Kill Bill: Volume 2 is the followup film to Quentin Tarantino's Kill Bill: Volume 1. The venom of a black mamba can kill a human in four hours if, say, bitten on the . The Bride: There's something I'm curious about, just between us girls.
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I'm often asked whether "I make things in order to preserve traditional manufacturing techniques," or "if I make things using natural methods in order to preserve the environment," but I never thought of it like that.
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I just want to make things that will stand the test of time and remain in peoples' hearts, so first I like to think about what resonates with me, and I use that as inspiration to make new things. Well the people who made the items on display here probably didn't naturally dye them in order to preserve the environment. However, when I look at these Native American moccasins lined up here, it almost seems strange that the people of that era applied such fine workmanship into their everyday tools. Was the aesthetic conscious of these people from the past that high?
Nakamura, why do you think these kinds of items were made? Well, if you continue to delve into it, I think that it comes down to "craving attention. I think there was an honest sense of wanting to "dress up" and "wearing different things than others to get the attention of your peers" with an underlying desire "to be loved. However, I think both people from the past and people today share that feeling of "wanting to be loved.
I think that you can feel that in both items from the past and items from today. However, old items are preserved as archives for long periods of time and have accumulated over the years. There were also a wider number of options compared to modern items. Also, compared to modern items, older items were not made for commercial purposes, so the messages of "wanting others to look at you" or "wanting to be popular" are conveyed in a more direct manner.
Kill Bill: Volume 2 - Wikiquote
There were no fashion shows and people telling you what the latest trends were, so it completely removed any artificial biases. I think that the simpler the message is, the clearer and stronger it is. From a commercial perspective, obviously we run a business by making and selling products, but personally, I initially think solely about what I want to do and what I want to make, and it's not only about business.
I think of it as a process that starts with an inspiration that leads the desire to make something beautiful and long-lasting, and then thinking about how to connect that to a business in order to make that idea a reality.
When you reverse this process, and think solely about the business side and then make something that fits those needs, it will change your final product. That's why I think that it's important to connect your personal feelings, like making something that you would want to wear or think is beautiful, with the market.
Kinoshita, what are your views on this idea? I absolutely agree with you. I think that it's especially important to grasp what your objective is in the beginning.
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I think that for Mr. Nakamura, he has continued to work with the desire to express his tastes to others, and for myself, I had the desire to create a magazine that people would enjoy. Both of our starting points were different from the idea of solely wanting to sell a lot of products and make money. However, in order to make this happen, you also have to think about how you're going to make it into a business at the same time.
The reason I didn't give this 5 stars is because I enjoyed the first volume more than this one. I'm not sure why, maybe because I wasn't expecting anything in volume one. I felt this volume was a little all over the place, but it was still fun! I will definitely be picking up the third volume. View all 3 comments. This comic is definitely becoming one of my favorites, it's just such a refreshing break from all the other intense comic series that I read.
Cannot wait for the next volume!! Nov 19, Paul E. Morph rated it really liked it Shelves: Volume 2 of Giant Days is almost as wonderful as the first. I love the charm of the setting and the characters, who always have me laughing out loud. I think I may also be a little bit in love with Esther, but don't tell the missus; she's already getting tired of me quoting the dialogue of this book at her! Her replacement Max Savin's stuff is really good but not quite as good as Treiman's It's almost a little too Disney for my tastes Still, this is an awesomely good book and I recommend it to anybody who likes their comicbooks without superheroes.
Right away, if at all possible.
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Oct 18, Chad rated it really liked it. A fun, irreverent book about some kids at university. This is just FUN in the best way. Jun 27, Kai rated it liked it Shelves: Super cute and funny. Definitely laugh out loud material. For some reason this Volume was lacking in plot though. Dec 31, Julie Zantopoulos rated it really liked it Shelves: I adore these friends, their dynamic together, and the diversity in their stories.
Susan is an asshole.
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Esther is a flake. The other one is boring. Don't remember her name and don't care enough to look. I think I might just not get this series. Jun 14, Stewart Tame rated it really liked it. Still digging this series. It appears that Allison is slowly expanding his cast. We seem to get a few new faces with each volume. For some reason, it didn't quite dawn on me until now that this is the same John Allison who does Bad Machinery.
GD is a little more reality-based than BM, but still displays the trademark Allisonian knack for pushing things juuuuust past the edge of reality. It's not full blown gonzo weird slapstick or anything, merely just one notch past plausible. He makes it look s Still digging this series.
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He makes it look so easy … Still highly recommended! Jun 17, emily rated it really liked it. Oct 15, Lauren rated it it was amazing. Oooooh, the shenanigans continue in this second installment!
Jun 07, Maddie rated it it was amazing Shelves: If possible, this was even better than the first one. Susan, Esther and Daisy continue to be the epitome of the university experience and October cannot come soon enough for the next volume! Mar 10, Jillian bookishandnerdy rated it really liked it.
Oct 01, Rachel Kalanadi rated it really liked it Shelves: May 29, Ashley rated it really liked it Shelves: I didn't quite love this second volume of Giant Days as much as I did the first one, but this is still an unbelievably fun series and I can't wait for Vol. Crotchety Susan is for once the only one having reliable sexytimes, while Daisy is going through a questioning phase, and Esther is having.
Ed continues to I didn't quite love this second volume of Giant Days as much as I did the first one, but this is still an unbelievably fun series and I can't wait for Vol. Ed continues to crush hopelessly on Esther, and McGraw continues to be have a moustache. I did find some of the stuff that happened in this one. In the first issue, Susan gets view spoiler [locked in an office for exposing a faith healer in her hometown as a fraud, and the others have to come rescue her.
This does involve a very amusing couple of incidences involving McGraw and multi-tool, and Esther unleashing her drama on an unsuspecting dance floor, but it was still weird. Also, Daisy starts channeling Tami Taylor?? The thing that really knocked this down a star for me may just be my problem, I don't know. The artist for the first entire trade, and the first two issues of this one, was Lissa Treiman, and it is one of the best parts of the comic. Her characters are so expressive and unique looking, and they have huge personality.
Starting with issue 7, Max Sarin takes over, and it's not like his art is bad. In fact, it's not at all. It's just not the art I wanted. Am I the only one who gets supremely annoyed when comics change artists? This caused a mass migration of around Saigon, the bustling capital city at the time was often depicted as The Pearl of Southeast Asia. The song is arguably the anthem of the city to this day. However, in the shadows of this glossy, gold-coated city, lies many people on the verge of poverty, of prostitution, of crimes.
It is also one of the rare blues that became a hit in South Vietnam. Many argued that the bolero rhythm was imported to Vietnam to fulfil the need of western dancing for the elites, but we quickly saw that it instead evolved into the music for the masses.
There is a Vietnamese saying about the relationship between a songwriter and a singer in this musical era: In fact, the songwriters usually tailor-made the songs for a specific singer that they have in mind. Not only that, the way music was recorded with the band was much different to the way it is recorded now. Every recording made in this era is then an organic combination of human experiences, communications and uniqueness. In , the first American troop landed in Vietnam, bringing with them the musical influences of the Beatles, Bob Dylan, Jimi Hendrix, Elvis Presley… The Vietnamese people quickly integrated it into the repertoire with hope to further diversify the music of Vietnam.
The pair specialises in the commercial rock scene with very energised live shows and recordings, mostly portraying a wilder way to love and relationships between a soldier and their lover. Perhaps what could be seen through these shifts and changes of Vietnamese music is a relentless quest to find its identity.