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Table of contents
- Destabilizing the Hollywood Musical
- stocking all of your analog and digital needs. since 1994.
- 1940+ Homes
- A Brief History of Comic Book Movies | SpringerLink
Senate that just about everybody from General George Marshall on down the chain of command in the U. S military was a Communist. This in turn led to anxiety and confusion in the national culture, and a longing for an imaginary time that never existed before or during the Second World War. They wanted the world as they thought they had understood it, back. The big bands were a part of that. Among the more mundane cultural woes that intruded into the quiet, anxious lives of people who had lived into their thirties: Much of popular music had moved from the melodic and lyrical big bands, into more simple and repetitive Rhythm and Blues, and on to Rock and Roll with electricity powering the instruments, not human breath.
Younger jazz vocalists such as Chris Connor and June Christy sold well too. Much attention and airplay was given to Bill Haley and his Comets when they hit the floundering Rhythm and Blues music market and converted it into a new form labeled Rock and Roll. Haley led the first white group to take black Rhythm and Blues to a large 45 RPM record market of white teenagers. Jackie Gleason, now at the zenith of his popularity at CBS, kept the Dorsey brothers in the spotlight. For the first time Tommy was beginning to fully realize the changing culture of American music, and he was alarmed and slightly depressed.
Though great friends, Tommy was acutely aware that Gleason was involved more and more in the control and direction of Tommy's career. Soon after hearing rumors of a reunion band of the Dorsey brothers, Gleason planned a television program to showcase them.
Destabilizing the Hollywood Musical
He had apparently given up on the band business, and could barely function, personally. Tommy had played U. They both played solos with Armstrong on the Louis program, and that episode and its ratings brought the show stature. He could talk to people and charm them. When you walked into a restaurant with Tommy he knew so many people, and he knew all their names.
stocking all of your analog and digital needs. since 1994.
When he walked into a room, you knew he was there—he had that kind of personality. People liked Tommy, and they should have. I never saw the mean side of him. I found him very humorous. Tommy was a good dancer. He was also a gentleman. Tommy had an unerring sense for new talent.
1940+ Homes
The Dorsey band still toured when not appearing at the Statler in New York. The television exposure Gleason provided had given Tommy a renewed vigor, and again he was a large contemporary name in entertainment. Trumpeter Lee Castle remembers arriving in a cab in front of the T. I noticed Tommy putting hundred-dollar bills in his fingers. Tommy would shake hands with each of one of them and give him one of his one-hundred dollar bills He did that all the time. Sinatra did the same thing.
A Brief History of Comic Book Movies | SpringerLink
It had rubbed off from Tommy. At Christmastime, I would go with him to send food and clothes to a lot of people. You keep your mouth shut! The contract called for the Dorseys to play at the hotel for six months each year until Tommy and Jimmy were also guaranteed seven thousand dollars a week and a large cut of the cover charge percentage.
They had Jackie Gleason to thank for this. Their television appearances had convinced the hotel of the economic viability of their orchestra. Somebody [Steve Yates], a country music agent turned me on to an act handled by [Colonel] Tom Parker.
What kind of a name is that? He was thrilled to death. I booked Elvis for the following Saturday. They laughed at him. They thought he needed a haircut and a bath. The William Morris Agency, which had negotiated the contract, wrote in an option for two more shows if the first four proved successful. Here is the one and only Elvis Presley! After the Dorsey shows, everybody wanted Elvis. Only after these three programs, beginning with the six original Dorsey shows, did he appear on the Ed Sullivan show, the man given credit for bringing him to the public.
Once again, just as he had done for Sinatra, Tommy had found, and was promoting, a vocalist who would become much larger than Tommy himself in popular music. Sinatra had the Number One selling album in the country while Elvis was appearing on the Dorsey Show. He knows exactly where to go and what to do. How do you hold that phrase so long? But his drive and ego would not let him slow down. Besides the Statler gig, he was still sitting on a bus on the road for part of the year playing one-nighters. Frank was a mega-star, taking it easy, making movies, and working where and when he chose in only the finest clubs.
On the second night of the Paramount shows, Frank came down with a cold and was replaced with the entertainers Jackie Gleason, Red Skelton and Ed Sullivan, who must have brought along some of his variety show acts. Despite his depression at age 51, Tommy had his wife, Janie, two small children, and an estate they called home located in Greenwich, Connecticut. But the marriage was not working. There was alleged infidelity on both sides.
He still pursued money in the stock market, buying one day and selling the next. He put some money in a company that produced buttons for well-known clothes companies. He invested in E-Z Pop, a product that made popping corn easy for almost anyone. He invested in a company whose drinking straws were manufactured in different flavors.
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He wanted to be a successful businessman. I also think he would have liked to be a producer of motion pictures. He liked talking about finances and making money. He was a fallen hero. God, he was down. He discussed his upcoming divorce…[Janie] was the first woman in the world, I think, who ever told him that he was too old for her. Janie New filed for divorce on October 24, The judge suggested that they sleep in separate locked bedrooms in the Greenwich house.
Afterward, Tommy began the drive home to Greenwich, with his old friend, trumpeter Lee Castle. They all left the restaurant for their own homes at am. Arising from bed the next afternoon, Tommy went outside and played with his children and then worked in the garden. Tommy had brought the food home from the Italian restaurant the previous night, as he often did for Janie, who enjoyed its cuisine. He had two glasses of wine with dinner and then retired to his bedroom at pm to watch television.
After she knocked on the door and asked if he was alright, she heard him reply that he was on the phone with Carbone. Carbone hung up.
Janie tried calling Dorsey on his private house line once more. Tommy told her he was about to go to sleep. She could hear the Television and Tommy snoring. She called Carbone at pm to give him an update.
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At 10am Monday morning Carbone arrived at his office in the basement of the Dorsey house for his booking work for the band. Janie said Tommy was still sleeping. Carbone looked through the keyhole; he could see Tommy lying on his bed. He called Tino Barzie, who told him to break in. Barzie got on a train from New York to Greenwich. He found Tommy in his bed, fully dressed, with blankets pulled up to his chest. No sign of life.
Carbone quickly called the Greenwich Hospital and the town police. It had a slide drawer with two compartments, which contained both neutral and greenish-colored pills. Newspapers across the country headlined the death. The Campbell home was full with over people both on the main floor and in the gallery. Twenty three limousines drove to the Westchester County town of Valhalla where Tommy was interred surrounded by two stones. Dorsey, Jr.