Il buon compatriotto di Carlo Goldoni (Italian Edition) and millions of other books Il Buon Compatriotto (Italian Edition) (Italian) Paperback – October 11,
Table of contents
Tragicomedies Belisario Rinaldo di Montalbano Ircana in Ispaan, "Ircana in Isfahan " 17?? La peruviana, "The Peru vian Woman" 17?? La bella selvaggia, "The Savage Beauty" 17?? La dalmatina, "The Dalmatia n Woman" 17?? Artemisia, " Artemisia " 17?? Enea nel Lazio, " Aeneas in Latium " 17?? Zoroastro, " Zoroaster " 17?? La bella giorgiana, "The Georgian Beauty" 17?? Il prodigo, "The Prodigal Man" 17?? L'avvocato veneziano, "The Venetian Lawyer" 17??
Il padre di famiglia, "The Father of the Family" 17?? Il poeta fanatico, "The Fanatical Poet" 17??
La Pamela, "Pamela" 17?? Il cavaliere di buon gusto, "The Gentleman with Good Taste" 17?? Il giuocatore, "The Gambler" 17?? Il vero amico, "The True Friend" 17?? L'incognita, "The Unknown Woman" 17?? Il tutore, "The Guardian" 17?? La moglie saggia, "The Wise Wife" Il feudatario 17?? La figlia obbediente, "The Obedient Daughter" 17?? I mercatanti, "The Merchants" 17??
La donna vendicativa, "The Vengeful Woman" 17?? La donna di testa debole, "The Feebleminded Woman" 17?? La cameriera brillante, "The Brilliant Maidservant" 17?? Il filosofo inglese, "The English Philosopher" 17?? Il vecchio bizzarro, "The Bizarre Old Man" 17?? Il festino, "The Banquet" 17?? L'impostore, "The Impostor" 17??
Carlo Goldoni – Wikipedia
Terenzio, " Terentio " 17?? Torquato Tasso, " Torquato Tasso " 17?? Il cavaliere giocondo, "The Merry Gentleman" 17?? La donna stravagante, "The Extravagant Woman" 17?? L'amante di se medesimo, "The Lover of Himself" 17?? Il medico olandese, "The Dutch Doctor" 17?? La donna sola, "The Lone Woman" 17?? La pupilla, "The Female Ward" 17?? La vedova spiritosa, "The Witty Widow" 17?? Il padre per amore, "The Father for Love" 17?? Lo spirito di contraddizione, "The Spirit of Contradiction" 17?? Il ricco insidiato, "The Sought After Rich man" 17??
La donna bizzarra, "The Bizarre Woman" 17?? La sposa sagace, "The Clever Wife" 17?? La donna di governo 17?? La scuola di ballo, "The Dance School" 17?? Cassiano il Carnovale dell'Anno Cassiano il Carnevale dell'Anno Commedia in tre atti in prosa [] Italiano - in ITA Dedicato a Sua Eccellenza la Signora D. Samuel l'Autunno dell'Anno Cassiano l'Autunno dell'Anno Samuele la prima sera delle recite autunnali in Venezia in quest'Anno Ircana in Ispaan [in Raccolta di opere ] Commedia in cinque atti in versi rappresentata per la prima volta nell'autunno del [] Italiano - in ITA Samuele il Carnovale dell'Anno Giulia Augusta Albani Chigi.
Moliere Il [in Raccolta di opere ] Commedia in cinque atti in versi. La presente Commedia fu rappresentata per la prima volta in Torino l'anno Monsieur Petiton [in Raccolta di opere ] Intermezzo di due parti per musica. Dedicato alle nobilissime Dame, e Cavalieri di Bologna. Such characters were common enough in Italy.
Carlo Goldoni
Goldoni was born in Venice in , the son of Margherita and Giulio Goldoni. In his memoirs, Goldoni describes his father as a physician, and claims that he was introduced to theatre by his grandfather Carlo Alessandro. In reality, it seems that Giulio was an apothecary ; as for the grandfather, he had died four years before Carlo's birth. In any case, Goldoni was deeply interested in theatre since his earliest years, and all attempts to direct his activity into other channels were of no avail: His father placed him under the care of the philosopher Caldini at Rimini but the youth soon ran away with a company of strolling players and returned to Venice.
In his father matriculated him into the stern Collegio Ghislieri in Pavia, which imposed the tonsure and monastic habits on its students. However, he relates in his Memoirs that a considerable part of his time was spent in reading Greek and Latin comedies. He had already begun writing at this time; and, in his third year, he composed a libellous poem Il colosso in which he ridiculed the daughters of certain Pavian families.
Goldoni's impact on Italian theatre
He studied law at Udine, and eventually took his degree at Modena. He was employed as law clerk at Chioggia and Feltre, after which he returned to his native city and began practicing. Educated as a lawyer, and holding lucrative positions as secretary and councillor, he seemed, indeed, at one time to have settled down to the practice of law, but following an unexpected summons to Venice, after an absence of several years, he changed his career, and thenceforth he devoted himself to writing plays and managing theatres.
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His father died in In , to avoid an unwanted marriage, he left the town for Milan and then for Verona , where the theatre manager Giuseppe Imer helped him on his way to becoming a comical poet as well as introducing him to his future wife, Nicoletta Conio. Goldoni returned with her to Venice, where he stayed until He entered the Italian theatre scene with a tragedy , Amalasunta , produced at Milan.
The play was a critical and financial failure. Submitting it to Count Prata, director of the opera, he was told that his piece "was composed with due regard to the rules of Aristotle and Horace , but not according to those laid down for the Italian drama.
Everything must be done according to a certain form which I will explain to you. Goldoni thanked his critic, went back to his inn and ordered a fire, into which he threw the manuscript of his Amalasunta. His next play, Belisario , written in , was more successful, though of its success he afterward professed himself ashamed. During this period he also wrote librettos for opera seria and served for a time as literary director of the San Giovanni Grisostomo, Venice's most distinguished opera house.
He wrote other tragedies for a time, but he was not long in discovering that his bent was for comedy. During his many wanderings and adventures in Italy, he was constantly at work and when, at Livorno, he became acquainted with the manager Medebac, he determined to pursue the profession of playwriting in order to make a living. He was employed by Medebac to write plays for his theater in Venice.
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He worked for other managers and produced during his stay in that city some of his most characteristic works. He also wrote Momolo Cortesan in This style was typified in La Donna di garbo , the first Italian comedy of its kind.
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After , Goldoni collaborated with the composer Baldassare Galuppi, making significant contributions to the new form of 'opera buffa'. Galuppi composed the score for more than twenty of Goldoni's librettos. As with his comedies, Goldoni's opera buffa integrate elements of the Commedia dell'arte with recognisable local and middle-class realities.
In , he engaged in a bitter dispute with playwright Carlo Gozzi, which left him utterly disgusted with the tastes of his countrymen; so much so that in he moved to Paris, where he received a position at court and was put in charge of the Theatre Italien. He spent the rest of his life in France, composing most of his plays in French and writing his memoirs in that language.
