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Tom Schilling in Never Look Away () Tom Schilling and Paula Beer in Never Look Away () Never Look Away () Saskia Rosendahl and Cai Cohrs Florian Henckel von · Awards · Tom Schilling · Paula Beer.
Table of contents
- A towering achievement of a film, full of horrific secrets
- In Never Look Away we finally have a painter biopic offering insight into the creative process
- Site Information Navigation
- Irish Film Institute Logo
Seeband is simply a villain, though Koch works hard to give him dimension and excels during a moment of partial comeuppance, when those haughty, complacent features of his suddenly taken on the mien of a cornered rat.
- Carla and the Cyborg: When a girl needs out-of-this-world romance!?
- Baker Bags A Billion?
- Cinema Calendar?
- The Encrypted Truths of “Never Look Away”.
Reviewed at Venice Film Festival competing , Sept. Running time: MIN. Original title: "Werk Ohne Autor".
A towering achievement of a film, full of horrific secrets
Crew : Director, screenplay: Florian Henckel von Donnersmarck. Camera color, widescreen : Caleb Deschanel.
Music: Max Richter. The 24 year-old actress used to regularly perform covers and play acoustic guitar on YouTube as a teenager in The Oscar race is on.
In Never Look Away we finally have a painter biopic offering insight into the creative process
I actually [ By Jessica Kiang. Close Menu.
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- Never Look Away review – powerful Gerhard Richter-inspired drama!
- Never Look Away review – Dubious biopic leaves a bad taste.
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Premier Logo Created with Sketch. Please refresh the page and retry. Inspired films about artists are rare enough. But films that manage to make sense of artistic inspiration itself?
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Never Look Away deserves to join it. Three decades of personal and European history have carried Kurt, and us, to this blank-canvas-facing point: years which encompassed rosy preschool days with his pretty aunt Elisabeth Saskia Rosendahl , a Dresden childhood disfigured by war, a spell as a muralist for the East German state, love, marriage, a domineering father-in-law, defection to the west. There are dark truths tethering all of these events together, to which the audience has been made privy but Kurt himself has yet to consciously grasp.
Nevertheless, he reaches for his brush.
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A nd so Kurt thinks, tests an idea, scrubs it out, comes up with another, sketches, steps back sceptically, goes home, makes love to his wife Paula Beer , returns the following morning, and reaches for his brush again. As Kurt develops that idea, you start to apprehend just how great it is — often a wildly satisfying split second before he does.
Satisfaction slowly ripens into awe, and Kurt keeps going. Watching paint dry has never been so riveting.