CHERUBIKON

The Cherubic Hymn is the primary cherubikon or song of the angels, sung during every Divine Liturgy of the year with the exception of the liturgies of the.
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Since our worship is an other-worldly event which joins us here on earth to the very cosmos, uniting heaven and earth as we join with the bodiless powers of heaven and all the Saints in their endless worship of the Trinity, during the Cherubic Hymn, as the angels move about the temple, we are ushered even more intimately into the heavenly worship which goes on for eternity. As the choir raise their voices to the heavens, calling on the heavenly hosts of cherubim and seraphim, worshipers whose noetic soul is awakened behold in awe a deep spiritual presence.

This presence envelops all who can discern it in a kind of effusive, radiant light.

Cherubikon | Orthodox in the District

As the priest moves about the temple, censing the icons of Christ and His saints, then censing the people, venerating the image of God present in each of them, the angels move about, hymning and praising the Lord while the choir hymns them. As this takes place in these holy moments, the grace of God overflows in the souls of those who can discern it.


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The temple altar represents — and during the Eucharistic offering becomes — the throne of God in heaven. Just as the faithful bow down in worship before the Eucharistic altar when they enter the church, and just as the clergy bow down before the altar at the consecration of the divine gifts during the Epiclesis, so too do the angels bow down before the altar, the heavenly throne, as the choir praises them.

Ponder, if you will, the opening words of the Cherubikon and their profound implications for all those who sing and hear them:.

See Singing the Symbol of Faith. The Cherubikon Melodies The melodies for the Cherubic Hymn are often taken from the folk-song or spiritual song tradition, so that for example a song for the Mother of God may have its melody used for the Cherubic Hymn on one of her feast days.

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The first part of the hymn "Let us who mystically The cantor should pace the singing so that one of the repetitions concludes as the procession is making its way through the church. If it is necessary to sing only a portion of the first part of the Cherubic Hymn, that portion should conclude with "now set aside all earthly cares.

It is customary to sing the following hymns to the same melody as was used for the Cherubic Hymn: Listen Like the Trisagion, the Cherubic Hymn should be sung "straight through", without noticeable gaps or pauses between the phrases. The Cherubikon B The B setting of the Cherubikon opens in a striking fashion, with a rising perfect fourth followed by a trumpet-like triad do - mi - so. Listen Start this hymn a little low, since rises more than an octave over the initial note.

The Cherubikon Melodies

Listen If it is necessary to sing only part of the hymn to properly time the procession, begin the final repetition at the first "now set aside The Cherubikon D The D setting of the Cherubikon DL opens with a rising perfect fourth, then proceeds in a smooth, flowing fashion with occasional leaps to mi and sol.

Listen This is one of the shorter settings, and you may need to sing it more times than the others.

Listen If it is necessary to sing only part of the hymn to properly time the procession, you can begin at either "to the life-creating" or "now set aside. Listen If it is necessary to sing only part of the hymn to properly time the procession, you can begin at either "and sing the thrice-holy hymn" or "now set aside.

Additional settings for particular feasts and seasons The Cherubikon, "O kto kto" This setting of the Cherubikon is based on a paraliturgical hymn in honor of Saint Nicholas, O kto kto O who loves Nicholas the saintly , and can be used both on his feast December 6 and in the pre-Christmas season, if desired.

Listen If it is necessary to sing only part of the hymn to properly time the procession, begin at the first "to the life-creating. Shlomlokh on October 21, , Diocese of the South OCA.

Melodies for the Cherubikon

Carl Kraeff Second Chance on October 22, , Dominika on October 21, , October 22, , Iconodule on October 22, , From Chapter 28 of the Russian Typikon: On disorderly cries Disorderly cries by the church singers ought not to be allowed in church singing. And those who make them are not allowed either. Let them be removed from their ministry, and sing in the church no more. For it is proper to sing according to the order, and with one accord to glorify the Master and Lord of all, as if coming from our hearts through one mouth. Those who disobey are condemned to eternal torture, since they do not follow the tradition and rules of the Holy Fathers.

LBK on October 22, , October 23, ,