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She was brought up with ideas of equality, woman's freedom and all that. I came into the world against my mother's wishes, I discovered, and.
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It is the gateway to know the truth about the world. Knowing includes the innermost physicality and divinity within. She narrates personal experiences of women around the world and concludes that there is among women much shame, secrecy, and mystery surrounding their physicality. Women do not know themselves. They do not know their own hidden body parts. In the preface to the play The Good Body Ensler rejects female objectification and says: Tell the image makers and magazine sellers and the plastic surgeons that you are not afraid. That what you fear the most is the death of imagination and originality and metaphor and passion.

It was never broken. To know the body is to know the reality of the world. It is the search of a hermit for God, or the Ultimate Truth. Metaphors of Sex and Sexuality Ensler is a pro-sex feminist with a spiritual bent of mind. She is not against conjugal relationship, which means she does not decry sex. Sex is natural. It should be taken as it is. She does not like any kind of distortion to it. It already carries life and beauty. There is no need for any kind of embellishment or affectation. I am going to take a deep breath and find a way to survive not being flat or perfect, …or better.

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But, one should know its consequences. Knowing the intricacies of sex means entering into it, exploring it, experiencing it, and being aware of the attached notions of sex and sexuality, saying what happens to the body when it undergoes sensory experiences, to its response to all that.

These 15 Unforgettable Monologues By Women In Movies Will Bring You To Tears

She explores how physicality leads to creativity and divinity at the end; how female stands in relation to male; how they become the balance point of each other; and how this harmony between the two ultimately brings harmony to the universe. Talking and knowing about sex and sexuality is not something to be ashamed of. It is rather the most pious reality and truth to be explored about the world, culture, civilization, and humanity. In the play The Vagina Monologues Ensler reveals the fact about female nature of seeking pleasure in coition: The clitoris is pure in purpose.

It is the only organ in the body designed purely for pleasure. The clitoris is simply a bundle of nerves: 8, nerve fibres, to be precise. The monologues also offer comic descriptions of what we call vaginas, such as what they would wear if they got dressed, and what they would say if they talked. Ensler was inspired by a conversation with a friend who was in menopause, and made self-loathing comments about her vagina. In her own New Age feminist style, she crusades to erase the shame surrounding female genitals.

She deserves credit for presenting female sexuality and the vagina in a more vocal way than has been done before, especially in mainstream theatre performance. Male and female are thought of as physical manifestations of the duality of Yin-Yang; the feminine and masculine principles are the two opposing cosmic forces into which creative energy divides and whose fusion in physical matter brings the phenomenal world into being. Thus, men and women together create new generations that allow the race they mutually create, and come from, to survive. They transform each other as they interact.

What matters is the balance between Yin and Yang qualities within oneself that is necessary to retain inner peace and harmony. If Yin and Yang become imbalanced, one of the qualities is considered deficient or has vacuity.

The Vagina Monologues to Be Published by Random House

Both of them are prominent and essential as they lead toward creation and sustenance of human civilization. They have to be in balance with each other, in balance with other beings, and in balance with the universe. In fact, etymologically the word Vagina has its origin from a word meaning sheath and sword. It upholds the male and creates, and there will be imbalance if they are bifurcated because it is the union of the two energies or forces both the male and the female that was there since the inception of humanity and is the very cause of creation.

Whatever wrong that happens outside affects women at domestic level. Since the US and its allies decided that Iraqis needed a regime change, for instance, women there have had to contend with abductions, death, torture, forced marriages, rape, and sexual violence of all sorts.


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As a social activist Ensler believes in social reform. Ensler cherishes the dream when these underpaid people would be paid the most and would be free from sexual slavery. While lying in the hospital bed she comes across a nurse named Cindy who is not paid for the services that she provides to the patients. Ensler broods over this injustice and wishes that when the world is right then these people will be on the top.


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  • She waits for the day when women will indulge in social and political affairs and will drift away from all that limits their inner and outer growth. In the preface to the play The Good Body Ensler says: This play is my prayer, my attempt to analyse the mechanisms of our imprisonment, to break free so that we may spend more time running the world than running away from it; so that we may be consumed by the sorrow of the world rather than consuming to avoid that sorrow and suffering…. Ensler believes in human goodness and meaningful existence.


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    • Compassion and hard work are the keys through which the society and world would become a better place to live and grow. I box with myself in the mirror. I watch When We Were Kings for the sixth time.

      「Gacha Life 」woman's world - GLMV - (WEAR HEADPHONES TO EARN MY LOVE-)

      Ali and Foreman. The Rumble in the Jungle. Biggest upset in history. Foreman was young. He gave him everything he had in the first round, just like this infection. Ali stayed on the ropes absorbing the hundreds of blows to his body. But he was fighting for other things, bigger things. He dropped Foreman in the Eighth round.

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      Ali outlived hundreds of blows of bad fortune because he was fighting for other things, bigger things. Reality has to be accepted as it is. One should not be passive or inactive. One should make efforts to transform ones situation, to flourish, to grow as oneself. She believes in losing everything to achieve ones own identity and self. Ali is standing, Foreman is on the ground. She suggests not to be afraid of anything and to abandon everything for the greater love, that is, love for the entire humanity, and particularly women.

      Do not be afraid, no, death will not be our end. She loves humanity and especially women. It is just an elevation of love to higher plane and greater ends. She says: Now I see my fear was not about sex.

      17 Dramatic Monologues For Women

      It was about being caught, determined, lined up. It was about being cornered in the love stall. It was about packaged love, couple love, dead-and-done-with-permanently-in-the- house-with-the-children love. About love that screamed isolation and church and control. She believes in the principles of Buddhist Philosophy and Hinduism. In Foreword to the play The Vagina Monologues, Gloria Steinem mentions that in Hindu Religious Culture in ancient times women were being worshipped as a vaginal symbol in temples.

      The oval shaped structure that holds Lingam half inside and half outside is the Vagina.