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Editorial Reviews. About the Author. Carl Wetzel is retired. A US Air Force Veteran, he resides.
Table of contents
It was commercialized in April The music from Act 1 Scene 3 "the forging of Nothung" which begins the Synthesis was separately dubbed on 31 January directly from film to a 10 inch 25 cm 78 RPM matrix BS, not issued. Part 2 "Entrance of the Gods into Valhalla" as arranged by Stokowski. The discs were Victor L, L They were not released.
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When these Liadov transcriptions were successfully recorded on 17 March , it was released on one 12 inch 30 cm and one 10 inch 25 cm Victor Red Seal record rather than the all 12 inch matrices of this session. Victor through later coupled with Shostakovich Prelude opus 34 no 14 in album M However, the last two matrices , were later damaged - see the matrix note below.
In later years, the 30 December Philadelphia recording of the Stokowski orchestration of the Shostakovich Prelude opus 34 no 14 in e flat minor was added to the M Album as side Multiple cutting machines were used so that sides could be faded from one matrix to the next without the orchestra stopping between takes. Victor dubbed the 10 inch matrix to 12 inch matrix 4 times in In , the dub was added to album M Stokowski's arrangement of Tristan und Isolde : Act 2 and to album M Stokowski's Bach transcription recordings of , , Note that Stokowski recorded his excerpts from Parsifal: Act 3 on April 7, During his long career, Parsifal was the only Wagner opera which Stokowski conducted in its entirety; performed in concert three consecutive evenings during Easter It is one of the landmarks of recording history, and further immortalizes this great composer and performer.
And Stokowski and the Philadelphia Orchestra are fully equal in their contribution. The excerpts listed here were included on this disc and commerically released for the first time in on Cala Records as restored by Ward Marston. Apparently, Stokowski felt that the somewhat repetitive nature of the build-up to the finale was better omitted, but Stravinsky was quoted as not approving.
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This selection was Stokowski's second arrangement of excerpts from Act 2. This arrangement concludes with Act 2 finale. Following criticism, on April 20, Stokowski re-recorded the ending, substiting the concluding Liebestod. Victor M included this revised side after Final side blank in s with Palestrina added after I rarely feel his work as one whole-all-through adventure DA was also issued by Electrola Germany.
In this 9 April recording 12 inch 30 cm matrices were used, all first takes. It seems to be Stokowski's own realization of the musical theme of Martin Luther Victor same catalogue number used as in the October 28, recording matrix BS The public regretted not ending with the "Liebestod" music as in Stokowski's April version. This recording replaced the final side with this new ending including "Liebestod" which Victor used in M thereafter. In his original piano composition of , there are ten 'tableaux', linked by 'Promenades'.
Mussorgsky composed the promenade music to represent an exhibition visitor walking from picture to picture. Stokowski's orchestration is made up of 10 sections, counting both Promenades and Tableaux, but not exactly corresponding to Mussorgsky's original composition. Stokowski left out two tableaux: 3. Stokowski believed these two may have been added by Rimsky-Korsakov who edited Mussorgsky's composition.
For the discography of Stokowski recordings made with his All-American Youth Orchestra in and , click on. Leopold Stokowski - Discography Note on listening to the Stokowski recordings :. The chronological table of Stokowski recordings, above, provides two links for each recording:. The column to the right labeled "Link" will take you to the page of this stokowski.
Simply click on the word "Page". The column to the right labeled "MP3" gives a link to the file, in mp3 format of the recording. Simply click on the word "MP3" to download and listen to the mp3 file.
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Also note any MP3 files that are indicated as being large, since they may take some time to download. All the music files linked in the table are in mp3 format mbps.
This means that they are of different sizes. In contrast, the Le Sacre du Printemps file is large. When Victor first introduced Musicial Masterpiece albums with multiple discs, the sides were sequenced for manual play by the listener turning over each disc in sequence. So, for example with a four disc album the sequence was:. Yet an estimated 12, model VE machines were sold in less than two years, prior to the intrduction of later models 5. The VE featured an acoustic process player with an electrically driven mechanism.
Records would slide off the turntable, and albums with new automatic sequencing were introduced with the prefix AM-, as for example AM After playing sides 1 through 4, the listener would turn over the entire stack of records to continue playing sides 5 through 8. These albums used the prefix AM-. This required a new Musical Masterpiece album with records sequenced as follows again using the example of a four disc album :. These albums used the prefix DM-. Not all Victor multiple disc albums were issued in all three formats, but collectors will frequently find one of these versions for sale.
Sooy In his memoires states: " December 8th, After considerable work remodeling the 5th floor, Building 15, for an additional Recording Room for the Laboratory, we made our first records of the Philadelphia Orchestra in this studio on this date Smith, William Ander. New Jersey Smith identifies Stokowski as the orchestrator of these two pieces, confirmed by the Stokowski score collection. Some have suggested Fritz Stein , a musicologist, and colleague and biographer of Max Reger who did orchestrate some baroque works, including Gabrieli"s Sonata pian e forte from the "Sacrae symphoniae", which Stokowski recorded.
Fritz Stein was also the discoverer of the manuscript of the so-called "Jena Symphony", once thought to be a work by Beethoven. Robbins Landon later demonstrated that it was by Friedrich Witt However, the Frescobaldi and Palestrina orchestrations were by Stokowski. ISBN Naxos of America, Inc.
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The Adventures of Rhumba and Tuba
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