Manual Have You Seen My Moo Moo?: Meenas World (Meenas Adventures Book 1)

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During that conversation, apparently somebody asked her which of her songs was her own personal favorite, and she said it was this song from Azaad, Aplam chaplam …, and naturally, that too was one of the questions hubby asked me in one of our initial meetings, Did I know that song, and so on. Luckily for me, I did! My own personal favorite is Na bole na bole na bole re …, and it goes back to my own childhood. I was visiting my cousins, and they were learning to dance to this song, and I used to be watching their lessons, and after the class was over, we would have our own private recital of this song!

Meena Kumari and Dilip Kumar are so wonderfully happy in this movie, and it is such a pity that MK got typecast in all those weepy roles later, and DK in all those brooding, melancholy roles, other than a couple of movies like Ram aur Shyam and Kohinoor. You and your hubby seem to have discussed movies a lot in your initial meetings, Lalitha!

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I must confess too that while I love the dancing in Aplam chaplam , the song I like more is Na bole na bole na bole re. And while Meena Kumari is certainly not in the same league as Sai and Subbulaxmi, I think all three dances of hers in Azaad are beautiful! Well, he had no interest in paintings or craft stuff or knitting or romantic fiction, which left us with movies as the common point!

And travel stories, also! If you review movies with locales like Egypt or trekking in the Himalayas, I will regale you with some more stories then!

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I can understand — even my husband and I tend to be interested in completely different things. While we both read a lot, what we read is poles apart. The same goes mostly for TV and films. Food and travel are probably the only things that both of us are equally passionate about! Hmm… Egypt and trekking in the Himalayas?

Now, that just might be a bit difficult. You could do the Doris Day movie with the song, Que sera sera …, and then there is always Cleopatra, or have you done these already? I need to check before I open my mouth or start typing! I love the way Dev smokes too. Most actresses faded away around 30 years of age after having gone through their stage of happy happy heroines when very young.

Meena Kumari after passing that stage carried on as a mature actress with gravitas till well into her 30s.

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She was 30 when Sahib Bibi aur Ghulam was made. That may be a reason. It might be interesting to look at the filmographies of some of her contemporaries and see what sort of roles they did, if they happened to work till later. Waheeda Rehman, for instance. With her, yes.

Dustedoff, I feel flattered about the mention in your conversation with your husband regarding my forte. One blogger whose big forte is dancing is Minai. By the way, she also refers to a blog post of mine in which all the videos are missing.

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Tom Daniel posted all of the major dances from the Tamil version — and acquainted me with them — before I even realized that this was the source film for Azaad. Regarding the film in general, well, I think Kohinoor is definitely better… But much as I like Dilip and, especially, Meena who is my favorite actress just for being an actress, rather than the actresses who are my favorites for being dancers or singing stars , I think the dancers upstaged them in both films. And what would Kohinoor be without those dances by Kumkum?

Not even half the film that it is. To Harvey, that is great that you were able to point out a scene in which Meena showed her damaged pinkie! I also saw a few scenes of her acting in the film Lal Haveli, when she was 11 years old, but I knew not to even bother looking for any damaged fingers there. I think Kohinoor is definitely better, too. In Azaad , after a while I just got so completely swamped by all the digressions and unwarranted turns of plot, that I stopped trying to figure out what was happening. So what has that got to do with Aazad? Well Dilip Kumar has always been considered to be the God of acting but this beholder , that is I for the life of me I could not understand what the fuss was all about, to put it plainly I just did not like him and then I saw Aazad and he caught me unawares with his acting.

I quite liked the film as well as his acting, here was totally different Dilip Kumar.


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I love this slightly offbeat way you have of beginning a comment, Shilpi! Well, certainly not meriting all those accolades people heaped on him. It is films like Kohinoor or Azaad that helped me agree that he is, in fact, an amazingly good actor. My mother used to praise macchher muro a lot when my sister and I were kids — until one day, she managed to get hold of some we lived in MP, so it was difficult , and made it with daal.

We hated it — Mummy was the only one who ate the bulk of it. Not too many Bengalis enjoy the macher muro with dal, my brother being one of them, once my aunt gave it to him expecting him to enjoy it, my poor brother thought it was the usual dal and took a helping of it and then the moment he tasted it, he wrinkled his nose in utter disgust — to make matters worse my brother was then a recent convert that is to fish eating, he used to never eat fish till then.

He of course did not touch the dal. We often tease my sister that in their family she, her husband, and their two children , the only one who eats fish is the one with the least amount of Bengali blood — my sister!

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Honestly, though, while Rajendra Kumar too could be fun hmmm… let me think. Even Mere Mehboob , which is my favourite Rajendra Kumar film, was pretty high on the emotional content, if not exactly weepy. I meant it the other way round, your saying about RK being able to do what DK did. Dilip Kumar was mostly less weepy onscreen, more inward-drawing.

Rajendra Kumar had this tendency to be OTT when it came to melodrama. So he ends up making me feel irritated. Not so with Dilip Kumar. I watched the film last night. Liked it all over again because of the very different treatment given to a very familiar story. It was as I mentioned. No crying except the two times she loses her baby, and one song towards the end where tears stream down her cheeks the only time where tears are shown streaming down involving the sick baby,.

There sre NO scenes of Balraj Sahni consoling Meena because she is shown as quite a pillar of strength. So I think perhaps it all depends upon tastes. Thank you for taking so much trouble to bring out the facts. I do accept that I erred in describing the film as a storehouse of tears,when infact it was not so much as much as I made it out to look like. I did not have any access to the copy of the film to countercheck,before or after my comments.

Good that atleast you saw it and corrected me. My comments were based on what impression I had about the film,which I had seen in the early 60s.

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It ofcourse can not be an excuse. What is wrong is wrong. I can at best say,I agree with you that afterall it is a matter of perception and taste. Sensitive people can cry at the slightest provocation and tough ones can bear it with ease. I appreciate your good follow up. Thanks,once again and Good Bye!

I saw Pakeezah after the whole world convinced me that there was no crying involved in it. I had seen it before so I was testing myself and I found that I cannot take it, even at this age! Just goes to show that I am not a tough person! Pacifist, Arunji, Lalitha: Interesting discussion, this — it was intriguing to read all your comments. I cry more from watching deep emotion, not necessarily unhappy.