Manual El Abanico - Bassoon 2

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Digital Sheet Music for El Abanico - Bassoon 2 by J. Ord Hume, A. Javaloyes scored for Concert Band; id
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Blog Press Information Linguee Apps. The work is arranged in four movements, and is written for mixed. It contains the music for listening in the course, the dances and diverse pieces for work on auditory training: rhythmical, intonation, melodic, timbre, tone-sense dictations, etc.

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This piece should be always played following its original publishing version. Nonet for violin, viola, cello,. The range of disciplines being taught at present go from. El abanico instrumental cubierto hasta el momento comprende. Seventh version: for two flutes.

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This publication is a reduction for choir and piano of the cantata Tirant lo Blanc composed for children's choir,. Traditional Catalan Christmas carol arranged for high-voice choir in one part. The Music Chapel of Seville,. La Capilla Musical de. Moreover, adding instruments. Goodbye Do You Wanna Dance? Beggars Day 4.

Everything Is Broken with Tom Petty 6. Forever Young with The Grateful Dead 7. Farmer John 8. Four Strong Winds Greensleeves Oh Lonesome Me with Crazy Horse Stranger In Paradise It s no secret therefore that Young has always remained a huge Bob Dylan fan, and while, like Bob, Neil performs most readily his own music, when he does choose a cover to perform, there s a good chance it will be one of Dylan s. This CD collects together 16 startlingly original non-originals performed by Neil Young, taken from various FM broadcasts of live concerts recorded between and Feeling feat.

Freakme - Deeper Original Mix [] Joeski - Kalimba Original Mix [] David K. Remix [] Nico Pusch - Festival Original Mix [] The 1st To Know [ Yasmeen [ The Wheel [ I'll Try To Love Again [ Taxi [ In My Mind [ Dead Star [ Same People Never Learn [ What I Get [ Be Blue [ Heart String [ Miss Me [ Taxi - Dance Remix [ Pick Up The Phone [ Rapsodia cubana I Guateque Suite cubana: I.

Serenata marina Suite cubana: II.

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Plenilunio Suite cubana: III. Paz de ocaso Preludio cubano Moderato malinconico Scherzino Homenaje a Debussy Intermezzo No. Preludios encadenados Preludio scherzoso Arietta Sarabande Gigue Manuel Ponce was one of Mexicos most prolific and decorated composers and remains highly esteemed and popular today. Exploration of new compositional techniques while in Paris resulted in significant works such as the Suite Bitonal, particularly valued for its original aesthetic and inspired lyricism. Ruslan and Lyudmila: Lyudmila's Cavatina, "Grustno mne, roditel' dorogoy!

Sadko: Volkhova's Lullaby, "Son po berezhku khodil" Plenivshis' rozoj, solovey, Op. Eshchyo v polyakh beleyet sneg, Op. Vocalise, Op. Ne poy, krasavica, Op. Zdes' khorosho, Op. The Nightingale: Nightingale's Song, "Akh! Serdce dobroye" Moscow, Cheryomushki: Lidochka's Song, "Ya v shkolu kogda-to khodila" Flute Concerto No. Allegro Adagio cantabile Allegretto con variazioni Allegro assai Adagio Allegretto Allegro spiritoso Allegro maestoso Allegretto Francois Devienne performed as an orchestral bassoonist and flautist but rose to fame as an operatic composer.

His greatest achievement, however, lies in his sequence of Flute Concertos, of which this is the final volume. Despite his failing health, the four works on this recording demonstrate the hallmark combination of melodic elegance and graceful virtuosity that characterizes Devienne's flute concertos and are among the most attractive of their time.

Concerto No. Patrick Gallois belongs to the generation of French musicians leading highly successful international careers as both soloist and conductor. He held this post until , when he decided to focus on his solo career, which has subsequently taken him throughout the world. Running Put It on the Line Disconnected Ticking Boxes Whatever Watch Out Nicotene Lobby Call feat. Takuya Kuroda Hungover Blame Jerry feat. Breaking Point They say the night conceals many stories. China Moses is the narrator of the night; her new album ""Nightintales"" shines a fascinating light on her journey through night time's terrain.

She conjures up images and moods with her warm, astonishingly flexible alto voice, as figures and places take shape in the listener's imagination. Eleven expressive songs recount the intoxication of love Hang Over and its bitter ending Whatever , of vices Nicotine and passions Put It On the Line , of awakenings and courage Running. Now recognized as a jazz and soul diva with her own style, Moses has no need to hide behind her idol. On her new album ""Nightintales"", China sings her own compositions.

James Ord Hume

For the listener, many a pleasurable evening enjoying this rich, multi-hued jewel of an album lie ahead. Vamos a la Playa [ No Tengo Dinero [ L'Estate sta Finendo [ Innamoratissimo [ Italians A Go-Go [ Luciano serra Pilota [ Dimmi di No [ Gli parlero' di Te [ Hey Mama [ Oasi in Citta' [ Vivo al [ In , while still very young, two "brothers in mind" released a single, under which the whole solar system danced: "Vamos a la playa".

In the following , the second musical work of "aliens" comprehended the mega-galactic success: the single "No tengo dinero". In , the duet Righeira won with the song "L'estate sta finendo" the two largest festivals in Italy: "Festivalbar" and "Disco per l'estate". In they took part in the festival of San Remo with a beautiful ballad "Innamoratissimo". On December 31, , "brothers in reason" found the first part of their earthly mission accomplished: they announced the dissolution of the duet Righeira, and continued their earthly existence separately.


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In , two Stefano announced the reunion of the duet Righeir, which again is ready to bear the earthlings charge of vivacity, sun and positive energy. The Descending Moonshine Dervishes 2. Unreleased sessions, carefully remastered, in this duo improvisation Riley's organ intersections just define the geometry of the hyper-dimensional space where Don Cherry's outwordly trumpet lives.

Mantric and evocative, we could go on and on listening to the very same track all day long, it could last forever But they also recorded these incredible radio sessions: Riley's swirling synth, droning and clairvoyant and prescient in its clarity, parades along with a triumphant Cherry, leaving behind trails of mystery and a sense of beauty in a larger, more universal form.

We have a "Descending Moonshine Dervishes" lasting 32 minutes, a transcendent moment of improvisational experimentation and spiritual jazz. As Cherry's physical presence slowly liquifies, "the lonesome foghorn blows" into some kind of misty dawn. Sunrise of the Planetary Dream Collector follows the compositional model Riley had created earlier with his famous minimalist masterpiece In C from If any music was to represent quantum void, Terry Riley's multi-layered organ patterns are definitely the most suitable candidate.

They constitute a steady, everchanging background which is always and never the same at the same time, with epiphanic particles rising from the fluctuation and disappearing immediately after, just to reappear where you'd never have expected them to. This meeting between Terry Riley's amazing all-night-flight organ styles and Cherry's devotional trumpet work, is staggering document and another fascinating uncovering of a key moment in the secret history of holy minimalism. It is a portrait of what happens when someone is flung across the world on tour - grateful to be there, grateful for the success and the adventures, but ultimately lonely.

Because the songs were so deeply personal, Depper decided to record them in his home, playing every instrument. For a record centered around the self-doubt and discovery in the depths of isolation, Emotional Freedom Technique is the light at the sharp corner of a shadow.

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It is disco music for after 3 AM, for the walk home to an empty house. Notably, while the record is cohesive in theme and sound, its identity is multi-faceted. The most straightforward pop song, "Your Voice on the Radio", features friend and former bandmate Laura Gibson adding vocals about unrealized and unsatisfied love over bubbling bass and sparkling, multiplying shakers and synths that build to a deceptively joyous chorus.

Songs like "Do You Want Love" and "Communication" lean forward on cutting deep, propulsive grooves, while "EZ" casts ambient glitter while Depper sings, not sadly and not happily, but starkly. Grappling with loneliness, the longing for human connection and the fear thereof, Depper strings ornate synth melodies together into simple hooks that speak to the most relatable reasons we listen to pop music - to remember we aren't alone, and to still have a good time with it.

Bassoon Duet: Dance of the Yao People

Dave Depper - Communication Dave Depper - Lonely with You Dave Depper - Your Voice on the Radio feat. Laura Gibson Dave Depper - Anytime, Anywhere Dave Depper - Ez Dave Depper - Summer Days Menuett nach Gluck Daytime Routine: No. Piano Sonatina No. Toccata Valse Gigue Marche Nocturne Intermezzo Berceuse de la chevrette In that time the Belarus-born composer embraced extended tonality in Deux Poemes, Op.

His post-Revolutionary Paris years are represented by a sequence of characterful miniatures. Down Home 1 Take 1 Love For Sale I Married An Angel Take 1 Landslide I Married An Angel Take 2 Announcements Down Home 2 Take 1 Minor Incident The Gypsy Take 1 Take 2 Down Home 2 Take 2 Not since the days of the teenaged Tubby Hayes had the UK jazz scene witnessed a young musician with so frighteningly advanced a talent as Dick Morrissey. Recordings for radio broadcast ensured the band's message reached a wider audience.

Taped for the series "Jazz For Moderns", the previously unreleased sessions heard on this new album are especially valuable. Throughout this record, there is a wonderful, almost tangible, sense of a band enjoying its work, something which in the stone-faced world of British modern jazz wasn't always apparent. This infectious enthusiasm stemmed directly from the leader - "always jumping from foot to foot, urging his side-men on with whoops of glee" as Jazz Journal put it.

Classic British modern jazz albums are rare beasts, owing to all sorts of factors, many of which are nothing whatsoever to do with those performing on them.