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The history of English secular embroidery /
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Overview This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. We have represented this book in the same form as it was first published. Hence any marks seen are left intentionally to preserve its true nature. Product Details. Average Review.
Write a Review. Related Searches. This book has been considered by academicians and scholars of great significance and value to From the 16th century, Turkey produced elaborate embroideries in gold and coloured silks with a repertoire of stylized forms such as pomegranates, the tulip motif eventually predominating. The Greek islands in the 18th and 19th centuries produced many geometric embroidery patterns, differing from island to island, those of the Ionian islands and Scyros showing Turkish influence. Northern European embroidery was, until the Renaissance, mostly ecclesiastical.
An extant cape embroidered with eagles, presented to Metz Cathedral by Charlemagne, well represents Carolingian embroidery. The 10th-century stole of St.
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Cuthbert, embroidered in gold thread, preserved in Durham Cathedral, is the earliest surviving English embroidery. The 11th-century Bayeux tapestry—which is, in fact, embroidery—is Norman work done in England. The Crusades transmitted motifs of Saracenic art such as pairs of confronting stylized animals , further reinforced Byzantine influence in Europe, and initiated heraldic embroidery. Heraldry, also a formative influence after this time, is represented by the tunic c.
Sixteenth-century English and French embroidery were closely related, both tending, for example, to adapt engraved designs for their needlework patterns.
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Embroidery during this period was becoming an amateur craft rather than a profession, a change that was even more marked in the 17th century. The fashion for crewel work, or worsted wool embroidery, dates largely from the 17th century, as does needlepoint, or canvas work. Samplers, used to record stitches and designs, became mainly decorative after the appearance of pattern books. Embroidery in 17th- and 18th-century North America reflected European skills and conventions, such as crewel work, although the designs were simpler and the stitches were often modified to save thread; samplers, embroidered pictures, and mourning pictures were the most popular.
In the early 19th century almost all other forms of embroidery in England and North America were superseded by a type of needlepoint known as Berlin woolwork. The South American countries were influenced by Hispanic embroidery. The Indians of Central America produced a type of embroidery known as featherwork, using actual feathers, and certain tribes of North America developed quillwork, embroidering skins and bark with dyed porcupine quills.
Embroidery is also commonly used as an embellishment in the savanna of western Africa and in Congo Kinshasa. Article Media.
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