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Table of contents
- The End of the Roman Empire Wasn’t That Bad
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- Akkadian Empire: A History From Beginning to End by Hourly History
Chapter 5. Chapter 6. Imperial into National Officers: K. Chapter 7. Chapter 8. Chapter 9. The seventy-seven-year-old Mahatma, or "great soul," was the most famous and the most popular Indian since Buddha. Regarded as little short of a saint among Christians as well as Hindus, he had been a staunch defender of the British Empire until the s. Since then, he had campaigned for Indian self-rule. Many times it had been almost within his grasp: in , , , Each time he had let it go.
Now, finally, India was free, but that had nothing to do with Gandhi-and Gandhi would have nothing to do with it. In the chamber the dignitaries fell silent as the foremost among them, Jawaharlal Nehru, stepped up to make one of the most famous speeches in history. At fifty-seven years old, Nehru had grown into his role as India's leading statesman.
His last prison term had finished exactly twenty-six months before. The fair skin and fine bone structure of an aristocratic Kashmiri Brahmin was rendered approachable by a ready smile and warm laugh. Dark, sleepy, soulful eyes belied a quick wit and quicker temper. In him were all the virtues of the ancient nation, filtered through the best aspects of the British Empire: confidence, sophistication and charisma.
The End of the Roman Empire Wasn’t That Bad
And now the time comes when we shall redeem our pledge; not wholly or in full measure, but substantially. At the stroke of the midnight hour, while the world sleeps, India will awake to life and freedom. The reverential mood in the hall was broken abruptly by an unexpected honk from the back. The dignitaries jerked their heads around to the source of the sound, and a look of relief passed over their faces as they saw a devout Hindu member of the assembly blowing into a conch shell-an invocation of the gods.
Mildred Talbot, a journalist who was present, noticed that the interruption had not daunted the new prime minister. It was the culmination of a lifetime's struggle; and yet, as Nehru later confided to his sister, his mind had not been on the splendid words. A few hours before, he had received a telephone call from Lahore in what was about to become West Pakistan.
It was his mother's hometown and a place where he had spent much of his childhood. Now it was being torn apart.
Gangs of Muslims and Sikhs had clashed in the streets. The main gurdwara-the Sikh temple-was ablaze. One hundred thousand people were trapped inside the city walls without water or medical assistance. Violence was a much-predicted consequence of the handover, but preparations for dealing with it had been catastrophically inadequate. The only help available in Lahore was from two hundred Gurkhas, stationed nearby, under the command of an inexperienced British captain who was only twenty years old.
They had little chance of stopping the carnage. The horror of that night in Lahore set the tone for weeks of bloodshed and destruction.
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Perhaps the Hindu astrologers had been right when they had declared 14 August to be an inauspicious date. Or perhaps the viceroy's curious decision to rush independence through ten months ahead of the British government's schedule was to blame.
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Emerging into the streets of Delhi, Nehru was greeted by the ringing of temple bells, the bangs and squeals of fireworks and the happy shouting of crowds. Guns were fired, in celebration rather than in anger; an effigy of British imperialism was burned, in both. Soon afterward, Nehru arrived at the Viceroy's House, a gated citadel at the end of Kingsway, New Delhi's two-mile processional avenue.
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At forty-seven, Mountbatten was young for a viceroy but no less assured for it. Tall, broad-shouldered and handsome, he had a brilliant Hollywood smile, easy wit and immediate charm; it might never have been guessed that he had been born a prince were it not for his ability to switch to a regal demeanor. The new earl and his countess, Edwina, had kept an appropriate distance from the festivities. While freedom was declared, the couple had spent the night at home, pottering around their palace and helping the servants tidy away anything marked with an imperial emblem.
It was a pastiche of the fashionable noir genre: the story of a wayward but irresistible baroness, played by the sultry Dorothy Lamour, whose feminine wiles drag a number of men into a dangerous conspiracy. No more than a handful of those in the Viceroy's House that evening could have realized what a very apposite choice of film it was. While Nehru had been declaring his nation's independence and worrying about the emerging crisis in Lahore, Mountbatten had been sitting in his study alone, thinking to himself, as he later recollected, "For still a few minutes I am the most powerful man on earth.
It was an act epitomizing Mountbatten's character. Kingmaking was his favorite sport. Two minutes later, and the power had vanished. Challenging the frame of national cinema, it situates the cinematic representations of both empire and the nation in the conjuncture of late colonialism, and shows how films dealt with the pressures, anxieties, and challenges of decolonization.
At once attentive to films and history, this is a truly remarkable book. Bk Cover Image Full. Sign In. Search Cart. Search for:.
Akkadian Empire: A History From Beginning to End by Hourly History
Were British and Indian films of the s and s responsive to and responsible for such shifts? Cinema at the End of Empire illuminates this intertwined history of British and Indian cinema in the late colonial period. Challenging the rubric of national cinemas that dominates film studies, Priya Jaikumar contends that film aesthetics and film regulations were linked expressions of radical political transformations in a declining British empire and a nascent Indian nation.
Imperially themed British films and Indian films envisioning a new civil society emerged during political negotiations that redefined the role of the state in relation to both film industries. Athique, Media International Australia "Deftly extrapolating from theories of film types. Paperback Cloth. Availability: In stock. Add to cart. Request a desk or exam copy. Table of Contents Back to Top. List of Illustrations xi Acknowledgments xii Introduction 1 1. Imperial Governmentality 2. Imperial Redemption 4.