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She currently edits the Palgrave book series on Global Shakespeares. He has also worked internationally as a playwright and director, and his short stories have appeared in numerous literary magazines.


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His research interests include historical and contemporary performance of early modern drama, book history, and attribution studies. Collaborative Plays Palgrave, He is currently preparing a monograph on the theatre company Cheek by Jowl, and reviews theatre at his long-running blog The Bardathon. She is the author of Shakespeare Remains: She has co-edited multiple collections as well as published more than forty articles and essays on Shakespeare and film. She has published widely on the history of the transmission of Shakespeare on the stage and on the page.

Borrowers and Lenders: The Journal of Shakespeare and Appropriation

Local Appropriations in Film and Performance Routledge, The author of many journal articles and chapters in collections, he has published two books, Double Shakespeares: He is also a theatre director, dramaturg, and playwright. He is the editor of Inside Shakespeare: The American Shakespeare Center Bloomsbury Arden Shakespeare, and dozens of articles, essays, reviews, and chapters on theatre history, textual criticism, and performance studies. His most recent play, Invisible Inc. He has published extensively on Shakespeare performance, translation, and film, and has translated over forty-five plays for page or stage, including eighteen by Shakespeare.


  1. Attila Spotlight Guide (2011-12 Season Book 3).
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  3. Project MUSE - Repositioning Shakespeare: National Formations, Postcolonial Appropriations (review).
  4. His research is focused on Shakespeare in performance. He co-edited, with Jill L. Levenson, The Shakespearean World Routledge, Her recent publications include Performing Early Modern Drama Today Cambridge UP, and History, Memory, Performance Palgrave, as well as articles and books on early modern drama in performance from the seventeenth to the twenty-first centuries. His research focuses on Shakespeare in contemporary performance and popular culture. His publications include Popular Shakespeare Palgrave, , Shakespeare and Audience in Practice Palgrave, , and numerous articles on Shakespeare on stage, television, and film.

    His most recent book is Shakespeare in the Theatre: He is the theatre reviewer for Shakespeare Survey and directs for the theatre company The Pantaloons. She has written extensively on Shakespeare performance in China, including a monograph Shashibiya: Her recent work includes Staging China: New Theatres in the Twenty-First Century ed. Pioneer of Modern Chinese Drama —. She is the author of Enter the Body: She also contributed the annual review of Shakespeare performances to Shakespeare Survey , — She established the conference series, Attending to Early Modern Women, co-edited seven volumes of conference proceedings, and in co-founded the award-winning Early Modern Women Journal, for which she served as co-editor from to Her research on Shakespeare and performance has been presented to international conferences and has appeared in academic journals and anthologies.

    She is currently working on the politics of Shakespeare performance in pre-and post-apartheid South Africa.

    Repositioning Shakespeare

    He has published extensively on Shakespeare, early modern drama, and contemporary performance; his books include Representing Shakespeare: Invisible Acts Palgrave, , and co-author of two award-winning books in urban performance studies: Performance and the City with D. Hopkins and Shelley Orr: Palgrave, and Performance and the Global City with D. The Modern Age Bloomsbury, forthcoming. She is the author of Teaching Shakespeare with Purpose: