Guide Pursuit: Western Stories

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Liska came to the States as a young man from the former Czechoslovakia, first landing in Oklahoma, a rather surreal introduction to the US.

They met at Dartmouth College, where they began their partnership and artistic collaboration, splitting roles as director and playwright, a fluidity of roles that continues to shape projects that reflect a unique, shared perspective on the world. Nature Theater of Oklahoma makes plays, in the truest sense of the word.

They play, and that sense of innocence and joy, the silly and the sly of real play, reveals itself in their work. Play is subversive, imaginative outrageous fun. Though when NTOK elevates it to theater it takes on more gravity as boundaries are played with and crossed. It could be the unremarkable life story of a something young woman Life and Times , presented at the Walker in , or surreptitious phone interviews with the actors when they are at their day jobs No Dice , These mundane stories gain more weight when NTOK weaves them into theater; they gain humor, poignancy, and beauty, just by their unique framing and the way they subvert our notions of story, time, and spectacle.

This is serious play, as entertaining and as joyful as one can imagine, but with a kick.

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EnKnap Group is primarily a dance company based in Ljubljana, Slovenia, that performs the works of Iztok Kovac, whose visceral performances, choreography, and films brought him world recognition in the s. Since the mid s Iztok has commissioned other choreographers to create works for his own elite company of dancers.

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The result is set in a prototypical Western bar with all the trappings of an American Western movie, complete with swinging doors and spittoons. However, these are dancers, not actors, from all around Europe. English is not their first language, and neither is acting.


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These are extremely well-trained performers trapped in a Western. From their earliest works on, NTOK has incorporated cowboys and Americana into their events—the iconic cowboy, the steadfast lone American who can fix it. The same American machismo that kept us in Vietnam and rolled into Iraq sure that we would be cheered as heroes. The open-carry, MAGA man who believes a wall on the border of Mexico is a great fix to the immigration problem.

This is the America that knows best, and it knows how to make a profit. He—and yes, for the most part, it is still a he—is our character. In the end his actions on the world stage are ours. The members of EnKnap live in this same world, affected by American pop culture and power. Even living in Ljubljana, it is inescapable.

Pursuit of Happiness is a celebration of American kitsch and at the same time an indictment of the effect the US has on the world.

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A work about the American character is going to unleash the racism and struggles our country is stained with. Are those feathers and war paint from Native American culture? Or from Western cinematic culture? Or is it the smudge our NFL stars apply to block the light in a football game? The character on stage is America—charming, charismatic, childish, cruel, going all out—fueled by a special blend of Red Bull to save the world.

As clueless, sweet, brave, ridiculous, and dangerous as we, as a nation, often are. He has never been inside a crack house; he read a book about one as part of his research. Yet his background does not diminish his empathy for the characters he creates. He started writing when he was 11, already planning to be a novelist.

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As an undergraduate at Harvard College, Kalam found a mentor in Jamaica Kincaid, who taught him in a writing class and told him he has something special inside that makes him a writer. For Kalam, this is just a start. He is planning to write a novel set in Saudi Arabia, a book about legal education, perhaps even a memoir of HLS, a place that has taught him about the world outside literature, he says, and has solidified his interest in practicing law.

Some of the greatest writers are some of the loopiest people. The job of a fiction writer is serious too, Kalam says. You have to be realistic and honest and get past the artifice.


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Except maybe the person doing the writing.