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It also reached number 10 in the UK and number one in Australia. The song was recorded with an uncredited background vocal group , the Del-Satins , in a rockier style than Dion's earlier hits with the Belmonts. Dion said of "The Wanderer": [2]. At its roots, it's more than meets the eye. But you know, "The Wanderer" is really a sad song. A lot of guys don't understand that. Bruce Springsteen was the only guy who accurately expressed what that song was about. It's "I roam from town to town and go through life without a care, I'm as happy as a clown with my two fists of iron, but I'm going nowhere.
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It sounds like a lot of fun but it's about going nowhere. However, on Maresca's original demo of the song, the lyrics were "with my two fists of iron and my bottle of beer" , and the change to "with my two fists of iron but I'm going nowhere" in fact seems to have been at the record company's insistence. The song has been categorized as rock and roll , rhythm and blues and pop.
Status Quo covered the song twice, once as a complete version, and once again as part of their Anniversary Waltz, Pt. Status Quo's version was a number seven hit in the UK and a number three hit in Ireland in ; it was later included on the reissue of Back to Back. Mel Gibson sings a version in the animated movie Chicken Run.
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The "Big Bad Wolf" in the Portuguese lyrics is somewhat like the wanderer, riding in his car and getting all the girls. The French version "Le Vagabond" which tells the same story as the original was a hit in French-speaking countries by Richard Anthony. Featured prominently in the film The Wanderers.
It is the song usually played loudly over the house PA as the lights dim just before the band appears onstage and begins to play. In Brian Azzarello 's Watchmen prequel comic Comedian , the song is featured twice, in small but pivotal scenes.
In the Canadian Showcase series Lost Girl , the song is featured prominently and repeatedly in seasons 3 and 4 as a callout to a character referred to by the same name, including an arrangement performed by Merry-Go-Round Instrumentation. In the movie Behind Enemy Lines the song was also used. The song is featured very prominently in the Bethesda video game Fallout 4. It is used in the revelatory trailer [8] and is included in the game as part of the Diamond City Radio station, accessed through the Pip-Boy. Matthew Wills.
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The Wanderer
The conditions described in the poem, vivid as they are, are resonant references to older days in order to express a contemplative message through the remnants of the culture. Anglo Saxon The Wanderer ln 95…. Time reaches Shadow as Day enters Night. Guided by ashen spears, called by the cry of weapons hot for blood with edges bright, where soldiers stood stand worm-worked walls grave high.
My transient friends are gone, their souls have fled, my shield alone holds back the turning page. Hardship is here; my rosy world is dead, Bitter winter snows my hair with age. This is by no means a literal translation of the lines towards the end of this poem, Rather it is an attempt to convey the melancholy mood of the old soldier who has outlived both his comrades-in-arms and the social superiors he respected and who valued his prowess in battle.
Younger men probably see an old bore who is always scrounging a drink, a bite to eat, or a warm corner where he can to sit and bend the ear of anyone foolish enough to greet him. NB wyrml? It is often suggested this refers to the encircling ditches characteristic of multivalate Iron Age hillforts.
When sorrow and sloth — settle together he anguish-enclosed — oft bindeth. Thinketh he in mood — that his master-king clasps and kisses, — and on knee lays hands and head, — as he betimes did in years-done — gift-stools delight. Then awakeneth — again friendless groom, far sees before him — fallow waves, bathing brim-fowls — broadening feathers falling hoarfrost and snow — hail be-mingled. Then be-it that heavy — heart burns, sorely after his own-kind. I am just the scrivener here—working through word-roots wherever possible to restore this masterpiece to something of its original glory.
The more I work with it the more I appreciate the Anglo-Saxon alliterative verse form. Iambic pentameter it is not—nor free verse. The possible word choices are heavily constrained by the alliteration requirement. The requirement for balanced couplets is equally constraining but also liberating. Hostetter, I would like to know what you think of this rendering of lines This rendering preserves or otherwise restores the Anglo-Saxon alliterative verse form but using words that have intuitively approachable meanings to modern readers.
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It reads almost word-for-word on the Anglo-Saxon. The meter is authentic Anglo-Saxon alliterative verse as near as I can tell. Oft him enclosed — is afforded, Maker mercies — though he be mood-caring beyond lake-lode — long should he-row with hands — hoarfrost-cold sea wading wretch-paths.
So quoth earth-stepper, — earth-footman mindful, wrathful wound-slaughter — worshiped-kinfolks ruined:. Oft I must alone — aurora-morns when my cares moan. No weary-mood kinsman — weird-fate can withstand Nor rough heart — can help perform.
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Thus the doom-prone — drearyness oft in his breast-cave — bindeth fast; So my mood-spirit — mine I must, oft anguish-caring — earth-home deprived free-kinfolks far — fetters fasten since years gone — gold-friend mine earthen hole-spot draped — and I humble thence waded winter-caring — over waves bound sought hall dreary — zinc bestower where I far or near — find might one in mead-hall who — my kinfolks knew, or me, friendless — comfort would, wean with delight. What thou knowest how joyless it-be to journey with sorrow when he little has — a loved protector: wretch-paths weary him, — not wound gold, heart-fort freezes him, — not folded earth-hoard.