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Volume: 3; Price: USD; Pages: 52; Indicia Frequency: monthly; Indicia / Colophon Publisher: The Premium Group of Comics; Brand: Premium / PG.
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The book has been in stagnant air for too long! Miguel Agustin Principe. Ilustraciones de E. I must admit that I have not heard of him before. My first surprise in looking at this book is the volume of fables that Principe composed. I count fables in the T of C at the book's end. Few of them seem borrowings from traditional fables.

Finding this book alerts me, of course, that there are five others books in this fable series. They will not be easy to find! After child rat sees a cat clipping its nails, mother rat has to instruct her: the more the cat's nails are cut, the more they grow! As in the Iriarte volume, each fable inside has one black-and-white illustration, often involving silhouettes. As I mention there, it is unusual to get a book of fables from this corner of the world at this time!

Alas, this book has been in someone's musty basement for some time! No author or illustrator named. Akron: Saalfield Publishing Co. Two fables among the ten stories and poems. The book is in remarkably good condition except for the break between signatures near the end of "Drakestail. It is labelled as "An English Tale.

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See To Storyland for the plates of the former in a different format book; Our Story Book for the plates of both; and The Town Mouse and the Country Mouse for a slightly different version with completely different art. I found Volume II in paperback form and was so excited that I went out and got this hardbound set of four volumes including two volumes of fables and two of La Fontaine's stories. I am not disappointed. The same exacting style is at work here. The spine is weakened, and the book spent too long in some musty place.

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The monochrome designs on the beginning and ending pages offer the front and back of a scene of animals around La Fontaine; this scene is different from the one featured on the covers of Volume II. The frontispiece is a good rendition of OF. I find the illustrations like those I enjoy so much from Barret: small, exact, lively.

Scenes open out onto large perspectives, just as the story offers perspective on a detailed action. There is an illustration about every three fables. There is a T of C on , and there are delightful little designs along the way. One fine small illustration is at the end of "The Man with Two Mistresses" The monochrome designs on the two covers offer the front and back of a scene of animals around La Fontaine; this scene is different from the one featured on the covers of Volume II. I was excited to find this book available inexpensively.

After looking through it, I got so excited that I went out and found a full set of Contes and Fables in a hardbound version. I agree with it all. The monochrome designs on the two covers offer the front and back of a scene of animals around La Fontaine as he writes. The frontispiece is of TT. The good illustration for "The Farmer, the Dog, and the Fox" made me go back to review this fable about not taking responsibility for your own human folly.

It was the farmer who left a door open for the fox, and the dog gets the punishment! There is a T of C on , and there are delightful little printer's designs along the way. I include the two volumes of La Fontaine's Contes illustrated by Touchet because they came as part of the numbered four-volume set.

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In fact, this volume is marked with the same number, of , as the first volume of fables. My impression is that French artists love to play with La Fontaine's rather scurrilous stories. These illustrations are delightful, if a little racy for most people's taste. The front cover of this volume is separated but present. The book has an odor of a musty old book.

Frisky Fables Vol. 3 () comic books

Bodemann This is another star of the collection. The text itself consists of 89 pages presenting a preface by Bellegarde and twenty fables. Bodemann incorrectly limits the number to eighteen. Bodemann does well to present the title-page's etching of Aesop; it may be the book's strongest piece of art. The format for each fable is standard, with one double-page to each fable. On the first page is a title starting with the large single word "FABLE," followed by a small two-color design and the start of the prose text.

The text continues on the verso, followed by a verse quatrain. On the right-hand page inside is a full-page engraving protected by a slip-sheet. The verso of this page is blank. I am happy to see "Fable du Singe et de ses deux Petits" 23 chosen for presentation here.


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The engraving suggests nicely the coddling of the favored child and the independence and activity of the other child, pictured here away from the mother. I have trouble reading the engraving of the wounded lion on where is that wound? The engravings tend not to picture action; I prefer those here which picture action, like that of the lion attacking a bull on OF on 65 does a good job of contrasting the effort of the enlarged frog in the foreground with the insouciance of the large bull in the background.

Another illustration with more action shows the horse running away after he has kicked the silly lion The two cuts that make up each of the small designs follow on twenty-one unnumbered pages.

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In each case the two cuts are black and olive. The resulting two-color design is made from putting each pair together. The last page is a colophon-page on the two printers who executed the work. How much art were Parisians producing in ? Ilustraciones de J. Ramon Birri.

Primera edicion. Buenos Aires: Robger. Robger had apparently already done a privately published book "Fables," in As the T of C here on 87 shows, there are close to forty verse fables here. The first fable's title and illustration may give a clue: "The Whale and the Submarine" 5. Other titles include "Violins," "Ostrich," and "Stairs. The "Song to the Youth of Argentina" in five cantos follows the fables and closes the volume. Some uncut pages. Dan Storm. Seventh Impression. Lippincott Company. This is a nice sideways landscape rather than portrait children's reader once owned by the E.

Pease Library It includes nineteen stories. It certainly comes from another era. Simple Spanish words are carefully introduced, explained, and translated. The tellings are spirited and entertaining. Several fables are included in nicely adapted forms. The rabbit is tied up in a tree after he has been caught. Coyote comes by. Rabbit tells him that they want to lock him in the chicken house. Coyote naturally wants to take rabbit's place, tied up in the tree. Finally, "Senor Coyote and the Old Lion" is the story about tracks leading in but not out of the lion's den.

I have enjoyed this book!

DC Comic's 'Fables' Headed To Big Screen

By William Saroyan. Illustrations by Warren Chappell. Signed by Saroyan. Harcourt, Brace and Company, Inc. Twenty-seven good stories of various genres on eighty-nine pages with clever initials. A note before the first story identifies them as old Armenian stories, including some remembered in Fresno.

A particular pleasure lies in the elongated titles of the tales.


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Fables show up here in various ways. Sometimes a traditional fable shows up in slightly changed form. Thus TB 5 has a form of the La Fontaine version. In this form one of the two hunters has already sold a bearskin, while the other will wait to catch a bear first. The former, foolish hunter, encounters a bear, drops his gun, and falls to the ground pretending to be dead.