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They also question what dreams are morally correct to play in the theaters that they have. The biggest issue in this book, is learning from the past. When the characters realize that the dreams are memories, the realize that the nightmares are true events just as much as the dreams.

It is also hard to write a plot summary on.


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However, it gives excellent food for thought and will leave readers thinking about it for hours after they finish reading it. Now that the universe has been set up, the characters and story can fully be explored. We get to know more of the 'why' behind the world, since the 'what' has been answered. The characters really grow into their own skins through the course of the story, getting more and more comfortable with who they are and where they fit.

This could have been a trilogy. This could have been one of those lengthy sci-fi series, dragged out into dozens and dozens of volumes. Instead, Knox builds a world and wraps a story up in two books, but fits decades of mythology in such a compact duet. The story may take place in an alternate world, but the undertones resonate with contemporary readers, and the plot's intricate twists and turns will take each and every one who sticks it out for the ride of their lives. I have not seen a world as well-developed in a YA novel since Harry Potter and The Hunger Games, and it's truly a pity that this series isn't as well-known as it should be.

What a story. It intrigued me enough that I went out and got the second.

The Dream Quake - Young Adult - Books | Faber & Faber

However, about half way through I almost put the book down. The characters seemed to be stuck in a loop trying to figure the same things out over and over again. Things were just taking too long for me, but I stuck through it and the second half of the book made up it. The characters started to develop again and the plot become involved and was progressing once again. Laura Hame is once again center stage of the story, and she has finally started to put things together about the mysterious Place.

Just because people do kill in the name of god is not good enough. YOUR story.


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  • You should know. Give it meaning or you don't get to name it. Cop out. My fantasy shelf title "asleepanddreaming" and my youngadult shelf "thelostgirls" worked so very well for these two books too. View all 15 comments. Jul 10, TheBookSmugglers rated it it was ok Shelves: awesome-girls , disappointing , wait-a-minute-what , fantasy-awesomeness , what-the-fuck-is-this-shit , terrible-books , young-adult.

    The two books were actually published in Australia as one omnibus edition called The Invisible Road. It features a story about families, about cousins, about lovers, and about friends. It is also a story about power and politics and dreams. Above all, it is a story about a place. The Place. The Place is a fantastical realm that appeared suddenly a few years back and where a few specific people dreamhunters can travel into to capture dreams.

    In terms of worldbuilding, there is a whole industry that has been built around The Place: dreamhunters capture dreams and then broadcast them to a paying, sleeping audience that gets to live through amazing experiences. But it all goes much beyond that: Dreamhunting also affects the future generations of this nation because young people dream of becoming hunters so that they can improve their lives and there are also questions of politics, economic progress, fame and fortune connected to The Place and its different uses most of them benign, some of them horrifyingly nightmarish.

    Two of the most famous, most powerful Dreamhunter families are the Tiebolds and the Hames.

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    Cousins-almost-sisters Rose Tiebold and Laura Hame are reaching the age where teenagers can try out dreamhunting and whereas Rose dreams about it and has built her entire life around it, Laura dreads the moment. Surprisingly, it is Laura who succeeds in becoming a Dreamhunter.

    The story follows the two girls as they deal with disappointments and successes and the narrative follows the two as well as the other members of their family. And this is only but the barest bones of the duet. There is a LOT to unpack here: I think overall, in terms of worldbuilding, it is a remarkable fantasy and I have not read anything quite like it before. I loved that the novel is constantly changing viewpoints and that we get to spend time with the adults and see their relationship with each other. I enjoyed the sweet romance between Laura and the young Sandy and above all I LOVED Rose, her forthrightness and the way she struggles to find meaning in the life that she has to build after her dreams of dreamhunting have been destroyed.

    There is so much that is interesting and engaging with the topics of politics, power, family dynamics, gender roles, identity in these books. It all sounds awesome, right? More about those in the discussion in the second part of this review. I just wanted to end my part by saying this: I thought reading this was well worth it for the family dynamics and the impressive imagery.

    Despite my personal aversion for how things ended up, I still do not regret reading it. In other words: these are the most amazing books I have ever hated. Or the most fucked up books I have ever loved. Or something. I am grateful, because as Ana says, the Dreamhunter Duology is mindblowingly amazing when it comes to worldbuilding, basic premise, writing style, and imagination.

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    The concept of The Place — a mysterious land to which only a select few can travel, and even more select few can capture and rebroadcast dreams — is fascinating. The Place and Dreams are a mystery, and I love the questions posed especially by the first book. Why are dreams tied to certain locations?

    Why do they feature certain central figures convicts, in particular? What do the dreams mean and where are they coming from?

    Dreamhunter - Khawvel hi

    Beyond the outstanding premise and world, I also loved the female characters in the duology, especially Rose Laura…well, more on that in the spoiler section. Even though this is an alternate world set in the early s, I love that Rose, her powerful dreamhunter mother, and even at certain points Laura but really, more on that in a bit are women that have agency and are empowered and make their own decisions — be it with friends, having sex for the first time, surviving a fire, and so on. I love the threads of friendship and of family in both of these books, especially when it comes to cousin Rose and her relationship with both her mother and cousin who is really like a sister Laura.

    I personally did not care for the ending — scratch that. I personally hated the ending of the book. Especially Laura whose character is basically ruined for me completely. Finally, this also bothers me deeply: the fact that this takes place in a kinda-sorta version of New Zealand, but a New Zealand that has been completely erased of its Maori population and history more on that below.

    Ultimately, I am torn when it comes to this duology. Do I recommend it? In other words: I understand why Ana told me to read these books — because this is the type of thing that needs to be discussed. With spoilers. Spoilers follow below. This Future! What a waste of a perfectly good premise!

    Dreamhunter Duet

    This is one of our most irritating pet peeves in literature. This creates a HUGE worldbuilding problem. How can they enter The Place at all? What about the other dreams the Gate dream comes to mind? When Lazarus rises from the grave — where he has been buried alive but not dead for years and years — he is alive. And yet, his memories of his past are intrinsically tied to the existence of The Place in his childhood and his upbringing with his single mother who is no longer a single mother. In the end, the two extremely young female protagonists end up the book married and with children.

    Laura finds Lazarus and saves him and then learns that he is her son.


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