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- #74: Marvel Studios Surpasses Expectations with Avengers: Endgame
- Pin on Comic Book Covers Supreme!
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The rest of publishers to follow were small fry. With the exception of Quality Comics, of course. We wonder today, how and when and by whom the decision was made to put out a new series. He claims to have sold Bill Gaines the idea of publishing horror comic books which Gaines proudly boasted to have been his very own invention, even so in front of the senate subcommittee in Moldoff seems to have been sold down the river over legal hassles and Gaines not wanting to cut him in on the profits.
The whole matter is fascinatingly captured and retold in the following dialogue. I had met Bill before, but now he was in charge, and I was doing some work for him. This is going to come on strong. RT: What made you think that? You know, Roy, I have a box of ideas I showed to different people over my career. Many of them have become reality, but not for me! I was always trying, and I just had a feeling this was it, that horror was going to come in.
I got Johnny Craig to draw two stories and a cover. Gardner Fox wrote a story; another fellow also did one, I drew a story, and I put the book together. Meanwhile, Dave Alterbaum drew up a contract. Do you want me to start on the next one? How do you do such a thing like that? Next time you have an idea, you get your own lawyer, and you have him protect you!
You did two horror stories for me, and you know damn well he screwed me! But you know damn well he screwed me! Gaines took the horror stories I had packaged, and he put them in different magazines. They gave credit to those two stories for starting it all.
And I still have the sheet in my books which shows that I paid Johnny Craig, and the name of the story, and how much I paid him, and the date! It was the first EC horror book. He was my second choice. So that went on that way. They got a little too deadly, a little too gruesome.
In fact, there was a girl editor named Ginny Proviserio. I believe this version is true to fact. They got fine and well-balanced scripts, not too wordy, not too heady, not imitating others, never boring, caring for characters, intelligent, and often ending on a valid twist. Okay, they got George Evans and Bob Powell. But Evans leaves very soon too soon! Bernard Baily?
#74: Marvel Studios Surpasses Expectations with Avengers: Endgame
Sheldon Moldoff? Bob McCarty?
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Still I say: Please read these books. They will broaden your pre-code-horizon. Because they are very well written. For the greater part. The covers of their horror magazines are not very good — in my opinion. Sheldon Moldoff works no magic, let alone with covers. Fawcett brought him in to do six wondrous covers , executed like paintings. At least six. Fawcett used very few artists to fill their 42 horror books.
This is partly due to their only-three-stories-a-book-policy, but then again they relied on a small bunch of contributors. To what avail? He got to fill his own issues, got to do his own thing. For a whole three years. Were his books any good? John or Ziff-Davis — and surely not as nonsensical and hilarious as those comics from Ajax-Farrell or Superior. Fawcett held their own. I dearly hope so, anyway.
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Sheldon Moldoff ran with the pack. In the end he left his mark on the pre-code horror craze. We should be thankful for that. One of the great horror cover artists! Not for Fawcett, though as mentioned above.
The Teeth! One of my favorite artists in pre-code horror. Top five of the fifties. Going out on a limb here. Powell is a visionary of… ahm… vision. And fun, too. John and Atlas.
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A portion of his glamour falls upon his work for Fawcett. He was the in-house all-rounder , depicting not only horror, but romance, western and movie comics as well. His style is realistic; all of his characters have coal-black eyes.
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In February he was gone. Interesting artist who has been confused with George Evans. Because he looks like a B-version of Evans. McCarty also loves to draw these trademark coal-black eyes, but bigger. Working for both companies, McCarty published an impressive 33 stories in the horror genre and came second — considering the output at Fawcett.
His distinctive, yet peculiar style is pleasant to look at. Forgotten veteran artist who hang around the Chesler, Eisner and Iger Shop since the late s. He has not been spotted or credited before, because only Jim Vadeboncoeur, Jr. Very very very strange! Have a look at his graphic hodgepodge — if you dare! Cancel Create Link. Disable this feature for this session. Rows: Columns:.