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Sting wrote this when he became interested in songs with nonsense lyrics, like "​Do Wah Diddy Diddy," "Tutti Frutti," and "Da Doo Ron Ron." He wanted to find.
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A temporary customer reference number is assigned to each customer only while they are shopping on zZounds. The first three songs are just great. Everyone I am sure is familiar with the riveting single 'Roxanne'. Some other creative touches exist throughout the record.

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Short sharp guitar strokes, throbbing bass, and drums that seem to be playing a different song! I find quite a few of the tracks to be a bit boring, verging on the realms of filler. But even those 2 can't quell the fires of this remarkable set. Well, what can I say? An absolute triumph.

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Easily one of my top ten all-time favorite albums. The title track might just be the definitive Police song, containing pretty much all of their trademarks -- soaring vocals, rumbling, watery lead guitar, and a slight reggae beat. It has dumb lyrics and a retarded vocal delivery, but it still rocks with the best Police rockers. Before I go through all of the songs because there isn't a weak one to be found I'll just brand this one with a big fat ten. People have got to stop assuming that this album sucks because it was quickly recorded-- if anything, it HELPED the results.

Signs of development begin to show up here already. The two most famous songs here "Message in a Bottle" and "Walking on the Moon" are easily my favorites, maybe even out of the entire Police catalog. The main riff from "Message in a Bottle" is just classic. Yes it techincally a punk song, but I don't have anything against punk personally. When I first heard this album I didn't really expect that any other of the group's albums would be as good, but I was wrong of course.

George, I think you should've given The Police their own separate section —- they were easily the most significant pop groups of the late 's-early 's. They seem to come out of nowhere and had such an instantly attractive and hypnotic style about them.

They were the first contemporary group I liked up until them I seemed to only listen to groups who were long gone. It was exhilarating to actually follow a living, breathing musical entity for a change. A thirteen? Sure, why not. The songs are all really good. And it really shouldn't be, but "Does Everyone Stare" is by far my favorite song on here. Any teenager who hasn't felt this way about someone is a soulless robot. The last verse in particular contains what I believe to be some of the most heartshattering moments ever put on a rock album.

It's not whining. It's real. Best Album of ??? I love The Police, and my band and I have played numerous covers of their songs, but still First and foremost, I don't care HOW much you try to embellish the fact.. For Christ's sake, its so obvious!! Out of all thier records, THIS was their weakest one. And why, why WHY does every godamned song have to hook you??? I read alot of your reviews, and it seems to me that you EXPECT certain bands to have a variety of styles on one album Jesus Christ If the band wants to have a different style, it'll develop it through an entire album..

Most people I talk to agree that this album is nothing short of a fast recording, probably to fulfill a contract obligation. Wake up already.


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Hey, it's the only good song B. C ever did and they did it first. I think I'll have to repeat this until I'll be sick of it. I'm French and excuse me for my lack of English. Oh yeah, this is my favourite Police album, just slightly nudging Zenyatta Mondatta in the process. As well as these three masterpieces, the remaining songs are just so damn consistent.

For one thing it features an interesting mix of fast and slow tempos in the verses.

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This is probably due to Andy Summers limits in the guitar leading caper. Some intriguing rhythms but some filler tracks bring this one down. Great drumming that certainly captivates me. However, songs like 'Death Wish' and the title track just get stale as the instrumental passages do not vary enough. I prefer the debut and Ghost In The Machine to this.

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The Wall. Wall Wall Wall Wallw allw awlalwlawlwawlwaaW. Dino dino dino. This record begins with a walloping first side and then inexplicably turns to suck in the final three songs.

The Police - De Do Do Do, De Da Da Da

But WHAT a great first eight! I listened to it last three months ago, but I still remember what and increibly GREAT instrumental the title track is.


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Puts Rush in their place, it does. But perfectly flowing is damned important, especially in a genre as traditionally "mathematical" as this. Actually, I just read your comments on Ween, and I think I fall into the "same old trusty emotions" camp. Truth be told, Ween might appear to embody those old emotions even if they're just examining them , and if they do, I'll probably like them. These guys-- they're a little more minimalistic and robotic than that. Great songwriters, yes, but they have filler on their albums, and if the emotions ain't there, the filler can't be excused.

At least that's the way I look at it. Maybe I'm just valuing surface-level superficial duh-grade emotion- jerking traits too much. Or I hung out with the stupid kids in high school. Capn Marvel at least thinks so.