BWV 62 - "Nun komm, der Heiden Heiland," II. Cantata for the First Sunday in Advent. 1. Chor Nun komm, der Heiden Heiland, Der Jungfrauen Kind erkannt.
Table of contents
The cantata is based on Martin Luther 's Advent hymn in eight stanzas " Nun komm, der Heiden Heiland ", the number one hymn to begin the Liturgical year in all Lutheran hymnals.
Bach first performed the cantata on 3 December , [2] and he performed it again in , adding a part for violone in all movements , after the Thomasschule had bought an instrument at an auction in The cantata in six movements is scored for four vocal soloists soprano , alto , tenor , and bass , a four-part choir , and a Baroque instrumental ensemble of horn only to support the chorale melody, two oboes , two violins , viola , and basso continuo. The old hymn tune is in four lines, the last one equal to the first. The ritornello appears shortened three times to separate the lines of the text and in full at the end.
John Eliot Gardiner observes about all three extant cantatas for this occasion, also Nun komm, der Heiden Heiland , BWV 61 , and Schwingt freudig euch empor , BWV 36 , which all deal with Luther's hymn, that they "display a sense of excitement at the onset of the Advent season.
Nun komm, der Heiden Heiland, BWV 62 (Bach, Johann Sebastian)
The first aria deals with the mystery of "the Supreme Ruler appears to the world, … the purity will be entirely unblemished. In great contrast the second aria stresses fight, "Struggle, conquer, powerful hero! The closing stanza is a four-part setting.
From Wikipedia, the free encyclopedia. For other uses, see Nun komm, der Heiden Heiland disambiguation. Martin Luther , author of the hymn, in by Lucas Cranach the Elder. Retrieved 30 November Retrieved 21 November Retrieved 2 December Nun komm, der Heiden Heiland.
Bach Cantata Translations
K First Published: BG, Autograph score facsimile: Berlin, Staatsbibliothek Provenance Commentary English: Ursula Zollenkopf ; Tenor: Helmut Kretschmar ; Bass: Recorded in Hamburg , Germany. Petrina Kruse ; Alto: Sabine Kirchner ; Tenor: Friedrich Melzer ; Bass: Adele Stolte ; Alto: Gerda Schriever ; Tenor: Peter Schreier ; Bass: Theo Adam Basso continuo: Buy this album at: Margrit Conrad ; Tenor: Alexander Young ; Bass: Das Kantatenwerk - Sacred Cantatas Vol.
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Paul Esswood ; Tenor: Kurt Equiluz ; Bass: Ruud van der Meer CMW: Nikolaus Harnoncourt ; Violone: Herbert Tachezi Telefunken 6. Inga Nielsen ; Alto: Helen Watts ; Tenor: Aldo Baldin ; Bass: Feb, Apr CD Tonstudio Teije van Geest; Recording Supervision: Ernst Haefliger coached all aspects of the performance: Nancy Argenta ; Mezzo-soprano: Petra Lang ; Tenor: Anthony Rolfe-Johnson ; Baritone: Timothy Mason, Richard Campbell; Doube-bass: Anthony Robson, Richard Earle; Bassoon: Karl-August Naegler; Balance Engineer: Sibylla Rubens ; Alto: Sarah Connolly ; Tenor: Tom De Vaere; Oboes: Ruth Holton ; Alto: Sytse Buwalda ; Tenor: Nico van der Meel ; Bass: Frank Wakelkamp, Thomas Pitt; Double-bass: Trudy van der Wulp; Organ: Nicolaschurch, Elburg, the Netherlands.
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Alternate Aria for Bass Streite, siege, starker Held! Deborah York ; Alto: Franziska Gottwald ; Tenor: Paul Agnew ; Bass: Adriaan Verstijnen; Production Coordination: Cantata BWV 62 [ Joanne Lunn ; Counter-tenor: William Towers ; Tenor: Jan Kobow ; Bass: Michael Niesemann, Catherine Latham; Bassoon: Isabella de Sabata; Balance Engineer: Ursula Fiedler ; Alto: Hilke Andersen ; Tenor: Michael Nowak ; Bass: Gunther Schlage; Violin I: Martin Fritz, Christoph Harer; Double-bass: Johannette Zomer , Alto: Bernarda Fink , Tenor: Johann Sebastian Bach - Yukari Nonoshita ; Counter-tenor: Robin Blaze ; Tenor: Makoto Sakurada ; Bass: Natsumi Wakamatsu [Leader]; Horn: Yoshiko Morita, Amiko Watabe Continuo: Masaaki Suzuki ; Organ: Hans Kipfer; Sound Engineer: Thore Brinkmann; Digital Editing: Bastian Schick; Surround Mix: Anne Harley ; Alto:
