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Concerto for Flute, Violin and Harpsichord in A minor, BWV (Bach, Johann Sebastian) . Incomplete Score (Nos) · *# .. Title, Triple Concerto after the 2nd movement of Organ Sonata No.3 in D minor, BWV III.
Table of contents
- Paper Session I
- Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 (Bach, Johann Sebastian)
- Flute part
- Bach - Triple Concerto in A Minor & Vivaldi - Concerto | Reverb
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Paper Session I
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Includes a high-quality printed music score and a compact disc containing a complete version with soloist, in split-channel stereo soloist on the right channel ; then a second version in full stereo of the orchestral accompaniment, minus the soloist. For more details go to Product Detail Page. Sorry but your review could not be submitted, please verify the form and try again. Make a wish list for gifts, suggest standard repertoire, let students know which books to buy, boast about pieces you've mastered: Music Lists are as unique as the musician!
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Concerto for Flute, Violin and Harpsichord in A minor, BWV 1044 (Bach, Johann Sebastian)
Your discount will be immediately applied to your order. This site uses cookies to analyze your use of our products, to assist with promotional and marketing efforts, to analyze our traffic and to provide content from third parties. You consent to our cookies and privacy policy if you continue to use this site. Please see our Privacy Policy for details. By signing up you consent with the terms in our Privacy Policy. The first movement is based on an agitated theme in sixteenth notes varied by triplets and dotted rhythms. Elements of the theme are treated in dialogue by the solo flute and violin, but the keyboard comes to assert itself as the dominant solo instrument, with passages where it is unaccompanied.
Flute part
One thing it cannot do, of course, is sustain notes, and this difference from the flute and violin is exploited in widening divergences of speed, to the point where the keyboard is careering in thirty-seconds against whole notes from the other soloists. There is another, cadenza-like stretch of thirty-second notes from the keyboard against a staccato quarter-note pulse from everyone else near the end. Only the soloists take part in the slow movement, which opens with an eight-measure duet for flute and keyboard, with pizzicato violin accompaniment, followed by a variation for violin and keyboard with flute accompanying.
The key is C major, but the music is soon moving away from this easeful tonality, and that process continues through the continuation, in which the material is developed — first, as before, with flute and keyboard to the fore, then violin and keyboard. There is an explicit cadenza this time for the keyboard soloist with the invitation to extend it , after which the music maintains its seriousness to the end.
Clearly, coffee-house patrons in mid-eighteenth-century Leipzig did not expect just to be entertained.
Bach - Triple Concerto in A Minor & Vivaldi - Concerto | Reverb
Columbia University. Explore Program Notes. Johann Sebastian Bach arr. Lars Ulrik Mortensen b. Allegro II. Adagio ma non tanto e dolce III.