Manual Out of Balance

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Jan 1, - If someone or something is off balance, that person or thing is in a position where they are likely to fall or be knocked down: A gust of wind knocked/threw her off balance and she fell. confused or uncertain about what to do next: Many Republicans were thrown off balance by the Democrats' landslide at the polls.
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• 1. You haven't exercised in weeks.
• Rotating unbalance
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• balance out | meaning of balance out in Longman Dictionary of Contemporary English | LDOCE

Following the atomic bomb detonations, the next sequence begins with a shot of sunbathers on a beach, then pans to the San Onofre Nuclear Generating Station in the background. Shots of taxiing United Airlines Boeing aircraft and traffic patterns during rush hour are seen on a freeway and a shot of a large parking lot. This is followed with stock footage of Soviet tanks lined up in rows and a military aircraft, and an aircraft carrier.

Time-lapse photography of shadows of clouds are seen moving across the skyscrapers. Shots of various housing projects in disrepair, and includes footage of the decay and demolition of the Pruitt-Igoe housing project in St. The sequence ends with footage of the destruction of large buildings.

1. You haven't exercised in weeks.

A time-lapse shot of a crowd of people who appear to be waiting in a line. This is followed by shots of people walking along streets in slow motion. The next sequence begins with shots of buildings and a shot of a sunset reflected in the glass of a skyscraper. The sequence uses time-lapse photography of the activity of modern life.

The events captured in this sequence involve people interacting with modern technology. The first shots are traffic patterns as seen from skyscrapers at night. This is followed by a composite shot of the moon passing behind a skyscraper. The next shots are closer shots of cars on a highway. The sun rises over the city and we see people hurrying to work. The film shows at regular speed the operation of machines packaging food.

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People are shown sorting mail, sewing jeans , manufacturing televisions and doing other jobs with the use of modern technology. A shot of hot dogs being sent down rows of conveyors is followed by a shot of people moving up escalators. The frenetic speed and pace of the cuts and music do not slow as shots of modern leisure are shown.

People eat, play, shop and work at the same speed. The sequence begins to come full circle as the manufacture of cars in an assembly line factory is shown. More shots of highway traffic are shown, this time in daylight.

The film shows the movement of cars, shopping carts, and televisions on an assembly line, and elevators moving from first-person perspective. The film then shows clips from various television shows being channel surfed in fast motion. The film, in slow motion, then shows several people reacting to being candidly filmed on the street. The camera stays on them until the moment when they acknowledge its presence by looking directly at it.

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The sequence then shows cars moving much faster than they were moving before. Pictures of microchips and satellite photography of metropolitan cities are shown, comparing the lay of each of them. Various shots of people are seen from all walks of modern life, from beggars to debutantes.

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The final sequence shows footage of a rocket lifting off, only to end up exploding after a few seconds. Editing suggests that there is only one rocket, while in fact two different events were used: The first batch of footage shows a Saturn V lifting off Apollo 11 , followed by footage of the May explosion of the first Atlas-Centaur. The camera follows a flaming rocket engine and a white vapor trail or smoke against a blue sky as the debris plummets toward the ground.

The film concludes with another shot of desert rock art similar to the image at the beginning. Epilogue shows the translation of the titular Hopi word and of the prophecies sung in the last part of the soundtrack. The campaign involved invasions of privacy and the use of technology to control behavior. Instead of making public service announcements , which Reggio felt "had no visibility," advertising spots were purchased for television, radio, newspapers, and billboards.

The television advertisements aired during prime time programming and became so popular that viewers would call the television stations to learn when the next advertisement would be aired. Fricke insisted to Reggio that the money could be used to produce a film, which led to the production of Koyaanisqatsi.

Fricke and Reggio chose to shoot unscripted footage and edit it into an hour-long film. Louis, Missouri. As there was no formal script, Fricke shot whatever he felt would "look good on film". People walking by started posing for the camera, thinking it was a still camera , and several shots from the setup ended up in the film. Reggio was not on location in Times Square when Fricke shot the footage and thought the idea of shooting portraits of people was "foolish". Upon viewing the footage, Reggio decided to devote an entire section of the film to portraits.

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The footage was processed with a special chemical to enhance the film's shadows and details, as all footage was shot only with existing lighting. The unedited footage was screened in Santa Fe, New Mexico , but Fricke said it was "boring as hell" and there were "not that many good shots". While Fricke was working in Los Angeles, he edited the footage into a twenty-minute reel, but "without regard for message or political content".

The two-week shoot included aerial footage taken from an airplane using a hand-held camera and ground footage taken using a tripod. The first aerial footage was too "shaky", so additional footage was taken from a camera mounted onto the airplane. Reggio and Fricke came across time-lapse footage in "some low-visibility commercial work".

They felt such footage was "the language [they] were missing", and collectively decided to implement time-lapse as a major part of the film to create "an experience of acceleration". For the time-lapse footage, Fricke purchased a Mitchell camera, [14] and built a motor with an intervalometer , which was used to precisely move the camera between frames. The system was powered by a gel cell battery that lasted for twelve hours, which enabled Fricke to shoot without the use of a generator. Fricke wanted the footage to "look normal" and not contain any "gimmicky" special effects.

The first take was shot throughout the day for twelve hours, then the film was rewound and the same scene was shot at night for twenty minutes. The scene with the Boeing on the runway was filmed at Los Angeles International Airport , and was the longest continuous shot in the film. Fricke and his focus puller , Robert Hill, filmed at the airport every day for two weeks. In addition to footage shot by Fricke, some of the footage of people and traffic in New York City was shot by cinematographer Hilary Harris.

During post-production , Reggio was introduced to Harris' Organism , which predominately features time-lapse footage of New York City streets. Reggio was impressed with Harris' work and subsequently hired him to work on Koyaanisqatsi. While Reggio was working on post-production at the Samuel Goldwyn Studio in , [19] he met film director Francis Ford Coppola through an associate from Zoetrope Studios , Coppola's production company.

Prior to shooting The Outsiders and Rumble Fish , Coppola requested to see Koyaanisqatsi , and Reggio arranged a private screening shortly after its completion. The film's soundtrack by Philip Glass was released in , after the release of the film. Using the thesaurus. Close What are red words? Close Thesaurus.

Synonyms and related words. Not straight, upright or level: uneven , irregular , slanted Explore Thesaurus. Feeling sad or unhappy: sad , unhappy , gloomy Feeling surprised or shocked: surprised , shocked , amazed Whomping Yerd Jan 7.

Scomo unknown. A person in charge who leaves things to others when a difficult or emergency situation arises. Jan 6. Kahoot unknown. A review game that American public school kids take way too goddamn seriously, despite that the review part is useless and everybody usually fails the test anyway. We're doing Kahoot in class today, man.