Visions fugitives, Op (Prokofiev, Sergey) notice or renewal requirements to secure statutory copyright with no "restoration" under the GATT amendments.
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- Work “Visions fugitives, op. No. Dolente” - MusicBrainz
- Visions fugitives Op. 22, No. 16: Dolente
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Moscow Chamber Orchestra Rudolf Barshai.
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- Visions fugitives, Op. 22: No. 16. Dolente.
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There are some bell-like tones right before the piece ends, which is usually within two minutes. The left hand plays a simple "up-down" motif repeatedly while the right hand begins a dissonant grace-note based melody. The movement, as its title suggests, is very jumpy and comical, and usually lasts around a minute and fifteen seconds. This movement's melody is almost-exclusively in upwards or downwards appoggiatura-like scale fragments interspersed with punctuated, accented dissonances.
However, the piece has a short, legato middle section in B-flat minor. A performance lasts about a minute. This movement is noticeably heavier and more depressed than its predecessors. The entire temperament of the piece suggests something is wrong, but in a way which is slightly cautious as opposed to outright scared , since it is played mostly solidly. The movement lasts almost about a minute and twenty seconds. At first listen, this movement appears to return to the wandering style introduced to the audience at the beginning of the work.
- Visions fugitives - Wikipedia;
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It quickly develops however; but this expansion is limited and just as quickly returns to the beginning melody, in textbook ABA form. This movement is around forty-five seconds in length. This movement is completely distinct to all the other movements in the work. The piece is unapologetically dissonant, commanding, and march-like just as its title leads one to expect.
The repeating syncopated bass notes are a characteristic of this movement, which lasts about a minute. This movement's repeating bass immediately creates a sense of urgency until it opens up to a staccatoed and heavily-chordal melody that gradually grows in magnitude until one great final shove, after which the piece ends. A performance lasts just under a minute. This movement is distinctly polyphonic, and is scalar. The hands develop separately and outwardly i.
Work “Visions fugitives, op. No. Dolente” - MusicBrainz
This movement also lasts just under a minute. The left hand melody proceeds unbothered by the ligher right hand accompaniment which is, of course, flipped of the normal. The piece grows to the top of the keyboard, where both hands participate in a sparkling, nearly-trill like shifting of chords. This movement lasts around fifty seconds. Again, this movement returns to the wandering style of before, though somewhat more solid than its predecessors.
Performances last about forty seconds. As its title suggest, this movement is more active and forceful, with a third-based development. The movement abruptly ends with a pounding bass exchange that both hands share.
Visions fugitives Op. 22, No. 16: Dolente
The piece lasts about forty-five seconds. This movement appears to be searching for something, and has a slightly exotic melody which includes some partial scalar passage which, like the rest of these movements, tends to develop towards the top of the keyboard before coming down to some more bass development. Performances last about two minutes. From Wikipedia, the free encyclopedia. This article has multiple issues. Please help improve it or discuss these issues on the talk page.
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