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#1 bestselling author John Grisham's The Reckoning is his most powerful, surprising, and suspenseful thriller yet. “A murder mystery, a courtroom drama, a family saga The Reckoning is Grisham's argument that he's not just a boilerplate thriller writer. Most jurors will think the counselor has made his case.”.
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In The Reckoning , Grisham clearly has gotten something off his chest when it comes to the subject of the Bataan Death March. Michael J.

Review: Sequel ‘The Reckoning’ strengthens ‘Surviving R. Kelly’s’ case against disgraced singer

Enter your keywords. The Reckoning: A Novel. Author s :. John Grisham. Long after missionaries and Europeans settled on the coast of New Guinea in the 19th century, the mountainous interior remained unexplored. As recently as the s, outsiders believed the mountains, which run the length of the island from east to west, were too steep and rugged for anyone to live there.

But when gold was discovered 40 miles inland, prospectors went north across the Coral Sea to seek their fortunes. In the highlands the Leahys found wide, fertile valleys, groomed with garden plots that were later estimated to feed a million inhabitants sorted into hundreds of tribes and clans. The highlanders lived in huts of timber and kunai grass, used stone tools and fought with wooden spears and arrows. Just as white settlers had been unaware of their existence, the highlanders had no idea that anyone lived beyond the mountains.

At first, they suspected the white men were spirits, or maybe lightning come to earth. More curious than afraid, they traded with the white men, sweet potatoes and pigs and women in exchange for steel axes and shells plentiful on the coast, but rare and highly prized in the highlands.

The Leahys traipsed through the highlands until, in , they struck a claim near what is now Mount Hagen. Nearly 50 years later, Bob Connolly, then a young journalist in Sydney, met Robin Anderson at the Australian Broadcasting Company, where they both worked making documentaries for television. The two fell in love and began looking for independent projects. One evening, at dinner with a friend who happened to be working on an oral history of the colonization of New Guinea, they learned that Mick Leahy, besides being a prospector and explorer, was also an amateur photographer—and not only had he brought a still camera and a movie camera on his expeditions, but his films and photographs were rumored to have survived.

What was more, Robin heard stories that there were people in the highlands who still remembered when the white men first came. Intercut with those were lengthy sit-downs with the two surviving Leahy brothers, both by then very old men and long settled in the highlands. Mick had died in Bob and Robin produced the film in the format to which they were accustomed: 54 minutes, television length, shot by a hired crew, narrated by a professional voice actor.

In this case, though, there was no need to guess at how the highlanders and the white men saw each other, to puzzle it out from stray clues: they all looked into a camera and spoke for themselves. They had a tight shot of an old man in a knit cap and a polyester shirt, recalling what it was like as a boy when the white men came. They must be our ancestors from the place of the dead. We knew nothing then of the outside world. We thought we were the only living people. The gold had nothing to do with it. Back there, and all around. But this ended when the white man came.

When they told us to work, we worked.

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His skin was lighter, his hair finer, never able to hold ceremonial feathers. His uncle Danny, who started growing coffee when the gold petered out, took Joe in when he was a teenager and taught him the coffee business, starting him on the labor line and making him work his way up.

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By the time Bob and Robin met him, Joe had his own plantation, Kilima, and was one of the wealthiest men in the Nebilyer Valley. He owned property in Mount Hagen and drove a Range Rover and lived in a sturdy house of concrete blocks with a veranda and a formal dining room and a giant satellite dish in the front yard. Which made him an ideal subject for another film. Though Robin never took to Joe, Bob liked him well enough. And there was also my complete conviction that, in terms of observational documentary filmmaking, I would never find a better subject.

Not just him, but the situation he was in.


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I gradually realized that this sort of story happens once in your lifetime. In , Bob and Robin returned to the highlands to make a new film about Joe Leahy. With Kilima, Joe was running a capitalist enterprise in a land of communal customs, where the idea that land could be bought and sold, or that wealth could accrue to one man, was inconceivable.

Nor does it really matter. The Ganiga wanted their due. He owns it, eh? He only paid us kina when he bought Kilima. Joe and us. At the same time, they followed Joe as he managed his obligations to his neighbors, dispensing a few kina here and there, offering funeral gifts and manhandling coffee thieves. Popina Mai beamed. Then two things happened: the price of coffee on the global market suddenly collapsed—for the Ganiga, a baffling development. That calamity, however, was quickly compounded by something closer to home: the outbreak of a tribal war, after several women from an allied tribe were raped by enemies from across the valley.

The crimes required retaliation, and though the Ganiga were not directly involved, tradition compelled them to join the fight. And Bob and Robin found themselves in the middle of it. Tribal wars in the highlands were almost theatrical affairs, with battles scheduled for specific times and places—say, a field burned and stomped clear of grass so nobody could stage ambushes—and fought primarily with spears and arrows, big wooden shields and the occasional homemade shotgun.

For a time, Bob and Robin were able to carry their gear onto the battlefield itself. There were dozens of casualties. Bob wept openly at his funeral. It seemed that capitalism and tribalism had conspired against him and the Ganiga both.

Almost the entire crop shriveled, turned black. Joe, disgusted and defeated, left for Brisbane, Australia, where he owned land and had already sent his wife and his children to go to school. His partner and patron has gone to Australia. His friend Madang is dead. In despair, he walked onto the battlefield and waited for an arrow to strike. And then the camera is on him in a hut, lying on his side. His chest is swollen with blood from an arrow wound. A friend sits at his feet, waving away flies.


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    8. I thought about Joe. And then the arrow struck. He lets that hang for a beat. They avoid the story of triumphant white development bringing wisdom to the benighted black people, but they also avoid the story of brave indigenous people being crushed by colonialism. All that was left was translating dialogue with the help of a Ganiga named Thomas Thyme.

    One afternoon, a group of Ganiga tribesmen traveled to Mount Hagen, where they found Bob in the market, buying vegetables. They handed him a piece of cane bent into a figure eight. It was a symbol that what they had to say was extremely important: an enemy tribe, the Kulga, was going to kill Bob. Bob was as dumbfounded as he was frightened.

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    He and Robin had never taken sides. But it turned out Thomas Thyme had bought a gun, and the Kulga assumed that Bob and Robin had given him the money to do so. Robin was safe, as was their toddler daughter. But Bob was on a list of targets. They rushed through a few more weeks of work, and then Bob and his family left. He never said goodbye. Out back, past the small garden, there are only a few women peeling and cutting starchy vegetables—cassava, taro, plantain, sweet potatoes—and four men heating rocks in a wood fire.

    A pig snuffles a potato in the shade of a banana tree.

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    Joe is not a man given to displays of affection. Bob had never returned before now, he told me, out of fear. Still, he never spent a day in jail for his actions or suffered any repercussion. Instead, he won acclaim again and again. Now 83, Mr. But the publication , last Thursday, of an account by one of his victims, Vanessa Springora, has suddenly fueled an intense debate in France over its historically lax attitude toward sex with minors. A day after the publication of Ms. In France, it is illegal for an adult to have sex with a minor under the age of But it is not automatically considered rape , unlike in countries with statutory rape laws where people who are underage are considered incapable of giving consent.

    With changing attitudes toward sex and gender equality, France toughened laws against sex crimes in and also extended the statute of limitations for prosecution — raising it to 30 years, up from 20 years — allowing victims to press charges until the age of The new law, which is not retroactive, would not apply in the case of Ms.