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There were held the Mysteries of Samothrace — a secret cult, open only to initiates. Sappho Lyric poet of MYTILENE on the island of LESBOS, born in about B.C. The typical subject of Sappho's verse is her physical love for several of the Later writers say that Sappho was married — as most women of her social.
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Although he does call upon Aphrodite numerous times throughout his poetry, it is not with the same frequency that he calls upon Eros. Likewise, the female lyric poet Sappho seems to have a much greater relationship with Aphrodite.
POEMS OF SAPPHO
Although she does call upon Eros, it is far less often than she calls upon the goddess. Although both authors mention and supplicate to both of gods, they each seem to favor one of the immortals. Why do each of the lyricists seem to favor only one of the two gods of desire? And why does they each favor the immortal which conforms with their gender?
Perhaps it is just that. It can be easier to relate to someone with similar life experiences to yourself, so maybe it was easier for the poets to call upon the aid of a god whose experiences on Olympus presumably more closely matched their own, Earthly experiences.
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But perhaps it has something to do with the kind of love that the poets were seeking. Perhaps the two poets are searching for love in the places where they find passion. For Sappho, love and desire can be found in all the places where one finds beauty and grace. Maybe it makes sense that the god who Anacreon chooses to cite in his poems was one of the first, most primal beings.
He finds, in his warlike imagery, a connection to the primal attraction that Eros represented. Likewise, perhaps the reason Sappho conjures images of Aphrodite is precisely because she is not that; she is beauty and grace and sweet nothings.
And to Sappho, that was the real ideal of love. While these men were married to their respectful wives who took care of households and children, they expressed their feelings through literature for desire never for their wives-but for others.
Sappho and Alcaeus
In ancient Greece, it was discouraged to have romantic desire and lust for a spouse since it could lead to troubles 1 , and men often displayed their lust not only for other women, but often for young men. The practice of pederasty was common for upper-class individuals.
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Such a relationship involved a grown man pursuing a younger lover, the erastes and eromenos respectfully. Within these lines, Anacreon dismisses the attributes that makes a man masculine, but rather desires feminine features within a man.
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Here, the boy he desires is associated with a woman who is the epitome of feminine sexuality, but also with women who embody knowledge of several subjects. It sees continental modernism in a different light, and moves on to colonial and postcolonial sites. Gender in Modernism will quickly move from resource to springboard, furthering modernist study well into the twenty-first century.
Halaman terpilih Halaman Judul. Daftar Isi. Isi intro. Hak Cipta.
Hymn to Aphrodite
Dettmar Pratinjau tidak tersedia - Informasi bibliografi. Gender in Modernism : New Geographies, Complex Intersections Bonnie Kime Scott University of Illinois Press , - halaman 1 Resensi Gender in Modernism, conceived as a sequel to the now-classic volume The Gender of Modernism, selects the best from the fifteen years of feminist literary and modernist scholarship that has appeared since the original's publication. Bonnie Kime Scott.