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Bodybuilder in Bondage 4: Give Him Enough Rope - Kindle edition by Emeric It's BYOR (Bring Your Own Restraints), as the men in blue instill in Gregor an enduring . Looks like this is the conclusion to the bodybuilder series of stories.
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• Don’t Be “That Asshole”- On Reporting Crimes in the BDSM/Leather Community
• BDSM & FemDom Advice: Kink Compatibility in D/s Relationships | Cara Sutra
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Written by Zhana Vrangalova. She teaches Human Sexuality at New York University, blogs about the science of hookups for Psychology Today , and tweets daily about new sex research. She is also the creator of The Casual Sex Project , a place for people to share their hookup stories.

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Full Bio. Related Articles. Tinder: Swipe Right for Lasting Love??? Casual Sex at Our Age? Related Terms. Will the birth control pill affect my sex drive? The non-consensual theme of Constraint is liable to inspire controversy, reaching as it does into realms of discomfort for many readers. To anyone who would criticize the story as eroticism of rape, how would you respond?

In what way is this different than reading book after book about a murderer? A hundred years from now, if we sort out rape culture, will books like this still be being written? I am an intelligent, philosophically inclined woman who values honesty in interpersonal dealings. I am writing this book as a direct response to the artificiality of most noncon and dubcon fiction. Is it eroticizing rape? Siri, your language is both precise and lyrical. Which authors have inspired you in creating your distinctive voice?

I was thinking a lot of Lolita while I was working on this. Nabokov never sets a foot wrong: every word is exactly calibrated. I have thought about writing about Klee as a young woman in s France: how did she become the woman she is? Robbe-Grillet has a lot in common with Klee, I realized. Thank you once again to Siri for taking time to discuss her intent in writing and the complex psychologies of her work.

You can also find Siri at Visconti Press. Read more from Siri on motivations in writing erotic fiction here , as part of the Authors series. Here, we look at what first inspired these women authors to tackle sexual themes, and the significance of gender to their work. In writing erotic fiction, sex is the lens through which we explore our world and our identity. Our writing is a pathway to knowing ourselves: physically, mentally, and emotionally. In expressing our understanding of our sexual self, looking at how erotic impulse shapes us, we recognize that we are more than intellect, and more than emotion.

I explore who I am and see how far I can push myself. Remittance Girl urges us to write with honesty, and without fear, embracing whatever understanding of pleasure and eroticism is true for us. This is especially true, I think, with erotic fiction. Meanwhile, writing the erotic can help in eroding sexual stigma, encouraging women, and men, to voice their desire more honestly. A remarkable number of the women taking part in the authors survey have a background in the visual and performing arts, which they universally acknowledge as an influence on their writing.

Jane Gilbert studied art history, as did Nya Rawlyns. Jade A Waters has studied circus arts. Madeline Moore has worked as a screenwriter for television, while Krissy Kneen and Tobsha Learner have worked in playwriting, and Adrea in stage direction. I could go on…. Then, the sensual pleasures. Light, dark, light, dark.

Always this dance, and writing has helped me embrace the totality in the supposed contradictions. There she continued to delve sexuality and gender, and became inspired to write her first erotic short story collection, Quiver. Krissy Kneen similarly began by writing for the theatre, alongside film, and comes from a family of painters and sculptors, which she cites as an influence.

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I explore. The surrealists taught me to go beyond the knowable and I have followed that call. I experience the world in a very physical way. I like digging beneath a constructed, social surface to get at an emotional reality. Donna George Storey describes her writing style as literary, feminist focusing on the female experience and realistic. She lived in Japan for three years, receiving a Ph.

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Some women note a very early awareness of sexuality, and a desire to express this on the page. Cecilia Tan wrote on this topic in childhood notebooks and diaries, even from the age of six. Others discovered the liberation of writing much later. I have scars aplenty and I wear them with pride, along with the wrinkles of failure and the thinning skin of hope. Sex is part of the human experience. I began to see it as a strength, which gave me courage to move into the erotic genre and look at publication.

Unfortunately, the first I read was incredibly disappointing. I felt so let down, I decided to write my own… and found compelling, emotive energy from the exercise. Kay Jaybee admits to feeling surprised by her impulse to write erotic themes. I was daydreaming out of the window, having not written a thing since I left university, when an idea suddenly came that was so naughty it shocked me.

The story was taken by Violet Blue three months later. I simply write because I love to. One of the main reasons I write is because I believe we need more female voices in the chorus of literary expression. When someone does this well, it is a pleasure to read plus I applaud every effort to empathize with people who are different from ourselves.

Women and other groups discriminated against have not had enough of a chance to share their own experiences honestly. Those are the stories I feel are worth my time to read and write. My perspective on these issues is reflexively female and, while I strive for a balanced perspective, I honor and acknowledge that bias. Cate Ellink asserts that she prefers to write from a female perspective, since it is the one she knows and feels confident with, worrying that an attempt at male perspective would weaken her storytelling.

Similarly, Christina Mandara is adamant that she writes with strong identification as a woman and believes that, in writing men, she is less skilled than a male author would be. However, a number of women authors note their desire to write without a predominantly female voice, preferring to focus on character, regardless of gender. Writing Our Own Truths. Our sexuality is multi-layered, and the ways in which we express our desire are just as complex. We are fluid. We are changeable. We are the tiger and we are the pussy cat. Author Inspirations: film, theatre, dance, fiction, art, music.

My thanks go to the following authors for giving their time and for their candid answers; my thanks also to authors who contributed their views anonymously. Shandwick , I. Here, we look at recurring themes within erotic fiction. What do we find to challenge and empower us? We recognize that we are more than intellect, and more than emotion. In writing erotic fiction, we use sex as the lens through which we explore our world and our identity.

We, as writers, look at how sexual impulse shapes our motivations, and how it impacts our relationships. We speak our desire and, in doing so, our voices only become more powerful. While being receptive to critique as would be expected in any genre we, as authors, need to stand resolute in our belief that sexuality is a valid theme for literary exploration, and that we have the power to write as we see fit.

However, we can argue that responsibility lies with us, as authors, to become less commercially risk-averse. It has the power to delve not just our fantasies but our truths. It can explore the cause and effects that drive our lives and form our emotional realities.

It may seem contradictory to seek out greater realism within erotic fiction. However, the majority of writers with the authors survey assert a desire to write recognizable, diverse characters, and situations, with psychological depth, to better allow readers to empathize, and enter into alternate possibilities.

The premise being that lust, sex and love is not just something that happens to gorgeous under thirty year olds, with ridiculously youthful and beautiful billionaires. The female version usually has the gorgeous partner falling in love for the first time in his life after the aforementioned great sex. They can go deeper, they can play, they know each other well enough to trust it will be mutually enjoyable. I want depth, I want a connection that has more to do with what drives the characters, and with the chemistry between them, and less to do with the trappings.

And so is writing about it. We watch her characters push through their inner-sanctions, and see how they deal with the consequences.