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So that brings us to the music. Skelator definitely fits the mold of other bands that center their songs around fantasy themes.

SKELATOR "Agents Of Power"

They play music in the vein of early American power metal and other classic metal styles, owing a lot to the music of Manilla Road, Omen, and the like. The leads show a heavy Iron Maiden influence and the dual guitar attack is done quite well. The individual songs are certainly memorable and highly infectious.

The vocals took a little while to grow on me. Initially they came off as too high and abrasive, but as I continued to listen, they fit in quite well with the music. Once past the initial shock and dislike, the vocals actually sounded quite good. Jason Conde-Houston has exactly the type of voice you would want in a band of this style.

Overall I think this is definitely a grower. Initially I was skeptical that I would really like it at all with the fantasy lyrics and vocal style, but I got into it as it wore on.


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This is actually not unusual for me with this type of metal. Domine took awhile for me to get into as well, and Skelator has a lot in common with them. Another good slice of classic metal. Skelator are a cool band comprised of a bunch of cool guys who clearly love their fantasy, particularly their Moorcock and here on their third full-length release Agents of Power , they unleash a barrage of epic heavy metal.

Agents of Power is an album of two parts; the first four tracks are stand alone ass kickers, whilst everything following is a massive concept piece about our favourite albino bad-ass Elric. The first four tracks are pure and unadulterated head-banging eighties style heavy metal.

Agents Of P.O.W.E.R.

His vocal style is one I tend to associate with any eighties band who championed high fantasy style lyrics, and he can switch well between powerful high notes and a more aggressive lower register, in places reminding of James Rivera. The production is natural and old school, which is exactly what is needed here on Agents of Power : the guitar tone has that perfect early eighties feel to it which really benefits the riffs. The rhythm section is ace too, with a solid drum battery and thundering, rumbling bass. The massive Elric concept piece is enough to have been packaged as an album in its own right.

Skelator avoids a good number of conceptual pit falls and lets the music do the talking, which is commendable. Expect fist-raising guitar leads and harmonies, head pounding rhythms, and scream-along vocal lines throughout.

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Agents of Power is a superb third release from a band that I hope to see go a long way. Skelator are the real deal, and if bands such as Skullview, Slough Feg, and Dexter Ward are choice amongst your collection, then Skelator are a band you need to become acquainted with straight away. For as much as I love my metal evil, brutal and all kinds of filthy and disgusting, I still maintain there is nothing at all can beat straight up classic heavy metal when performed and executed properly; bands such as Manilla Road, Omen, Slough Feg and Helstar and so on are exactly what I mean, no sugary keys nor obscure pretences, just fearless leather studded metal the way it was originally intended.

Many bands have written tracks about Elric, some better than others. We all know how shitty that was. From his stratospheric wail to dropping through to a slightly lower gruff tone dripping in attitude and panache, his range is seriously impressive. Sure every tom dick and harry in the eighties had a blistering shredder, very few had a Midnight or a James Rivera.


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    8. Skelator would not be the first band in the power metal spectrum to pay conceptual tribute to Michael Moorcock's most famous creation, the albino fantasy antihero Elric of Melnibone. However, I feel that their brand of working man's US speed and power, with aesthetically bears similarities to predecessors like Virgin Steele, Twisted Tower Dire, Manilla Road, Manowar and other domestic gods, is particularly suited to telling the tales of the Black Sword, since it instinctively carries this sense of nostalgia which can draw the listener back to that formative period of the earlier 80s when the works of Moorcock, Lieber, Howard and other lesser known fantasy staples in the shadow of Tolkien were enjoying a new burst of popularity with the onset of tabletop RPGs and now-antiquated video games.

    Later released on Vinyl in Almost 20 years of Killing Posers has paid off. Contact Skelator.


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    Streaming and Download help. If you like Skelator, you may also like:. The Armor of Ire by Eternal Champion. The first time I listened to this album my dick grew ten inches. I listened to it again and ascended into a demigod-like form beyond the grasp of any biological or cultural perceptions of gender. Then I listened a third time and became a being of pure sonic energy whose thoughts comprise the whole of reality.

    So yeah, it's pretty good. This slice of epic doom metal from a traditional approach is surely only a taste of great things to come from Smoulder. Support this fantastic band! Certified Bryan. Satan's Hallow by Satan's Hallow. If you like Midnight Dice, check this out. Previous project of 3 of the same members. Crema de la Metal. An Overdose of Death The Last Stand by Sabaton.

    The Swedish band weave historical truths into ferocious war hymns, riddled with bombastic bagpipes and lightning-speed riffs. Explore music. Agents of Power by Skelator. Jason Renslow. Jason Renslow I love the imagery and story telling in the song writing. Plus, Skelator plays since badass metal. It reminds me of many of the old school iconic metal bands I've loved for years.

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    The band is tight, the tone is good, and the solos are pristine. Favorite track: Gates of Thorbardin. Brian Willms. James Todd. Bob S. Tony J C. Jeffery Sergent.

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    Branden Wiley. Jay Goin. Collin Bridge. Tano Masciocchi. PJ Brown. Chris Goad. Zackery Perryman. Onkel X. Carmine Blades. Greg Manthey. Marlo Reghenas. Ian Humphreys. Bob D'Ercole.