clamps.

Eventually, she abandoned her computer database, which proved inadequate for capturing the full complexity of the puzzle. Other days I felt like jumping off the Acropolis. Looming over each restoration challenge is the delicate question of how far to go. There have been some bravura feats of engineering.

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The explosion knocked one of the massive columns out of position and badly damaged its bottom segment. A serious earthquake in damaged it further, and theentire column appeared at risk of toppling. The obvious procedure was to dismantle the column, one segment after another, and replace the crumbling section. In the early s, after the careful removal of the overhead blocks and lintels, the collar was suspended by turnbuckles adjustable connectors inside a mounted, rectangular steel frame.

By tightening the turnbuckles, the team raisedthe ton column less than an inch. They then removed the bottom segment—which they repaired with fresh marble to an accuracy of one-twentieth of a millimeter—and slid it back into position. Finally, they lowered the rest of the column into place on top of the repaired segment. There is hardly a straight line to be found in the temple. The registered office is in Silla di Gaggio Montano, Loc. The email address is piquadro piquadro.

Catalog of Copyright Entries. Third Series: July-December - Google Libros

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Greek Design on the Island – Clothing

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Greek Architecture

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