John Tenniel: 265+ Golden Age Illustrations - Alice in Wonderland

JOHN TENNIEL Art Book contains + Reproductions from Alice in Wonderland , Through the Looking Glass, Punch and more with title,date.
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It is a curious fact that with "Looking-Glass" the faculty of making drawings for book illustrations departed from me, and [ Tenniel's illustrations for the Alice books were engraved onto blocks of deal wood by the Brothers Dalziel. These engravings were then used as masters for making the electrotype copies for the actual printing of the books. They are not usually on public display, but were exhibited in The style associated with the Nazarene movement of the nineteenth century influenced many subsequent artists including Tenniel.

This style can be characterized as "shaded outlines" where the lines on the side of figures or objects are given extra thickness or are drawn as double lines in order to suggest shading or volume. After the s, Tenniel's style modernized to incorporate more detail in backgrounds and in figures. The inclusion of background details corrected the previously weak Germanic staging of his illustrations. Tenniel's more precisely-designed illustrations depicted specific moments of time, locale, and individual character instead of just generalized scenes. In addition to a change in specificity of background, Tenniel developed a new interest in human types, expressions, and individualized representation, something that would carry over into Tenniel's illustrations of Wonderland.

Referred to by many as theatricalism, this hallmark of Tenniel's style probably stemmed from his earlier interest in caricature. In Tenniel's first years on Punch he developed this caricaturist's interest in the uniqueness of persons and things, almost giving a human like personality to the objects in the environment.

Sir John Tenniel’s Classic Illustrations of Alice’s Adventures in Wonderland

Another change in style was his shaded lines. These transformed from mechanical horizontal lines to vigorously hand-drawn hatching that greatly intensified darker areas. Tenniel's "grotesqueness" was one of the main reasons why Lewis Carroll wanted Tenniel as his illustrator for the Alice books.

The grotesque is an abnormality that imparts the disturbing sense that the real world may have ceased to be reliable.

Alice's Adventures in Wonderland and Other Stories - Barnes & Noble Leatherbound review

The Alice illustrations combine fantasy and reality. Scholars such as Morris say that Tenniel's stylistic change can be attributed to the late s trend towards realism. For the grotesque to operate, "it is our world which has to be transformed and not some fantasy realm. Additionally, Tenniel closely follows the text provided by Carroll so readers are ensured that what they are reading, they are seeing in his illustrations.


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One of the most unusual elements of the Alice books is the placement of Tenniel's illustrations on the pages. There was a physical relation of the illustrations to the text, intended to subtly mesh illustrations with certain points of the text. Two relevant sentences would bracket an image, which might better define the moment that Tenniel was trying to illustrate. Another way in which the illustrations correspond with the text is by having broader and narrower illustrations.

Broader illustrations are meant to be centered on the page, where as narrower illustrations are meant to be "let in" or run flush to the margin to be set alongside a narrowed column of the continuing text.


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  • For example, in this image, we see how when Alice says, "Oh, my poor little feet," it not only occurs at the foot of the page but is directly next to her feet in the illustration. Part of these narrower illustrations was the "L" shaped illustration, which was of great importance, being that these are where Tenniel did some of his most memorable work.

    Sir John Tenniel’s Classic Illustrations of Alice’s Adventures in Wonderland

    The top or base of these illustrations would run the full width of the page but the other end would have some room on one side of the quadrant for the text. An ultimate tribute came to an elderly Tenniel as he was knighted for his public service in by Queen Victoria. It was the first such honour ever bestowed on an illustrator or cartoonist, and his fellows saw his knighting as gratitude for "raising what had been a fairly lowly profession to an unprecedented level of respectability.

    Spielmann , who knew Tenniel, wrote that the political clout contained in his Punch cartoons was capable of "swaying parties and people, too While Tenniel was drawing them his subjects , we always looked to the Punch cartoon to crystallize the national and international situation, and the popular feeling about it—and never looked in vain.

    Tenniel became not only one of Victorian Britain's most published illustrators, but as a Punch cartoonist he became one of the "supreme social observers" of British society, and an integral component of a powerful journalistic force. Smalley referred to John Tenniel as "one of the greatest intellectual forces of his time, who understood social laws and political energies.

    Public exhibitions of Sir John Tenniel's work were held in and in Sir John Tenniel is also the author of one of the mosaics , Leonardo da Vinci , in the South Court in the Victoria and Albert Museum ; while his highly stippled watercolour drawings appeared from time to time in the exhibitions of the Royal Institute of Painters in Water Colours , of which he had been elected a member in A Bayswater street, Tenniel Close, [43] near his former studio, is named after him. From Wikipedia, the free encyclopedia.

    John Tenniel: 265+ Golden Age Illustrations - Alice in Wonderland

    With other poems [38]. The Annotated Alice , p. The Man and his Circle. University of Virginia Press. Journal of the Warburg and Courtauld Institutes Aspects of His Work. Fairleigh Dickinson University Press. Retrieved March 13, Retrieved 28 May Sir John Tenniel's Alice in Wonderland. Archived from the original on 4 June New York University Press.

    The Tenniel Illustrations to the Alice Books. Ohio State University Press. Retrieved 15 August The Poets of the Nineteenth Century. Metropolitan Museum of Art. Retrieved 14 April Retrieved March 5, President of the Russian FederationVladimir Putin at the inauguration ceremony.

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