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One Green Bottle. likes · 3 talking about this. Onegreenbottle was created out of a need to find a drinking bottle that kept water clean, safe and.
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Options: Forgot Password Help. The first bit Iwent for was the dark comma of green around the top of the bottle. That went in nicely, and after a bit of astronger mix, with more colour, the tone looked about right.
That seemed pretty encouraging, so I went on with the bottle, blocking in the main colour shapes, standingback and checking, adjusting and correcting. I got the form of the bottle, the outline, by painting it slightly toobig, then cuttinground the edge with a tissue soaked in turps. The sight size method was a godsend here, and it was a really nice wayto work: cut in a little, stand back and check the shape, cut in a bit more. The shape of the bottle came outpretty well. Thanks again Monsieur Bargue. As I worked on the bottle, the medium already on the canvas started to become more solid, not tacky, but itwas definitely starting to dry.
It hit a very nice stage, when I could pull the paint about on the canvas veryeasily.
Ten Green Bottles
Icould move it around pretty much where I wanted, after it was on the canvas. A lot of the bottle isdone with my finger, rubbing in the glaze to smooth it out. Some of it is blended out in soft edges, trying to matchthe soft edges of the main tone blocks on the bottle. Once the bottle was blocked in and the shape established, I painted the back wall. The tone of the wall was way darker than I thought it was, much the same as theplate in the Carrots and Squash. First I put in what I thought the colour checker showed me, a deep toned pinkishgrey. I mixed this with a lot of medium too, I was in a medium frenzy.
When I stood back to check it, it wasobviously too warm, too intense, so I dragged some cool grey with mostly ultramarine over the top, and some whitefor the lighter parts. That seemed to work fine, with just a hint of the warm pink still showing through giving itsome life. This medium business was getting very interesting at this point. The main thing was to get the tone and the colour right, especially of the shadow.
The light in this painting is very diffuse. I wanted the white wall as a background with the shadow of thebottle thrown on it, and that meant setting up about six feet from the window, where the light is much weaker.
I do think I caught the light pretty well. I also think that working sight sizewas a very big help.
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It helped me to judge the tones, which is key to getting the feeling of the light, especiallywhen I had so little to work with. So how does this compare with the last time I painted this bottle? In that first painting Icopped out. But this one has no detail, so it has to stand or fall on the colours and tones, on the light.
Ten Green Bottles – Nursery Rhymes
I think it standsup better than the one I did in November. Ten pairs of objects of course, what else. That seemsto me to have happened. Maybe not for all of them,but where I can.