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Olivia de Havilland in The Heiress () "Heiress, The" Premiere Elizabeth Taylor, Montgomery Clift Olivia de Havilland at an event for The Heiress ().
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I can guess. Who knows? The secret is dead and buried. In any case, I grew up without meeting my uncle Hal. They were both government economists, and then, in the fifties, they quit. There were rumors of left-wing affiliations. My parents, who were screenwriters, had never been further to the left than socialism, but these were the blacklist years. They knew a dozen people who had named names, and they also knew at least two of the Hollywood Ten, plus a few they claimed would have gone to jail, along with the Ten, had there been Eleven, or Twelve.

Hal was a sweet, lovely man, and Eleanor was a pistol.

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She had a long, horsy face and blondish hair, and she loved a laugh. Eleanor and Hal had no children, but they had lots of houses—they bought them and sold them without looking back. They owned art, and Chinese antiquities, and Persian rugs, and their house was run, magnificently, by a housekeeper named Louise. I mention Louise for a reason, as you will see. He told me, and, out of loyalty to my mother, who had no interest in such things, I promptly forgot.

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Another was Artie Lautkin, a doctor with no bedside manner whatsoever who had wisely gone into radiology. He was married to Fredda, whose name I was deeply fond of. Fredda Lautkin. I mention him for a reason, too. After college, I moved to New York, and every so often Hal and Eleanor would come to town and take me to lunch or dinner.


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When I married my first husband, they gave us a large antique gilt candelabrum that they claimed was Louis Quatorze. This cannot be true.

That candelabrum came with me to my apartment in the East Fifties, and then to my second marriage, during which I distinctly remember it sitting, looking idiotic, in the garage in Bridgehampton. Where is it today? I wonder. No doubt it was a casualty of divorce. In , Eleanor died. Years passed. My father and he were both widowers; they spoke on the phone from time to time, and afterward my father would call to bring me up to date. My father by then was in the early stages of forgetting things, but one thing he never forgot was a phone number, and in his later years he made at least a hundred phone calls a day, all of them brief.

‘Washington Square’ & ‘The Heiress’

He never said hello and he never said goodbye. Still, it made me sad. You always think that a bolt of lightning is going to strike and your parents will magically change into the people you wish they were or back into the people they used to be. It never crossed my mind to think that my father was telling the truth, that I was going to be the recipient of inherited wealth. Besides, Uncle Hal was in fine health. But then, one summer day in , as I sat at my desk struggling with a screenplay I was writing in order to pay the bills, the phone rang; it was an administrator at a Washington, D.

I hung up, stunned, and the phone rang again. The phone rang again.

It was the hospital. Hal had died. There were profits from the houses he and Eleanor had flipped, and from large developments they had built in McLean and Falls Church, block after block of upscale suburban dream homes with indoor pools and rec rooms and breakfast nooks and the like. And there was also the Famous Puerto Rican Thing.

It seemed to me that he had to be worth at least three million dollars. Which was a lot of money at the time. Divided by four, it came out to seven hundred and fifty thousand dollars for each of us. It was a fortune. It would change everything. That would still be half a million dollars each. On the other hand, perhaps it was four. Soon afterwards, Dr. Sloper reveals he is dying. To cause him distress, she vengefully tells her father she still loves Morris and dares him to change his will if he is afraid they will waste his money after he dies.

He does not alter the will and dies, fretful, leaving her his entire estate as Catherine refuses to see him on his death bed.

The Heiress () - Rotten Tomatoes

Years later, Morris returns from California, having made nothing of himself, and poorer and with fewer prospects for his efforts. Aunt Lavinia arranges for Morris to visit Catherine. He finds Catherine wealthy and unmarried, and is more attracted to her and possibly her fortune than before. He claims that he left her behind because he could not bear to see her destitute, and is quick to reproclaim his love for her and his desire for her affections.

Aunt Lavinia is thrilled for her niece, thinking this is Catherine's great chance. Catherine ignites Morris' hopes when she requests Morris recreate their failed elopement plans. She gives Morris a gift of ruby buttons that she had bought for him in Paris. Morris eagerly promises to come back for her that night, and she tells him she will start packing her bags. When Morris arrives later that night with the promised carriage and rings the bell, Catherine calmly orders the maid to bolt the door, leaving Morris locked outside, shouting her name and banging repeatedly on the locked door.

Her aunt asks her how she can be so cruel, and Catherine coldly responds, "I have been taught by masters. After seeing The Heiress on Broadway, Olivia de Havilland approached William Wyler about directing her in a screen adaptation of the play. The couple were asked to make Morris less of a villain than he was in their play and the original novel in deference to the studio's desire to capitalize on Montgomery Clift 's reputation as a romantic leading man. Ralph Richardson reprised the role of Austin Sloper he originated in the London production of the play. The Heiress received universal critical acclaim and won four Academy Awards.

In his review in The New York Times , Bosley Crowther said the film "crackles with allusive life and fire in its tender and agonized telling of an extraordinarily characterful tale" and added, "Mr. He has brought the full-bodied people very closely and vividly to view, while maintaining the clarity and sharpness of their personalities, their emotions and their styles The Heiress is one of the handsome, intense and adult dramas of the year.

TV Guide rates the film five out of a possible five stars and adds, "This powerful and compelling drama Time Out London calls the film "typically plush, painstaking and cold Channel 4 says of the performances, "de Havilland's portrayal Clift brings a subtle ambiguity to one of his least interesting roles, and Richardson is also excellent. From Wikipedia, the free encyclopedia. This article is about the film.

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For the play, see The Heiress play. For other uses, see Heiress. Theatrical release poster. Paramount Pictures. Retrieved August 3, NY Times.


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    8. Retrieved Films directed by William Wyler.