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Table of contents

We anticipate selling out in advance for most weekend nights, as well as every night in the last two weeks of December. If your schedule allows, we recommend visiting on a weeknight in the first two weeks of December.


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Also, snowy nights may be cold, but they make for great photos! May I use my tickets on any night of Blossoms of Light? No, please attend Blossoms of Light on the date you purchased your tickets for. If your plans change, email info botanicgardens.

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Fee waived for members. Why are there timed tickets? By staggering the arrival of our visitors, we hope to provide a better visitor experience. Once inside the Gardens, visitors may stay until the event closes. When should I arrive for my timed ticket window? If you bought a ticket for 5 p. If you have an 8 p. When should I buy my tickets? We highly recommend purchasing tickets as far in advance as you can as we anticipate selling out most nights of Blossoms of Light.

Popular dates may sell out several days or even weeks in advance. If tickets are sold out online, will there be tickets available at the door? No, there will not be tickets available for sale at the door on sold out nights. May I redeem my complimentary member tickets for sold out dates? No, complimentary member tickets cannot be redeemed for sold out dates. There are not additional tickets set aside for members.

Why is there a limit on the number of people who can attend each night? If the Gardens close at 4 p. Ticket sales for Blossoms of Light will begin at 5 p. Guests are able to purchase tickets online if they wish during this time. The Visitor Center and the Shop will remain open. No guests will be permitted entry into the Gardens past the Visitor Center between p.

Is there parking? Like as the waves make towards the pebbled shore, So do our minutes hasten to their end; Each changing place with that which goes before, In sequent toil all forwards do contend. Nativity, once in the main of light, Crawls to maturity, wherewith being crown'd, Crooked eclipses 'gainst his glory fight, And Time that gave doth now his gift confound.

Time doth transfix the flourish set on youth And delves the parallels in beauty's brow, Feeds on the rarities of nature's truth, And nothing stands but for his scythe to mow: And yet to times in hope, my verse shall stand Praising thy worth, despite his cruel hand.

Is it thy will, thy image should keep open My heavy eyelids to the weary night? Dost thou desire my slumbers should be broken, While shadows like to thee do mock my sight? Is it thy spirit that thou send'st from thee So far from home into my deeds to pry, To find out shames and idle hours in me, The scope and tenor of thy jealousy?

Melissa Etheridge - Come To My Window (Music Video)

O, no! Sin of self-love possesseth all mine eye And all my soul, and all my every part; And for this sin there is no remedy, It is so grounded inward in my heart. Methinks no face so gracious is as mine, No shape so true, no truth of such account; And for myself mine own worth do define, As I all other in all worths surmount. But when my glass shows me myself indeed Beated and chopp'd with tanned antiquity, Mine own self-love quite contrary I read; Self so self-loving were iniquity.

Against my love shall be as I am now, With Time's injurious hand crushed and o'erworn; When hours have drained his blood and filled his brow With lines and wrinkles; when his youthful morn Hath travelled on to age's steepy night; And all those beauties whereof now he's king Are vanishing, or vanished out of sight, Stealing away the treasure of his spring; For such a time do I now fortify Against confounding age's cruel knife, That he shall never cut from memory My sweet love's beauty, though my lover's life: His beauty shall in these black lines be seen, And they shall live, and he in them still green.

When I have seen by Time's fell hand defaced The rich proud cost of outworn buried age; When sometime lofty towers I see down-razed, And brass eternal slave to mortal rage; When I have seen the hungry ocean gain Advantage on the kingdom of the shore, And the firm soil win of the watery main, Increasing store with loss, and loss with store; When I have seen such interchange of state, Or state itself confounded to decay; Ruin hath taught me thus to ruminate That Time will come and take my love away.

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This thought is as a death which cannot choose But weep to have that which it fears to lose. Since brass, nor stone, nor earth, nor boundless sea, But sad mortality o'ersways their power, How with this rage shall beauty hold a plea, Whose action is no stronger than a flower?


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O fearful meditation! Or what strong hand can hold his swift foot back? Or who his spoil of beauty can forbid? Tired with all these, for restful death I cry, As to behold desert a beggar born, And needy nothing trimm'd in jollity, And purest faith unhappily forsworn, And gilded honour shamefully misplaced, And maiden virtue rudely strumpeted, And right perfection wrongfully disgraced, And strength by limping sway disabled And art made tongue-tied by authority, And folly, doctor-like, controlling skill, And simple truth miscalled simplicity, And captive good attending captain ill: Tired with all these, from these would I be gone, Save that, to die, I leave my love alone.

Why should false painting imitate his cheek, And steal dead seeming of his living hue? Why should poor beauty indirectly seek Roses of shadow, since his rose is true? Why should he live, now Nature bankrupt is, Beggared of blood to blush through lively veins? For she hath no exchequer now but his, And proud of many, lives upon his gains. Thus is his cheek the map of days outworn, When beauty lived and died as flowers do now, Before these bastard signs of fair were born, Or durst inhabit on a living brow; Before the golden tresses of the dead, The right of sepulchres, were shorn away, To live a second life on second head; Ere beauty's dead fleece made another gay: In him those holy antique hours are seen, Without all ornament, itself and true, Making no summer of another's green, Robbing no old to dress his beauty new; And him as for a map doth Nature store, To show false Art what beauty was of yore.

Those parts of thee that the world's eye doth view Want nothing that the thought of hearts can mend; All tongues, the voice of souls, give thee that due, Uttering bare truth, even so as foes commend. Thy outward thus with outward praise is crown'd; But those same tongues, that give thee so thine own, In other accents do this praise confound By seeing farther than the eye hath shown. They look into the beauty of thy mind, And that in guess they measure by thy deeds; Then, churls, their thoughts, although their eyes were kind, To thy fair flower add the rank smell of weeds: But why thy odour matcheth not thy show, The soil is this, that thou dost common grow.

That thou art blamed shall not be thy defect, For slander's mark was ever yet the fair; The ornament of beauty is suspect, A crow that flies in heaven's sweetest air. So thou be good, slander doth but approve Thy worth the greater, being wooed of time; For canker vice the sweetest buds doth love, And thou present'st a pure unstained prime. Thou hast passed by the ambush of young days Either not assailed, or victor being charged; Yet this thy praise cannot be so thy praise, To tie up envy, evermore enlarged, If some suspect of ill masked not thy show, Then thou alone kingdoms of hearts shouldst owe.

No longer mourn for me when I am dead Than you shall hear the surly sullen bell Give warning to the world that I am fled From this vile world with vilest worms to dwell: Nay, if you read this line, remember not The hand that writ it, for I love you so, That I in your sweet thoughts would be forgot, If thinking on me then should make you woe.

Unless you would devise some virtuous lie, To do more for me than mine own desert, And hang more praise upon deceased I Than niggard truth would willingly impart: O! For I am shamed by that which I bring forth, And so should you, to love things nothing worth. That time of year thou mayst in me behold When yellow leaves, or none, or few, do hang Upon those boughs which shake against the cold, Bare ruined choirs, where late the sweet birds sang. In me thou see'st the twilight of such day As after sunset fadeth in the west; Which by and by black night doth take away, Death's second self, that seals up all in rest.

In me thou see'st the glowing of such fire, That on the ashes of his youth doth lie, As the death-bed, whereon it must expire, Consumed with that which it was nourish'd by. This thou perceiv'st, which makes thy love more strong, To love that well, which thou must leave ere long. But be contented when that fell arrest Without all bail shall carry me away, My life hath in this line some interest, Which for memorial still with thee shall stay.

When thou reviewest this, thou dost review The very part was consecrate to thee: The earth can have but earth, which is his due; My spirit is thine, the better part of me: So then thou hast but lost the dregs of life, The prey of worms, my body being dead; The coward conquest of a wretch's knife, Too base of thee to be remembered. The worth of that is that which it contains, And that is this, and this with thee remains. So are you to my thoughts as food to life, Or as sweet-season'd showers are to the ground; And for the peace of you I hold such strife As 'twixt a miser and his wealth is found.

Now proud as an enjoyer, and anon Doubting the filching age will steal his treasure; Now counting best to be with you alone, Then better'd that the world may see my pleasure: Sometime all full with feasting on your sight, And by and by clean starved for a look; Possessing or pursuing no delight Save what is had, or must from you be took.


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Thus do I pine and surfeit day by day, Or gluttoning on all, or all away. Why is my verse so barren of new pride, So far from variation or quick change? Why with the time do I not glance aside To new-found methods, and to compounds strange? Why write I still all one, ever the same, And keep invention in a noted weed, That every word doth almost tell my name, Showing their birth, and where they did proceed?

Thy glass will show thee how thy beauties wear, Thy dial how thy precious minutes waste; The vacant leaves thy mind's imprint will bear, And of this book, this learning mayst thou taste.

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The wrinkles which thy glass will truly show Of mouthed graves will give thee memory; Thou by thy dial's shady stealth mayst know Time's thievish progress to eternity. Look what thy memory cannot contain, Commit to these waste blanks, and thou shalt find Those children nursed, delivered from thy brain, To take a new acquaintance of thy mind.

Act 2 Scene 2

These offices, so oft as thou wilt look, Shall profit thee and much enrich thy book. So oft have I invoked thee for my Muse, And found such fair assistance in my verse As every alien pen hath got my use And under thee their poesy disperse. Thine eyes, that taught the dumb on high to sing And heavy ignorance aloft to fly, Have added feathers to the learned's wing And given grace a double majesty.

Yet be most proud of that which I compile, Whose influence is thine, and born of thee: In others' works thou dost but mend the style, And arts with thy sweet graces graced be; But thou art all my art, and dost advance As high as learning, my rude ignorance. Whilst I alone did call upon thy aid, My verse alone had all thy gentle grace; But now my gracious numbers are decayed, And my sick Muse doth give an other place.

I grant, sweet love, thy lovely argument Deserves the travail of a worthier pen; Yet what of thee thy poet doth invent He robs thee of, and pays it thee again. He lends thee virtue, and he stole that word From thy behaviour; beauty doth he give, And found it in thy cheek: he can afford No praise to thee, but what in thee doth live. Then thank him not for that which he doth say, Since what he owes thee, thou thyself dost pay.