Caprice No. 14 from Twenty-Four Caprices

24 Caprices for Solo Violin, Op.1 (Paganini, Niccolò) the mandolin; For piano ( arr). Related Works, See List of Variations on Paganini's Caprice No
Table of contents

Stories of a pact with the Devil were denied by Paganini himself, who, with characteristic understanding of the value of public relations in a more credulous age, told of an angelic visitation to his mother, in a dream, foretelling his birth and his genius. Paganini was born in Genoa in and was taught the violin first by his father, an amateur, and then by a violinist in the theatre orchestra and by the better known violinist Giacomo Costa, under whose tuition he gave a public performance in The following year he played to the violinist and teacher Alessandro Rolla in Parma, and on the latter's suggestion studied composition there under Paer.

After are turn to Genoa and removal during the Napoleonic invasion, he settled in in Lucca, where, after , he became solo violinist to the new ruler of Lucca, Princess Elisa Baciocchi, sister of Napoleon. At the end of he left to travel, during the next eighteen years, throughout Italy, winning a very considerable popular reputation.

24 Caprices for Solo Violin, Op.1 (Paganini, Niccolò)

It was not until that he made his first concert tour abroad, visiting Vienna, Prague and then the major cities of Germany, followed by Paris and London in His international career as a virtuoso ended in , when, after an unsatisfactory tour of England, he returned again to Italy, to Parma. A return to the concert-hall, in Nice and then, with considerable success, in Marseilles was followed by an unsuccessful business venture in Paris, the Casino Paganini, which was intended to provide facilities equally for gambling and for music. With increasing ill health, he retired to Nice, where he died in Nicknamed "The Trill", the sixth caprice exploits the use of left-hand tremolo on the violin by quickly alternating between different notes in the chord in one of the voices.

A melody is played in one line with a tremolo occurring on another. This caprice focuses on slurred staccato passages, featuring many long slurred scales and arpeggios.

Primarily a study in double stops, with ricochet occurring in the middle section. This caprice is primarily a study in up-bow staccato, with staccato notes punctuated by chords, trills and distant string crossings. The eleventh caprice starts and ends with sections that require multiple voices, containing a passage that consists of many dotted notes rapidly jumping up and down the scale.

This caprice consists of a slurred pattern of a melody on an upper string alternating with a drone note on a bottom string, forcing the violinist to stretch great distances while keeping a finger on the drone string.

Navigation menu

The second part consists of high speed runs that exercise left hand flexibility and position shifting, and right hand high speed string changing and detache bowing. The piece then repeats back to the beginning and ends right before reaching the second part for the second time.

The 14th caprice displays the violin's ability to voice chords. It contains many triple and quadruple stops. Stylistically, the piece imitates brass fanfares. Caprice 15 starts with a short passage of high parallel octaves, continuing on to ascending arpeggios, descending scales, and broken thirds.

24 Caprices for Solo Violin (Paganini)

The "A" section contains numerous thirty-second note runs on the A and E strings that converse back and forth with double stops on the lower two strings. The middle section is famous for the incredibly difficult octave passage.


  • ;
  • The Case of the Hsieh Abduction (Sherlock Holmes in Silicon Valley)?
  • .
  • Dark Lover: Number 1 in series (Black Dagger Brotherhood Series).
  • PAGANINI, N.: 24 Caprices, Op. 1 (Kaler).
  • .
  • Refusing to be a Man: Essays on Social Justice.

The introduction to caprice 18 demonstrates playing on the G string in very high positions. This is followed by a rapid display of scales in thirds. Here are many octaves at the beginning; then there are string crossings between G and A strings; this is followed by quick changes of position on the G string. Caprice 20 is famous for the use of the D string as a drone, backdropping a lyrical melody on the A and E strings, imitating a bagpipe. This is followed by a rapid sixteenth note passage with trills and flying staccato.

24 Caprices for Solo Violin (Paganini) - Wikipedia

Marcato Caprice in E-flat major: Posato Caprice in A minor: Retrieved from " http: Caprices ; For violin ; Scores featuring the violin ; For 1 player ; For violin, piano arr ; For 2 players ; Scores featuring the piano ; For guitar, violin arr ; Scores featuring the guitar ; For 2 violins arr ; For cello arr ; Scores featuring the cello ; For mandolin arr ; Scores featuring the mandolin ; For piano arr. Contents 1 Performances 1. Javascript is required for this feature.

Editor Carl Flesch Cover moved to front where it belongs for correct duplex printing , and scan converted to b-w to save ink.

Niccolo Paganini - 24 Caprices Op.1

Editor Emil Kross Carl Fischer , This file is part of the Sibley Mirroring Project. Editor Abram Yampolsky — Arranger Alberto Bachmann — Arranger Luigi Silva Arranger Mario Pilati — Arranger Albert Spalding