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Apr 29, - As in his last collection, Lovedeath (), the chameleonic Simmons shifts effortlessly between dark fantasy, space opera, hard SF and.
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The Sultan kills his bride every morning. To end this massacre, Scheherazade marries him and tells him a different story every night, finishing it with a cliffhanger by dawn. Because he is so eager to hear the rest, she is allowed to live for another day. This continues for nights. Those stories are told in a particular order to bring a change of mind in the Sultan.

He was lying to the audience the whole time. Start with a simple exercise: Write the same event from multiple POVs, and see which one works best. Interaction is what changes the characters and reveals them to other people and to the reader. Start with the basics: What do your people eat? How do they look, what do they wear?

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What does it say about them? Characters can be very vibrant and alive although not likable. Think of the Underwoods in House of Cards. When creating new species as Atwood did in Oryx and Crake , make sure they have their roots in what we already can achieve or are on the road to creating.

What kind of tree? How is it growing? What state is it in? If you want your places to feel real, your characters to feel alive, you need to master the rule of the particular. We are very fond of labeling or abstracting. Purposefully, describe rather the particular than the general.


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This is how facetted this language is in textures and cloth. How facetted is your language when it comes to descriptions? And how can you improve that? In this visual world, we tend to focus on sight. But books have an advantage over films: They can use all the senses.

What Is Speculative Fiction?

How about smell? Do you describe particular textures and how they feel to the tip of the fingers? Are you grasping the fullness of the smell that surrounds a location? Larynx, I spell. I hold the glossy counters with their smooth edges, finger the letters. The feeling is voluptuous. This is freedom, an eyeblink of it. Limp, I spell. What a luxury.

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The counters are like candies, made of peppermint, cool like that. Humbugs, those were called. I would like to put them into my mouth. They would taste also of lime. The letter C. Crisp, slightly acid on the tongue, delicious. Women are not allowed to read, so Scrabble has become infused with luxurious meaning for Offred, and this paragraph alone holds extraordinary depth.

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In your descriptions, include theme and the special meaning your story attributes to ordinary things. So to avoid a book where you have no story, apply the rule of purposefulness: The texture surrounding your characters has to be meaningful. But the repetition is there for a reason. The floral imagery is conscious because flowers have to do with fertility. They are often mistaken for something that is harmless or girly and appears to be safe.


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    • But it is not true for flowers as it is not true for the women in the book. Like spinning the wheels. Any form of human creativity is a process of doing it and getting better at it.

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    Writing is not the healthiest way to spend the day. Keyboarding can be bad for the neck and other parts of the body, so look out for yourself. Complaining will only tear you down because it focuses your mind on the wrong things. But if instead, you start speaking positively about your writing, you will see how these words will turn into your reality.

    Lead me through the doorway and leave enough hooks so that I will want to read on. Just imagine you are Scheherazade. Your life depends on whether you can hook the reader strongly enough to survive the next day or chapter. Something has gone off the rails and needed to be resolved. A question needed desperately to be answered. So desperately that the Sultan had to prolong her life for another night.

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    It includes scratching things out, moving things around — like rearranging the furniture in a house. You put a sofa in a corner and see that you need to move it. There is no shame in backtracking and revision.

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    It only means recognizing that there are things you can do better. It can be a closed or an open ending. Novels in the 19th century had closed endings while in our time, open endings are more common. Think carefully about how much you are going to resolve and why. How did Atwood decide on how to end the story? Especially in times of catastrophe, people simply disappear from historical records. You might unwillingly sabotage your work, walking around the finish line as if it were made of lava. On the contrary: You wonder why on earth you cannot finish this novel.

    Nobody is going to see your work until you allow them. Until you feel ready to share it with the world. Be brutally honest. Therefore, the thing being speculated upon must be more elemental than character or plot. Scale is more of a byproduct, and an optional one at that. See the difference? What if zombies were real? What if one man had x-ray vision?

    This opens up the first definition — fantasy, science fiction, and horror — to include other genres as well, such as alternate history, weird tales, dystopian, apocalyptic, time travel, superhero, etc. In area 1, we have the overwhelming component of speculative fiction: fantasy.


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    By definition, all fantasy is speculative. This includes all subgenres, such as epic, soft, urban, and magical realism. In area 2, we have another large component: science fiction. As I mentioned above, sci-fi is usually but not always speculative. Speculative sci-fi often includes the sub genres of space travel and time travel. In area 4, we have the third part of the main triumvirate: horror. Horror is frequently but not always speculative. Horror based on true events or without any supernatural elements falls outside the speculative ring section 5.