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Ryder, Cleveland, Oh. Ryder, of Cleveland. Though no one party seems to have known what the other would contribute, there appears to have been a generous rivalry for the ascendency. On the walls the life-size portraits, in crayon and India-ink, of Generals McClellan, Grant, Hancock, Meade, and Couch, are worthy of special mention, being the finest we have ever seen on exhibition, and a part of Mr. By the same artist we also notice some very fine Imperial Photographs in India-ink, and some of the same parties on albumen paper.

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For beauty and brightness the latter are ahead, but for permanency the former will excel. There are a number of other very fine specimens of art by Mr.

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Gutekunst whose display we must acknowledge to be the finest and the best. His collection of card photographs of celebrities was also very-fine, and attracted much attention. Those of Generals Wistar, Meade, Crawford, and Mayor Henry, we noticed particularly, though there were at least a dozen of them of other parties equal to them.

Making these large pictures without the use of the Solar Camera, is becoming a feature in our growing art worthy of attention. The greatest novelty on exhibition was a colossal solar print of Lieutenant-General Grant made from life by James E. It is a fine specimen of solar printing, and in sundry ways typical of that great commander.

We do not think the likeness as good as others we have seen. That view of the face is not the best by far, yet it has many good points that are not found in others.

Mystery #6: Caboose on the Loose

A life-size portrait of Washington in oil by Reimer was the subject of some admiration, but we cannot conceive why a good photograph should be covered with oil colors. Photography steps rather the other way.

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A life-size crayon of Governor Curtin by Hagaman was also much and worthily admired. We must not forget the numerous neatly framed and really elegant specimens from Nature by our amateur friends, Messrs. Browne, Fassitt, Graff, Borda, Corlies. Davids, and others, members of the Committee on Photography.

They will vie with the productions of our most skilful professional photographers, and being from private negatives, are nowhere else exposed for sale.

Some of them made in Pike County, Pa. So much for the walls, and now for the counters and portfolios. In such a promiscuous collection, of course, there must be some very bad as well as some very good ones. On the counters we find a grand collection of Mr. Coleman Sellers, Guillou, C. Nelson Wright, Cyrus J. Field, Edward L. C, and Thomas H. Johnson, of Scranton, Pa. The portraits of Rear Admiral Dupont, by Mr. Johnson, are very fine and worthy of special remark. A special contribution of beautiful and useful card envelopes was made by the manufacturers, Morgan Bros.

The portfolios, too, were laden with precious gems of art, but these, as well as the other collections, were rapidly being thinned down by numerous sales made by the obliging lady attendants. We must, in closing, congratulate Mr.

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Graff and his committee on their success in their peculiar line, and wish them ready sales, and God speed in the merciful object they are so earnestly and so perseveringly seeking to further. Portrait, Character and Biography. Ryder, of Cleveland, Ohio, has our sincere thanks for a little parcel of pictures of two little girls he so kindly sent us, and the value of which to us he well knows.

They are fine specimens of workmanship, and in every way a success, and satisfactory. Such good work and kindness deserve and will have a large run. Meinerth, C. Meinerth, Carl. Editor states he would not publish more on this issue. Murder and Suicide. The Affair Shrouded In Mystery. The Discovery. Discovery of the Murdered Girl. How the Crime Was Committed.

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The Suicide. Appearance of the Rooms. The Inquest. Gregory in his photographic studio are on page 8, the story is on page 1. The particulars of the sad occurrence, as we learn from the Plain Dealer , were brought to light a few days since, although the precise time of its occurrence will probably never be known. James H. Gregory, Proprietor of the photographic rooms over No.

Gregory was formerly employed as an assistant in the photographic rooms of Mr. Ryder, on Superior street. Ryder, J. Who is Ryder? Wilson and the Philadelphia Photographer.


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  6. Mystery #6: Caboose on the Loose.

Attacks Ryder as well. Attacks J. Ryder for challenging the process seller previously, etc. Schuyler Colfax. Schuyler Colfax Nee Nellie Wade. Schuyler Colfax, in a recent number, we neglected to state that the photograph was furnished by Mr. Ryder, of Cleveland, Ohio. So much that we may occasionally push our standard a notch higher, and this without making labor of the study; it becomes habit, and a very pleasant and entertaining one. I speak for myself in the foregoing assertion.

For some years it has been a pleasure and a profit to me.

JAMES FITZALLEN RYDER

I follow it intuitively. I find my models everywhere, in parlors, halls, churches, offices, shops, railway cars; wherever there are windows or gas-jets, and heads for the light to shine upon, there are my studies—sometimes more, sometimes less interesting, but studied all the same. Frequently in common conversation, or in the course of a business transaction, I give as much attention to lighting the head of my model as I do to the drift of his talk, or the character of the business in hand. We may be introduced to a stranger, and while assuring him of the pleasure we have found in his acquaintance, and wondering if it will rain before night, we have discovered that his nose is a little out of true, and that a three-fourths face, away from the light, will suit him best.

In this study, or pursuit, much is to be gained. We learn to recognize the true from the false, the good from the bad. An education may so be acquired that would be obtained in no other way. We see and fix in the mind many peculiarities and effects of light that by accumulation become knowledge. Much may be gained from studying good paintings, engravings, and photographs, and we should encourage ourselves in the pursuit. Why is he not here? Ryder was so absorbed in the erection of a new and handsome gallery, that he could not leave it.

A tire partly destroyed it; but he is now nearly ready to open it.