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Table of contents
- How to Become a Screenwriter in Hollywood - Indie Film Hustle
- Entertainment Law Publications
- How to separate yourself from the pack
But the reason the script succeeds is that it also skewers that very notion. The film recounts the efforts made by investigative journalists at The Boston Globe to uncover systemic child sex abuse in the Boston area by numerous Roman Catholic priests. They aim to prove the power of face-to-face reporting in an age where print is dying and digital dominates.
How to Become a Screenwriter in Hollywood - Indie Film Hustle
Mission accomplished. Baby-faced William Miller Patrick Fugit is an easily relatable narrator, intelligent and sweet enough that you wonder if all the excitement is worth his lost innocence. After returning home as a civilian, James talks to his young son about love. Jonze makes each one count. Imitation may be the sincerest form of flattery, but something is always lost in translation. It was a perfect marriage that neither artist ever replicated on their own. Sign Up: Stay on top of the latest breaking film and TV news! Sign up for our Email Newsletters here.
Entire books have been written on this subject. You have to draw upon all your contacts, no matter how small.
Entertainment Law Publications
The Hollywood Creative Directory lists producer credits and contact information. Some producers will respond to a query letter or a synopsis.
If the story sounds intriguing, they may agree to read your script if you sign a release or submit it through an attorney. Finding an agent who will read your script can be more difficult than finding a producer. The Writers Guild of America publishes a list of agents , noting those who will read material from new writers. Whether or not you have an agent, posting your screenplay on InkTip is a way to get it seen by industry professionals. Enter your script in as many contests as you can afford. It all starts with writing the most marketable script you can write, which is where consultant can be valuable.
How has the industry changed from last year in terms of the demand for creatively written scripts? However, the studios are making fewer movies than ever. Producers are getting more selective, and taking fewer risks. Getting an independent film distributed is still very hard, but recently there seems to be more equity funding available for independent features.
Just as anyone can declare themselves to be a consultant, all it takes to be a producer is a telephone and a script. In order to make it, a writer has to be inventive as a storyteller and savvy in the ways of business. That being said, many scripts come to me with their theme ill-defined or their structure out of balance.
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A well-written script has an undefinable quality; it just glows. However, other factors that have little to do with the quality of the material determine whether a script will sell. Above all, the lead role has to appeal to star, because getting a star attached will often decide whether a script gets made.
Braveheart was a script I recommended during my tenure at MGM, but it might not have seen the light of a theater screen if not for Mel Gibson. Has that been your experience? It does seem to be getting harder and harder to find a gem. My overseas clients on average show a stronger command of the craft and a greater passion for their work, as well as more originality. There are some very bright minds at the studios, but the economics of the business make it very risky.
Executives like to hedge their bets with a bankable package or a property with built-in appeal. Witness the perennial slate of remakes and sequels, and movies spawned by comic books or toys or video games. In this climate, an original story has little chance of getting made, no matter how well-written, unless it has a star attached. What are the top three investments a screenwriter should make before trying to get a consultant? Consultants are expensive.
How to separate yourself from the pack
Hiring a consultant can save the writer hours and hours of rewriting. It can also make the difference between the writer making a sale and possibly a career or floundering in obscurity. In most industries a person becomes a consultant only after years of proving themselves and establishing a reputation. They should have lots of ideas, lots of enthusiasm, and the ability to inspire you to create your best work.
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As with any industry, it helps to find a mentor. Two of my clients are a writing team, and they address me as their mentor. Some script analyses are worth their weight in gold. If a consultant can identify some critical flaws, and offer creative solutions to fix them, then their advice is invaluable. How much you pay should also depend on the type of service.
A set of notes that offers you alternate scenarios to explore is worth more than mere critique.
Considering the amount of time I commit to a project and the depth of my analysis, my fees are a bargain. A writer who requests development notes from a consultant should come away armed with everything they need to take the script to the next level.