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Table of contents
- What is Post-Internet Era | IGI Global
- Post-Internet Poetry Comes of Age
- Learn More About Post-Internet Era in These Related Titles
- Nihilism as It Is, Being Stepniaks Pamphlets Translated by E.L. Voynich, and Felix Volkhovskys Claims of the Russian Liberals, With an Introd. by Dr. R. Spence Watson?
- Red Bull Music Festival Berlin boasts legends and exciting new talent.
- Amphibians.
As such, much of the work presented here employs the visual rhetoric of advertising, graphic design, stock imagery, corporate branding, visual merchandising, and commercial software tools. The exhibition considers issues related to internet policy, mass clandestine surveillance and data mining, the physicality of the network, theories surrounding posthumanism, radicalized information dispersion, and the open source movement.
It looks at changes taking place in the age of the ubiquitous internet, to information dispersion, artwork documentation, human language, and approaches to art history.
Because textual information often assumes a secondary role in the social circulation of images today, including the digital milieu of the art world, many of the practices around the post-internet have not yet been sufficiently or critically introduced or interpreted; this exhibition aims to redress this imbalance by providing substantive commentary and conversation. Without such a framework for contextualizing or identifying post-internet art, there is a risk of grouping such work by voguish aesthetics alone.
Written by Adam Harper 4 October For 20 years — for the specialists, longer than that — a new world of digital connectivity has been growing at the horizon. At first it was a utopian dream boldly extrapolated from concave screens in small grey plastic boxes. A cybercultural world founded on chat rooms, electronic mail and personal websites; an investment not just of considerable capital, but of hopes for new community and equality.
By around , the internet had begun to shift from a hobby whirring away atop a desk to something ubiquitous, obligatory, a fact of everyday life. This is when the backlash began. The lifestyle that ensued from it all was being discussed as a danger to cultural, social and psychological wellbeing: driving us apart, exhausting our nervous systems, destroying creative industries. By the end of it seemed as if the digital future had unleashed a nightmare present with immediate consequences, both personal abuse, feelings of Instagram inadequacy and political Brexit, Trump, the alt right.
What is Post-Internet Era | IGI Global
Tracking the evolution of post-internet music. Nevertheless, the digital world has become a powerful symbol of modern issues, and as such it was inevitable that it'd become not only a place where new music emerges, but a subject matter of new music too. As the internet was going mainstream, the music of both the underground and the pop charts was characterised by nostalgia, as if the first way to try out the new digital technologies was to use it to take a closer look at the past.
For emerging music, platforms like MySpace, and then SoundCloud and Bandcamp, were rivalling the cassette and CD-R undergrounds for accessibility and ease of distribution, even as much of the music remained focused on the analogue era in sound and style. But soon the retro-diving began to catch up with the present, and that meant incorporating the history and presence of digital technology itself.
The record that for me stands on the cusp of this is Jam City's Classical Curves from , which passes smoothly from a retro future of ballroom to a genuine future shock. A wave of cybernetic energy followed it in club music internationally. Grime split into classic and modern factions, with producers like Visionist and Logos embodying the latter by not merely copying the futurism of classic London grime but fulfilling its mutant promise.
Post-Internet Poetry Comes of Age
Curated by Natalia Sielewicz. Review: Nechvatal Artillery Mag. Curated by Marisa Olson. Interview with curator DIS. Curated by Lauren Cornell and Ryan Trecartin. Video report , Photographs. Curated by Gabriel Ritter.
Its title refers to the Internet as a vortex of images, a site of piracy, and a system of networks. Interview with curator. Curated by Omar Kholeif. Works by ca 50 artists.
Learn More About Post-Internet Era in These Related Titles
Curated by Valentina Peri. Review: Nechvatal Hyperallergic. Online section.