String Quartet No. 1 g minor D18 - Violin 2

Digital Sheet Music for String Quartet No. 1 g minor D18 - Violin 2 by Franz Schubert,SMN Archive Collection, scored for String Quartet, id
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These two factors may be related; Borodin dedicated the quartet to his wife Ekaterina, and it was written as an evocation of when they met and fell in love in Heidelberg 20 years earlier. The composer seems to have represented himself in this quartet with the cello he was an amateur player , while Ekaterina is portrayed by the first violin. Each of the movements is warm and blissful, the whole suggesting the depiction of a growing, deepening love.

Borodin and Ekaterina dominate the rest of the movement with a beguiling discourse; even the development brings effortless, serene reshapings of the exposition's melodies, and the luminous coda rounds out the movement nicely. The light first subject skips along gracefully, while the second subject is reminiscent of a waltz; both are gentle dances, gently handled. The development is in more decisive duple rhythm, but the recapitulation soon brings back the triple rhythm and its attendant character. Over a luminous gauze of accompaniment from the second violin and viola, the cello introduces a long, tender, ardent melody marked cantabile ed espressivo.

This melody soon passes to the first violin, which plays it over commentary from the cello. A more decisive second theme enters on both instruments, which develop it before playing the first theme in an intimate canon. The first theme lingers until the end of the movement, when in a long coda it ascends until the violin and cello play it together in a silvery thread of tone. As love letters go, Borodin's String Quartet No.

If you believe that any copyright infringement exists on this channel, please let me know immediately before submitting a claim to. I will immediately remove the disputed video accordingly. Thanks for your contribution. Alexander Borodin - String Quartet No. Ludwig van Beethoven - String Quartet No. Mozart - Divertimento in D major, K. Johannes Brahms - Double Concerto [With score]. Mendelssohn - String Quintet No.

Edvard Grieg - String Quartet No. A lovely series of waltzes from the orignal Waltz King of Vienna. The galopp is the fastest of Viennese dances. Evokes old Vienna Johann Strauss, Sr. This one's a real mover.

Franz Schubert: Complete Chamber Music For Strings | Presto Sheet Music

Perfect for New Year's, Weddings or any time music of celebration is called for. Celebrating the railroad craze of taking day trips for picnics and pleasure outings. A rousing, kick up your heels dance, with the traditional Viennese touch. Another set of lovely series of waltzes from the orignal Waltz King of Vienna. A very attractive Viennese fast dance which gained great popularity. Another very typical and beloved set of Viennese dances from the 's. A kick up your heels, toe-tapping work that makes an excellent encore.

One of the earliest and most beloved of Strauss Sr's wonderful waltz sets. Probably the most famous piece he ever wrote. Played throughout the world.

He wrote it to commorate his long tour of Germany by stagecoach. Light and elegant and full of Viennese charm. A charming Viennese polka named after the famous Sperl Dance Hall. This lovely "Little Doves Waltzes" shows why he was to become so famous. One of the most famous and beloved set of waltzes that Senior wrote. A wonderful set of sentimental Waltzes conjuring up Old Vienna.

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It means in flight or on the wing and is real traveling music. This peppy polka for years was as popular as Johann Jr's best known works. Violin Sonata in E flat Major, Op. String Quartet in A Major, Op. Influenced by Mendelssohn, yet with many original and fresh twists and melodies. Piano Quartet in c minor, Op. Based on a famous Viennese nostalgic song of Old Vienna. A prominent composer of Schrammelmusik. A lively polka, fun to play and hear. Piano Trio in c minor, Op. Piano Quartet in a minor, Op. Piano Quintet in g minor, Op. Four part harmony with free development.

Sir Arthur Sullivan Romance for String Quartet A short, charming early work from Sullivan's Leipzig days, has the flavor and grace of a Mendelssohn intermezzo. Duo Concertante for Cello and Piano, Op. Beautiful melodies takes excellent advantage of the cello. A wonderful arrangement of this ever popular audience pleasing overture. Bold and highly original. Highly praised by critics and strongly recommended for concert performance Johan Svendsen String Quartet in a minor, Op. String Octet in A Major, Op. Should not be missed by either amateur or professional. Piano Trio in a minor, Op.

A must for concert. A good program choice for this small repertoire Rosario Scalero Violin Sonata in d minor, Op. Philipp Scharwenka Violin Sonata in b minor, Op. Philipp Scharwenka Viola Sonata in g minor, Op. Philipp Scharwenka Cello Sonata in g minor, Op.

Philipp Scharwenka String Quartet No. Xaver Scharwenka Cello Sonata in e minor, Op. Xaver Scharwenka Piano Trio No. Paul Scheinpflug String Quartet in c minor, Op. Max von Schillings String Quartet in e minor A first rate, late romantic work with tinges of Hugo Wolf. Franz Schmidt String Quartet No. Othmar Schoeck String Quartet No. Johann Schrammel Wie der Schnabel g'wachsen ist Waltzes for String Quartet It means not only do the words speak, but also the music. Franz Schubert String Quartet No.

Franz Schubert Quartetsatz in c minor, D. Clara Schumann Piano Trio in g minor, Op. Georg Schumann Cello Sonata in e minor, Op. Georg Schumann Piano Trio No. Bernhard Sekles Capriccio for Piano Trio Combines elements of polytonality with traditional tonality with a superb set of variations on Yankee Doodle. Joseph Servais String Qurtet in C Major Composed by the cellist of the famous Hubay String Quartet, this lovely work features fine part writing and almost plays itself..

Giovanni Sgambati Piano Quintet No. Vissarion Shebalin String Quartet No. Percy Sherwood Cello Sonata No. William Shield String Trio No. William Shield 3 String Trios Nos. Jean Sibelius Piano Trio in C Major, "Lovissa" Though an early work, it is mature, full of fine melodies and in the style of the mid Romantic movement.

Christian Sinding Piano Trio No. Christian Sinding Serenade No. Christian Sinding Piano Quintet in e minor, Op. Hans Sitt Piano Trio No. Johann Sobeck Wind Quintet No. Great writing, appealing melodies, a fine choice for romantic era choice for concert Johann Sobeck Wind Quintet No. Nikolai Sokolov String Trio in d minor, Op. Nikolai Sokolov String Quartet No. A valuable repertoire addition Susan Spain-Dunk Phantasy for String Quartet in d minor Powerful and well written first rate work which absolutely deserves performance in the concert hall.

Johannes Spech String Quartet in g minor, Op. Louis Spohr Piano Trio No. Louis Spohr String Quartet No. Louis Spohr String Quintet No. Louis Spohr Double Quartet No. Alexei Stanchinsky Piano Trio in D Major Hailed as a musical genius by his teachers, the trio combines Russian folkloric elements with tinges of modernism. Wilhelm Stenhammar String Quartet No. William Grant Still Danzas de Panama for String Quartet or Quintet A collection of Panamanian dances expertly put together to a superb concert work and audience pleaser. Zygmunt Stojowski Violin Sonata No.

Ewald Straesser String Quartet No. Eduard Strauss Bahn frei! Sir Arthur Sullivan Romance for String Quartet A short, charming early work from Sullivan's Leipzig days, has the flavor and grace of a Mendelssohn intermezzo. Hermann Suter String Quartet No. Highly praised by critics and strongly recommended for concert performance Johan Svendsen String Quartet in a minor, Op.

Georgy Sviridov Piano Trio in a minor, Op. Extraordinarily powerful and full of the angst of pre-revolution Russia, combines romanticism with Russian futurism. Hailed as a masterwork upon its premiere. One of his last works. A fresh, gay, and boisterous work of originality. Considered by many to be the finest French piano trio of the 19th century. An unqualified masterwork which can stand with the best of this genre.


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A youthful, energetic work full or originality and unusual sonic touches which make it a very attractive piece. A lovely calm and serene work with a hauntingly memorable melody. Three wonderfully contrasting character pieces compose this charming suite. An amazing work for an 85 year old. Once compared to Beethoven's Kreutzer Sonata because of its brilliance. The finale could serve alone as an encore. This is one of the finest sonatas from the late French Romantic era. A beautiful work with excellent part writing. A good program choice for this small repertoire. Rosario Scalero Violin Sonata in d minor, Op.

A big, powerful, dramatic later romantic work of the first order. An unqualified late romantic masterwork. One of the very best viola sonatas from the late romantic movement. First rate late romantic gem. A good choice for the recital hall. Philipp Scharwenka Piano Trio No. One of the very best works for this under served combination. Good for concert or home. Philipp Scharwenka Piano Quintet in b minor, Op.

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A superb, absolutely first rate late Romantic masterwork. Very fine, first rate, rich late romantic work. Another first rate, late romantic quartet. A rich, full-blooded romantic work, very well written for the cello. Acclaimed from the day it was published, an instant success in the concert hall.

Hard to believe that a superb work such as this fell into oblivion. A powerful and dramatic masterwork of the romantic literature. Few quartets are superior to this late romantic masterwork in emotional intensity and sense of climax. Max von Schillings String Quartet in e minor A first rate, late romantic work with tinges of Hugo Wolf. A post romantic early modern work, still tonal, dramatic and powerful. Called the Dutch Brahms by Brahms' owner biographer, a fine late-romantic work which belongs in the recital hall.

A historically important transitional work between the trio sonata and modern piano trio. Another historically important transitional work which was to lead to the modern piano quartet. An engaging neo-classical quartet with Mozartian tendencies, by turns lyrical and playful with surprises. Schoenberg's most well-known work from his tonal period. Schrammel and his music are as Viennese as the Strauss waltzes!

Schrammel and his music, known as Schrammelmusik came to be regarded as Viennese as the Strauss waltzes! Part of our Vienna Dance Series.

String Quartet No. 1 (Schubert)

It means not only do the words speak, but also the music. Probably the most famous march to ever come out of Vienna. Part of our Vienna Dance Series, this lively piece is a tribute to Vienna's horse drawn carriage drivers, famous throughout Vienna. This lively march was dedicated to a famous mens club whose motto was In Arte Voluptas. A rather amazing work for a 15 year old. Here, Schubert uses a Haydnesque technique of taking a fragment and developing it into a full blown theme.

Shows advance over first two with really good writing for both viola and cello. Schubert opens this quartet much like Mozart did his "Dissonant" with a slow ominous intro but follows it up with a stormy main section. Conceived on a massive scale, here Schubert experiments with tone clusters and layered tone to create an extraordinary orchestral effect.

The longest of the Early Quartets, Schubert continues his experiments in sound effects while at the same time creating lovely melodies. Originally for string quartet, unfortunately they are most often heard played by orchestras whence they lose their charm and character. Not the famous one, but the dramatic first movement of a quartet the rest of which was lost. We offer this famous quintet in the standard version as well as a superb version for cello and BASS.

A fine mid Romantic work in the tradition of Mendelssohn. A big post-Brahmsian work which exploits the cello's tonal possibilities to the fullest. Good choice for the recital hall. A late Romantic masterpiece. Another masterwork by a composer whom critics called a worthy successor to Robert Schumann and Brahms. Georg Schumann Piano Quartet in f minor, Op.


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    8. Another masterpiece from this first rate composer. A big, stunning work. Formerly misattributed to Mozart and known as Milanese Quartet No. Bernhard Sekles Capriccio for Piano Trio Combines elements of polytonality with traditional tonality with a superb set of variations on Yankee Doodle. An outstanding work in a lighter vein. A very showy recital piece from the mid-romantic era full of wonderful melodies and unusual techical wizzardry. Another virtuoso recital piece par excellence as well as competition entry.

    Composed by the cellist of the famous Hubay String Quartet, this lovely work features fine part writing and almost plays itself.. Massive, Monumental and very original sounding. Another bit and original work with advanced tonalities, unusual rhythm and fresh ideas.

    The first of this little known but important 20th century Russian composer. An engaging work which combines traditional tonality with polytonality to achieve an original sounding work. Dedicated to his teacher Nikolai Myaskovsky, the quartet veers from lyricism interspersed with angular modernism.

    One of the most important quartets in the Soviet literature, as good as the best of Shostakovich. A first class, late romantic work NOT influenced by Brahms. Three marvelous character pieces, an evocative Legend, charming Intermezzo and exciting Saltarello. The first of a set of six. The 2nd of a set of six. The 3rd of this set. Written in the concertante style of the early classical style of the Stamitzes and Mannheim. William Shield String Quartet No. An historically important and interesting example from the early British classical era.

    Original and exotic masterwork evoking the sounds and instruments of Central Asia. Though an early work, it is mature, full of fine melodies and in the style of the mid Romantic movement. Jean Sibelius Piano Quintet in g minor Shows off both instruments stunningly. A huge work full of drama and virtuosity. Powerful with a thrilling finale uses a Norwegian dance tune.

    Sinding at his romantic best. Heroic and highly romantic, combining elements of Nordic folk music with elements of the New German School. A late romantic work by turns stormy and dramatic, then calm and lovely lyrical melodies grace this trio. One of the best works ever for this combination. Everything said about Serenade No. Admired by Tchaikovsky, Busoni, Sibelius, and many others, this work is a fresh and original masterpiece. A, lyrical work which makes a appealing shorter recital work or encore. A neo-classical masterwork for String Trio. Dedicated to and intended as an encore for the famous Bohemian String Quartet.

    A light and charming Mendelssohnian pieces which would make the perfect encore. Six charming, short works from the late romantic era which show off the different facets of the viola. Three atmospheric character pieces in the best tradition of the genre. A concert work which makes no technical demands yet is perfect. Shows the influence of Brahms without being imitative. A worthy edition to the cellist's repertoire from this gifted Scandinavian melodist.

    Each piece has a lovely, romantic vocal quality. Considered the equal of Hugo Wolf as a master of the art song, these lovely, romantic works for violin show why. Collection of three of the composer's best loved songs transcribed by the famous Swedish Violinist Tor Aulin. These are wonderfully melodic, romantic and highly effective works. All of the Songs transcribed by Tor Aulin from the above three collections offered at a very attractive price.

    Can be played together in place of short sonata or separately as encores. Intended as a recital hall vehicle, it juxtapositions a slow romance with fiery fast section. Dramatic, lyrical and highly romantic, this fine work belongs in the standard sonata repertoire. By turns romantic, restless, lyrical and dramatic, here is another romantic work which deserves to be heard.

    This superb work not only belongs in the recital hall but would be an adornment to any violinist's repertoire. Top notch, sure to win high praise in the recital hall. A lovely, autumnal work and like the other four a candidate for the recital hall. A tuneful work by one of the most important Czech composers of the first half of the nineteenth century. Lovely melodies and good part-writing make this first rate work a good candidate for the concert hall as well as the stands of amateurs. The Chamber Music Journal calls it a first rate 20th century American work.

    Brahmsian, a work about tone color and not virtuoso techical effects. With fresh and original-sounding themes, a very welcome addition to the late romantic cello quintet literature. Dame Ethel Smyth String Quartet in e minor A fresh and original sounding work written in the idiom of the mid romantic era with grateful solos for all. Another first rate wind quintet from a master wind player.

    Great writing, appealing melodies, a fine choice for romantic era choice for concert. Another fine work for this combination with each instrument being well treated. A beautiful and effective work from one of Sweden's leading romantic era composers. One of the very few late Russian romantic string trios by the Belaiev Composers.

    A typical work of Rimsky-Korsakov's Belaiev Composers. The same comments from String Quartet No. This is one of the very best late Russian Romantic era quartets. Belongs in the concert hall but great for amateurs. AHailed as a superb masterpiece by The Chamber Music Journal, the excellent Brahmsian quintet features lovely melodies and first rate part writing.

    Willibald Sommer String Trio No. Fine romantic work with excellent part writing and effective use of themes. A valuable repertoire addition. Powerful and well written first rate work which absolutely deserves performance in the concert hall. The first of three Haydnesque quartets by one of his better students. Lovely, late romantic short work, suitable for an encore.

    Easy to play with good part writing. A fine work with good part writing for all and an especially powerful piano part. Because of its use of the strings, especially the cello being given the real bass, this trio created a sensation on premiere. Charming melodies given to all the voices, this work is typical of Spohr's chamber music style. One of Spohr's very best chamber works. Lighter in mood than most of his piano trios with flowing melodies and typical Spohrian rhythms.

    Dark and restless, reflecting his unhappiness with the failure of the Revolution. Though an early work and his 1st string quartet, the work shows many of the features of his later compositions. In the tradition of Mozart and the Beethoven Op. Among his most popular quartets among both amateurs and professionals. Considered to be among Spohr's best quartets. From his late period. From the end of his early period, dating from Middle period Spohr dating from with all of Spohr's typical chromaticism and melodic material. The first important string sextet of the 19th centory which served as a model for Brahms.

    The 1st of Spohr's ground-breaking works using 2 Qts as separate choirs rather than an octet. More intimate than the First, with warm melodies, it makes and attractive contrasting partner to either No. Much acclaimed it is written for 2 Qts rather than an octet. A wonderful vehicle for the clarinet, yet the strings are not ignored and are given some very good opportunities.

    The first of its kind and rightly considered a masterpiece and one of the treasures of the chamber music literature. This early work is a study in harmonics and makes very effective use of them. The cellist must know his or her cello and his or her strings. So popular at one time that it became a standard solo competition piece in Britain for several decades.