Piano Concerto No. 2 in G Minor, Op. 22

Performers, Orazio Frugoni (piano), Orchestre symphonique “Pro Musica” de .. Piano Concerto No.1 in D, Op; Piano Concerto No.2 in G minor, Op
Table of contents

• Piano Concerto No. 2 in G minor, Op. 22 | Edition Peters UK
• Accessibility links
• Music database
• About Emil Gilels

Rainy Day Relaxation Road Trip.

Romantic Evening Sex All Themes. Streams Videos All Posts. AllMusic Featured Composition Noteworthy.

1. I Know You Are a Man, but I Am a Woman.
2. Il buon compatriotto di Carlo Goldoni (Italian Edition).
3. About Emil Gilels!
4. Saint-Saens – Concerto No. 2 in G Minor, Op. 22, Music Minus One - Hal Leonard Online.

Hungarian Rhapsodies; Polonaise No. Romantic Piano Concertos [40CD]. Solo and Concerto Recordings. Classical Treasures Composer Series: Classical Collection Master Series, Vol. Organ Symphony; Piano Concerto No. The 5 Piano Concertos. ProMusica Partners with Conrad Tao. Timeless Classical Collection, Vol.

The Complete Album Collection. Concertos for Piano and Violin - Orchestral Works. Concertos pour Piano No. Michael Studer [Box Set].

Accessibility links

Les Rarissimes de Gina Bachauer. Hundred Thirty Years Dedicated to Music. The Piano Concerto Collection. Les 5 Concertos pour Piano. Great Pianists of the 20th Century: The Complete Edition Box 2. The Rubinstein Collection Limited Edition. Concertos for piano in Gm.

Wedding Cake; Piano Concerto No. He played all the Mozart concertos, and provided them with cadenzas. Berlioz described him as "an absolutely shattering master pianist. One of those other musicians was the famous Russian pianist Anton Rubinstein, who was also active as a composer and conductor. He brought it off in time, but only one part of the work, the scherzo, was really successful at the premiere. There could have been no more meaningful approbation, for Liszt was not only Saint-Sa?

The Concerto soon became a great favorite with pianists and their audiences alike, despite its shaky beginning, and Saint-Sa? As Liszt was credited with the "invention" of the symphonic poem, Saint-Sa?

About Emil Gilels

In , after the Paris Op? Nine years later, it was to Liszt that Saint-Sa? As Liszt died at about the time of that work's premiere in London, the score was published with a dedication reading, "To the memory of Franz Liszt. The form, as in Liszt's own concertos, is unusual for its time. The first movement opens with a cadenza and has only minimal participation by the orchestra, by way of punctuating or marking off various sections as they succeed one another, in this sense reminiscent of the Italian Baroque concertos a field of special interest to Saint-Sa?

It is definitely the pianist's show, a forthright and effective showcase for those who can meet its demands. There is no "slow movement" where one might have been expected. Having begun with an elaborate Andante sostenuto, the Concerto has for its middle movement a quicksilver Allegro scherzando.

Its opening with drumbeats leads quickly to a mischievously playful theme stated first by the piano and then taken up by the winds; this is contrasted with a broadly expansive lyric theme which the piano shares with the strings, the soloist echoing the drumbeat figure here and there as the two themes alternate. The finale, a glittering Presto, outdoes the scherzo in terms of sheer drive. The orchestra is a full partner in this grand tarantella, which brings the work to an exhilarating conclusion.