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43min | Crime, Drama | TV Series (–) Each series, a detective focuses on the prime suspect in a murder case; but everyone has something to hide. How many episodes of Secrets and Lies have you seen?
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This film was the subject of "positive pickets" by the adult adoptee rights organisation Bastard Nation , which used it as a vehicle to raise awareness of sealed birth records in the United States and Canada. From Wikipedia, the free encyclopedia.

One of British theatrical release posters. British Board of Film Classification. Retrieved 31 May Retrieved 28 May Rotten Tomatoes. Retrieved 30 October Chicago Sun-Times.

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Retrieved 5 October San Francisco Chronicle. Los Angeles Times. The Washington Post. Archived from the original on 27 February Retrieved 16 August Archived from the original on 19 September CS1 maint: archived copy as title link. Mike Leigh.

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Turner Peterloo Ecstasy Too Much of a Good Thing , broadcast Palme d'Or winning films. Hidden categories: CS1 maint: archived copy as title Articles with short description EngvarB from September Use dmy dates from September Pages using deprecated image syntax. Namespaces Article Talk. Views Read Edit View history. By using this site, you agree to the Terms of Use and Privacy Policy. Simon Channing Williams.

October Films US. Best Actress in a Leading Role. Best Actress in a Supporting Role.

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Best Director. Best Picture. Best Writing Screenplay for the Screen. Best Foreign Film. British Academy Film Awards.

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Best Actor in a Leading Role. Best British Film. Best Direction. Best Original Screenplay. Boston Society of Film Critics Awards. Best Actress. Cannes Film Festival. Best Actress Award. Prize of the Ecumenical Jury. Chicago Film Critics Association Awards. Best Film. Directors Guild of America Awards. Florida Film Critics Circle Awards. Golden Globe Awards. Best Actress in a Motion Picture, Drama. Best Motion Picture — Drama. Best Supporting Actress — Motion Picture. Best European Film. Independent Spirit Awards. Best Foreign Director. London Film Critics Circle Awards.


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Actor of the Year. Actress of the Year.

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Director of the Year. Film of the Year. National Board of Review of Motion Pictures. National Society of Film Critics Awards. Cynthia urges her daughter to bring her boyfriend: "I wouldn't know him if he stood up in my soup. Soon comes the second very long, unbroken take, focused on a crowded picnic table in Maurice's backyard, as the guests uneasily settle down. The tension is palpable, and not only because of the unexplained Hortense.

Cynthia, who brought up Maurice as her "little brother," hates Monica, and the feeling is returned. Roxanne doesn't like Maurice.

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Paul Lee Ross , the boyfriend, had only a little mumbled dialogue, but watch him closely: He is terrified, his hands clenching, his chin twitching, as he bolts his food. And then later, inside around the birthday cake, Cynthia drops her bombshell: Hortense is her daughter. How this plays out and what it leads to is encompassed in the film's title. What is interesting is that there is no sign of racial prejudice; the fact that Roxanne is learning that she has a half-sister is quite enough.

The shock of the announcement spreads through the room, jarring loose other family secrets and lies. Observe this scene as an illustration of what I mean by Mike Leigh's delicate precision. Every camera setup, every closeup, the size and timing of every closeup, the editing of the whole, works to unfold the scene powerfully.

Material enough for a season of soap opera is handled in several minutes and never seems forced or arbitrary. The tricky thing with many Leigh films is to process the comedy. In his more upbeat films like " Life Is Sweet " and " Topsy-Turvy " , the comedy is evident. In his darker films, like this one, "Bleak Moments," "High Hopes" and of course, " Vera Drake " , the humor is there, but often repressed and insidious, the kind of humor that in a social situation tempts you to laugh when it's inappropriate.

One of Leigh's favorite devices is to contrive some sort of party, dinner or gathering in which all the story strands emerge, sometimes with great inconvenience.


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Social embarrassment in both is palpable; are we supposed to laugh or wince? That sort of choice can make a film hypnotic. Consider an extended scene in "Bleak Moments" when the heroine, a beautiful, severe, reserved woman Ann Raitt , goes on a first date with a painfully shy teacher Eric Allen.


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In their paralysis in a Chinese restaurant, and in their confrontation with a waiter, you can sense all of Leigh's career lying in wait. In my review of "Bleak Moments," I wrote that the film "is not entertaining in any conventional way. This is not to say for a moment that it is boring or difficult to watch; on the contrary, it is impossible not to watch. A fellow critic at that long-ago festival screening told me, "I was riveted to the screen.

I could not stop watching the movie. But I could never sit through it again. I could, I wrote then, and I have. The kind of fascination Mike Leigh generates is unlike almost anything else in the cinema, because it takes such chances, goes so deeply, explores the human comedy for its tears. Reviews Secrets and Lies. Popular Reviews Little Women. Thor: Ragnarok. Spider-Man 3.