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See more ideas about Comic strips, Comics and Classic comics. numéros du 19/09/ au 27/10/ Comic Drawing, Sinbad, American Comics, Comic Book Characters, Choirs, Funny Pins and his embrace of one-page graphic novels, after he insisted for years that his works were just comic books.
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This work did not last long. She was soon transferred to a map-making department, where she acquired skills that she later employed when she drew maps of Narnia for Lewis and of Middle-earth for Tolkien. Baynes is probably best known for her covers and interior illustrations for The Chronicles of Narnia by C. Lewis, seven books published, one volume a year, from to the first five by Geoffrey Bles, the last two by The Bodley Head. Lewis HarperCollins, , by Brian Sibley.

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According to a School Library Journal review, "the artwork includes full-page illustrations in glowing color". When she began work on the Narnia books she was already the chosen illustrator of Lewis's friend and colleague J. These, it turned out, had been sent to the publishers "on spec" by the then-unknown Pauline Baynes.

Tolkien demanded that the creator of these drawings be set to work illustrating Farmer Giles of Ham and was delighted with the subsequent results, declaring that Pauline Baynes had "reduced my text to a commentary on her drawings". Further collaboration between Tolkien and his Farmer Giles illustrator followed, and a lifelong friendship developed Later, when she showed him her artwork for a poster featuring Frodo and Bilbo Baggins, the author nodded approvingly and murmured quietly: "There they are, there they are.

Baynes also painted the covers for two British paperback editions of The Lord of the Rings in one volume in and in three volumes in and produced illustrated poster versions of the maps from The Lord of the Rings and The Hobbit. However, Baynes's own favourite among her works was the set of illustrations she provided for A Dictionary of Chivalry, edited by Grant Uden Longman, , a project that required two years to complete. As a result, she won the Kate Greenaway Medal from the Library Association for the year's best children's book illustration by a British subject.

In a retrospective citation, the Library Association calls it "a reference work that details the life and thoughts of knights". As a reference book it is unique among the winning works and only one other Greenaway Medal in almost sixty years has been awarded for the illustration of non-fiction.


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Baynes also illustrated The Borrowers Avenged by Mary Norton , the fifth and final book in the Borrowers series, following the death of Diana Stanley, who had illustrated the previous four books. Baynes did the covers for a Puffin edition of the entire series issued in the s. J Beaven; UK J Beaven is known to be the artist who created the picture shown left of an Elizabethan Theatre used in a piece jigsaw puzzle created in the s by G. This picture was also used for a Macmillan Educational poster in the s. Walter Bell Walter Bell was an artist of English children's comics.


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He was able to copy the styles of most of his contemporaries, so he was often assigned too fill in for other artists during the artists' holidays or illnesses. He created some characters of his own when he became a freelancer, working at an art studio and later running a studio himself. He also did cover illustrations for the weekly Illustrated Chips, until he took over the back-page panel Casey Court for ten years. From then on, Bell expanded his activities and took on a variety of independent weekly comics. In , Bell began working exclusively for Amalgamated Press. Amalgamated Press was not amused by Bell's contributions to these rival publications and reduced his assignments.

Therefore, Bell began drawing for the comic supplements of national and local newspapers. He also took over George W. He later worked for several one-shot comic books at P. In his retirement, Bell drew cartoons for his local newspaper, the Barnet Press, until his death in He began his career at an early age, drawing illustrations for published by Montuoro and vignettes for the weekly Sior Tonin Bonagrazia.

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When Italy surrendered to the allies in , Bellavitis and his family travelled to Pordenone to join the partisans. He provided illustrations to the Venetian partisan weekly Vento di Montagna, and was also imprisoned several weeks with Mario Faustinelli and Alberto Ongaro. The group launched the magazine Albo Uragano, which was later renamed to Asso di Picche. Bellavitis also worked with Pratt and Faustinelli on the title comic, 'Asso di Picche'. When the largest part of the Venetian group headed for Argentina, Bellavitis and Battaglia began an association with the publisher Ave in Rome.

Bellavitis was one of the first Italian artists to draw for the British market, which he did after becoming art director of the agency Cosmopolitan Artists. He also introduced Rinaldo Dami, whose agency later provided most of the Italian artwork for British comics. Bellavitis himself drew 'Paul English' for Swift, shortly after moving to England.

Andy Griffith Football Story from 1953

Giorgio Bellavitis returned to Italy in to pursue a career in architecture, and was involved in many conservation and restoration projects in Venice. He taught art history at the University of Virginia in , and in was Thomas Jefferson Foundation Visiting Professor at the university's school of architecture.

He died on 21 May His early artistic influences were the juvenile comics of his childhood, Rainbow and Chips, and he found the Tarzan strips of Hal Foster and Burne Hogarth much more to his taste than the rather static picture stories that mainly featured in British comics of the s and '30s.

The young Bellamy had long been fascinated by big cats and other creatures of the African plains. One frequently-told story of Frank Bellamy's boyhood concerns a travelling circus that visited his home town sometime during the mid s. After school hours Frank enjoyed wandering around the circus camp gazing at the caged jungle cats and, on this particular occasion, approached close enough to pluck a few hairs from a lion's tail. He kept his prize for years afterwards safely stored in a bottle! But it does serve to show the sheer determination that Bellamy possessed, a quality that was, in adult life, to take him to the very pinnacle of his chosen profession.

Another magazine that made use of his talents early on in his career was the Boys' Own Paper. He left Norfolk Studios and went freelance. His main contribution to the comic was Monty Carstairs , an upper-crust adventurer whose exploits had been appearing in the comic since February, His first work for the publisher was a picture story adaptation of The Swiss Family Robinson for Swift , followed by King Arthur and His Knights , where he progressively used striking double sized frames to depict battle scenes, and Robin Hood and His Merry Men.

His enthusiasm was, however, tempered a little when he learnt that the work was to be a biographical strip of Sir Winston Churchill, The Happy Warrior. Early in , Hulton Press had been taken over by Odhams and the new owners wanted to see some changes. They decided that Dan Dare, the famous cover character of Eagle, looked too dated and needed a face lift.

They wanted someone who would inject a new vitality into the character and asked Frank Bellamy if he would take on the job. Bellamy was uneasy about taking over a character who had been created and nurtured by another artist Frank Hampson , but during his agreed year on the Dan Dare strip, Bellamy created some stunning pages of artwork that glow vividly with life. One feature of the strip that has contributed to its continual appeal is its philosophy of conservation, which was years ahead of its time.

This was followed by the fantasy adventure strip Heros The Spartan. Anderson's futuristic puppets were incredibly popular in the late s and their exploits were avidly followed by fans in TV Century 21 , and throughout the late s and early s Bellamy contributed to many quality periodicals including The Sunday Times , Look And Learn and Radio Times. His work for Radio Times, all featuring the popular character, Dr. Who , is amongst his most sought-after from the s. In he took over the Garth strip in the Daily Mirror. Frank Bellamy was a perfectionist who created some of the best colour work ever to appear in British comics.

His meticulously-drawn strips were always vibrant and full of life and action. His artwork rarely showed any signs of changes or alterations: he would discard a piece of work and start again rather than resort to process white and paste on patches. Click for the complete biography courtesy of the publisher and authors. Enjoy also the special feature in illustrators issue 5 on Heros the Spartan. Frank Bellamy art. Mark Bennington born Professional illustrator with 30 years experience.

Mark Bennington first arrived at Fleetway to help fill some pages for a Whoopee summer special. He quickly became one of Fleetway's rising stars working as an artist and a writer. My work has appeared in national and internationally distributed books, comics, magazines and marketing campaigns. Ted Benoit born ; France Ted Benoit has, since the s, been a prominent artist working in the ligne claire style made popular in the pages of the Franco-Belgian comics Tintin and Spirou.

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His first comics appeared in after he joined the editorial team of alternative magazine Actuel. He has also illustrated a number of books, prints and portfolios and has also been involved with l'association Le Crayon, whose members published The Naked Crayon in He has also been involved in advertising, notably for Jameson whisky and Bic. Ted Benoit art. David Bergen Although a popular fantasy artist in the s, almost nothing is known about David Bergen's career.

He was active in the s, illustrating Sphere 's H. Clarke and Samuel R. Barrington J. Bayley's Star Winds and E. Tubb's Incident on Ath, both Bergen then seemed to disappear until when his work began appearing on various Pan fantasy and SF titles as well as the Puffin editions of Ursula Le Guin's Earthsea series. He continued to produce covers until at least when his work again disappears from sight. What other areas he was presumably active in I have no idea; perhaps the lack of credits in the s is literally down to the lack of credits that appeared on books.