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Sir Philip Sidney wrote a prose romance arcadia which represents the restless spirit of adventure of the age of chivalry. Its style is full of affectations and artificiality. It is highly poetical. His romances are in moral tone and their style is imitative of Lyly. He has a sense of structural unity, restraint and verisimilitude. What distinguishes Greene is the skilful portraiture of women characters. Thomas Nashe is the first great realist who graphically depicted contemporary London life and its manners. His descriptions of respectable roguery are tinged with satire.

It combines both comedy and tragedy. It may also be called the first historical novel. His prose style is clear, lucid, simple and forceful. Thomas Deloney was a realist, who in his works Thomas of Reading, Jack of Newbury and the Gentle Craft, realistically depict contemporary bourgeois life. His style is remarkable for simplicity, clarity, directness and spontaneity. His prose runs easily into spirited dialogue. Robert Burton was a humanist whose The Anatomy of Melancholy is a distinguished work of philosophical prose.

His style changes with the subject. It is lucid, tense, precise and rhetorical. It is the golden age of English drama. The renewed study of classical drama shaped English drama in its formative years. Seneca influenced the development of English tragedy, and Plantus and Terence directed the formation of comedy. The classical drama gave English drama its five acts, its set scenes and many other features.

Regular English tragedy, comedy and historical play were successfully written during this period. The first complete tragedy of the Senecan type is Gorbaduc , which was written by Thomas Morton and Thomas Sackville. All these tragedies were influenced by Seneca both in style and treatment of theme. Another dramatic genre, which emerged during this period, is tragic-comedy, which mixes lamentable tragedy with pleasant mirth. Historical plays too were written during this period.

They were romantic by nature and they represented the spirit of Renaissance. The great merit of the University Wits was that they came with their passion and poetry, and their academic training. They paved the way for the successive writers like Shakespeare to express his genius. The contribution of the university Wits to the development of drama needs to be highlighted: I. He wrote for the private theatres. His writing is replete with genuine romantic atmosphere, homour, fancy for romantic comedy, realism, classicism and romanticism.

Lyly established prose as an expression of comedy. He deftly used prose to express light feelings of fun and laughter. He also used a suitable blank verse for the comedy. High comedy demands a nice sense of phrase, and Lyly is the first great phrase maker in English.

He gave to English comedy a witty phraseology. He also made an important advance at successful comic portrayal. His characters are both types and individuals. Disguise as a devise was later popularized by Shakespeare in his plays especially in his comedies. The device of girl dressed as a boy is traced back to Lyly.

The introduction of songs, symbolical of the mood owes its popularity to Lyly. He has left behind a pastoral, a romantic tragedy, a chronicle history and a romantic satire.

He juxtaposes romance and reality in his plays. As a humorist he influenced Shakespeare. Greene was the first master of the art of plot construction in English drama. In his plays Greene has three distinct words mingled together — the world of magic, the world of aristocratic life, and the world of the country. There is peculiar romantic humour and rare combination of realism and idealism in his plays.

He is the first to draw romantic heroines. It is a well constructed play in which the dramatist has skillfully woven passion, pathos and fear until they reach a climax. Kyd succeeded in producing dialogue that is forceful and capable.

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He introduced the revenge motif into drama. The device of play within play, which Shakespeare employed in Hamlet, is used for the first time in The Spanish Tragedy. He also introduced the hesitating type of hero, suffering from bouts of madness, feigned or real, in the character of Hieronimo, who anticipates the character of Hamlet. Marlow provided big heroic subjects that appealed to human imagination. He for the first time imparted individuality and dignity to the tragic hero. He also presented the tragic conflict between the good and evil forces in Dr. He is the first tragic dramatist who used the device of Nemesis in an artistic and psychological manner.

Marlowe for the first time made blank verse a powerful vehicle for the expression of varied human emotions. Marlowe has been termed the father of English tragedy. He was in fact the first to feel that romantic drama was the sole form in harmony with the temperament of the nation. He wrote 37 plays, which may be classified as tragedies, comedies, romances or tragic-comedies and historical plays. Shakespearean Comedy Shakespeare brought perfection to the writing of romantic comedy. His comedies are classified into the following three categories. The plays show sings of immaturity.

The plots are less original, the characters are less finished and the style is also vigorous. The homour lacks the wide human sympathy of his mature comedies. These plays are full of love and romance, vigour and vitality, versatility of homour, humanity and well-portrayed characters. These comedies have a serious and somber time.

Characteristics of Shakespearean Comedy Shakespearean comedy is pre-eminently romantic. His predecessors — Lyly, Greene and Peele influenced his art of writing comedy. The main characteristics of Shakespearean comedy are given below: i Romance and Realism: Shakespearean comedy is romantic. The classical unities of time, place and action are not observed in it. The settings are all imaginative. The action takes place in some remote far off place, and not in familiar surroundings.

All his comedies are related to real life.

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His dramatic personages are ordinary human beings and incidents are such as occurring in every day life. They are not conservative, they are creative. Wooing distinguishes it from classical comedy. The entire atmosphere is surcharged with love. Not only the hero and the heroine are in love but all are in love.

The Shakespearean comedy ends not with the celebration of one marriage but with many marriages. Shakespeare has vividly exhibited carried manifestations of love in his comedies. True love is spiritual. It is a union of minds and hearts. They are wise, winning and charming. They have beautiful feelings, thoughts and emotions. They radiate joy, peace and spirit of harmony. Male characters in Shakespearean comedy only play a second fiddle. His heroines know how to fulfill their desires and resolve crisis.

All heroines in Shakespearean comedy are guided by infinitive insight. Helena passes off in bed as Diana. It arouses thoughtful laughter. It is full of humane and genial laughter.

Brilliant wit mingles with kindly mirth and genial humour. He can arouse laughter from the mumblings of a drunkard and the intelligent repartees of leading women. The alert wit and bright good sense of a Rosalind arouse exquisite pleasure. His all pervasive spirit of mirth gains much from the presence of the Fool.