PDF Shakespeare Study Programs; The Comedies

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Excerpt from Shakespeare Study Programs: The Comedies In the Summer of a translation of a Latin Farce by the Roman Dramatist, Plautus, was made.
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The characters are in historical costumes surrounded by antique props, employing the style of Iranian formal language Figure 3. Don Bluth and Gary Goldman There lies another evidence manifesting the high intertextual quality of this sitcom. In this adaptation, the father is replaced by a giant, the daughter is a princess and four princes are added as the savior and suitor of the princess. It begins like a fairy tale. However, as it continues, it becomes more similar to the opening of Pericles. Nonetheless, he is not as frightening or eccentric as his name suggests.

His most salient characteristic is saying everything in reverse, meaning the opposite. She is one of the rare female personages in this sitcom. His name in Shirazi, one of Iranian accents, means Mr. His unbelievable lies molded after black comedy, make everyone laugh. The four suitors are chosen from different types of puppets, two adults and two children, in order to make the competition comical.

The Complete History of Comedy

The first one is about the best thing they have ever done. However, he alters the ending. As he is naturally a misfortunate man, he has not been able to unlock the horse from inside. Hence, all soldiers have been all burnt. Therefore, his best action is hiding all the trash left of the candies he was forbidden to eat.


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None of the answers turns out to be right. The next question is about the best food. The third question constitutes the best thing they have ever said. The princess becomes disappointed, since none of the answers is right.


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  6. The best thing he has consumed is water and the best remark to make is about love, affection, and kindness. His words represent the moral lessons of this performance. Because of this knowledge, his life is in danger and so he chooses to flee. At the same time, he is encouraging children to play drama as a game at home, introducing them the ABCs of acting in performances and the realm of adaptation in general.

    Since Shakespeare is a huge canonical dramatist, his dramas have been adapted over and over again all around the world. In his performances, he frequently refers to Shakespeare. He utilizes the familiar context as the talisman, and magical device in order to make a comedy. There is pleasure in seeing the familiar and this help his sitcom attract a wide range of audience. He also mingles various elements from myriads of literary works or movies, making a postmodern pastiche. In many of the plays, intertextuality is also present.

    The plots of the original texts are altered so as to adjust to the new context. The puppets chosen for playing special Shakespearean characters are of significance. Recontextualization in the adaptations is due to the nature of audience and culture. The cultural differences of these adaptations necessitates using special music, catch phrases, change of names, and specific rituals.

    He removes myriads of the murders to soften and romanticize the plots. Since this sitcom is full of intertextuality, this research is limited and cannot exhaust all possibilities, whereas it raises further issues. Intertextuality is the fundamental property of this program and hence there are many intertextual potentials, which can be the subject of further study for researchers.

    The scarcity of female characters in this sitcom can also be the pivotal point around which a feminist study can revolve. Works Cited Bahrani, Mohammad. Interview by Azra Ghandeharion. Camp, Gerald M. Campbell, Neil, and Alasdair Kean. London: Routledge, Cartmell, Deborah. During, Simon. Cultural studies: a critical introduction.

    Estok, Simon C. Hutcheon, Linda. A Theory of Adaptation. Ingham, Mike. Leitch, Thomas. McFarlane, Brian. James M. Welsh, and Peter Lev. Plymouth: Scarecrow Press, Inc, McKinnon, James. Rokison, Abigail. Sanders, Julie. Adaptation and Appropriation. Shakespeare, William. New York: Washington Square Press, New York: Dover Publications, Shapiro, Michael. Taylor, Paul A. New York: Mc Graw Hill, Tosi, Laura.

    Wang, I-Chun. Zatlin, Phyllis. Toronto: Multilingual Matters Ltd, Zeigler, Georgianna. Related Papers. November special issue on Shakespeare. By Saikat Banerjee. Adaptation of Shakespeare in Bangladesh.

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    SHAKESPEARE STUDY GUIDE: THE COMEDIES

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