Review of the hardback: 'With American Women Authors and Literary Property, , scholarship on relationships among authorship, copyright, the state.
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- Book review: American Women Authors and Literary Property, 1822-1869
- Book review: American Women Authors and Literary Property,
- American Women Authors and Literary Property, 1822-1869
It is indeed sobering that so little scholarship addresses nineteenth-century American women writers' relationship to law.
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Two recent scholarly works seek to remedy this oversight: Given the uncharted critical terrain of law's relationship to nineteenth-century American women writers, both authors recognize that theorizing correspondences between law and literary history must go hand-in-hand with recovering the specific circumstances of women's encounters with law. Taken together, these works demonstrate the power of law over attitudes toward and literary representations of femininity in nineteenth-century America.
Yet despite covering coinciding historical terrain—Homestead examines intersections of coverture and copyright law between and , whereas Warren surveys law's relationship to women's economic participation throughout the nineteenth century—they differ broadly in their critical expectations of correspondences between literary text and historical context.
This difference highlights the potential breakthroughs and obstacles future criticism may encounter when examining this field. In American Women Authors and Literary Property , Melissa Homestead building upon Meredith McGill's American Literature and the Culture of Reprinting frames female authorship as one facet of the greater economic structure of the mid-century literary marketplace, legal dimensions of which privileged readers' claims to the usefulness of print materials over authors' proprietary claims to their works.
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Ultimately, she explains, "copyright law and. Though she emphasizes how women authors imagined "the struggle and dispossession.
Book review: American Women Authors and Literary Property, 1822-1869
Homestead elegantly handles women writers' negotiation of the laws of the culture of reprinting and arrives at compelling insights regarding the authors she examines and the period she reconstructs. In "'Suited to the Market': Catharine Sedgwick, Female Authorship, and the Literary Property Debates, —," Homestead demonstrates that Sedgwick should be understood as a "model" author, as facets of Sedgwick's "disinterested authorial persona"— her anonymity, her reticence toward the literary marketplace, her stress on the value of reading, and her shift to didactic fiction—were a strategic response to the republican drives of the literary marketplace Catharine Sedgwick, female authorship, and the literary property debates, — 3.
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When I can read my title clear: Harriet Beecher Stowe and the Stowe v. Thomas Copyright Infringement case 4.
Every body sees the theft: Fanny Fern and periodical reprinting in the s 5. A 'rank rebel' lady and her literary property: Scriber and the ghost of Mary Virginia Terhune's Phemie's Temptation or, the lessons of the 'lady-writers' of the 's through the s for literary history and twenty-first-century copyright law.
Homestead , University of Nebraska, Lincoln This title is available for institutional purchase via Cambridge Core Cambridge Core offers access to academic eBooks from our world-renowned publishing programme. Please register or sign in to request access. If you are having problems accessing these resources please email lecturers cambridge. You are now leaving the Cambridge University Press website. Your eBook purchase and download will be completed by our partner www.
Book review: American Women Authors and Literary Property,
Please see the permission section of the www. Open global navigation Cambridge University Press Academic. View cart 0 Checkout. Include historic titles Search products. Register Sign in Wishlist. Cambridge University Press, Language English View all editions Prev Next edition 3 of 3. Author Homestead, Melissa J. Subjects American literature -- Women authors -- History and criticism. Women and literature -- United States -- History -- 19th century.
American Women Authors and Literary Property, 1822-1869
American literature -- 19th century -- History and criticism. Copyright -- United States -- History -- 19th century. Contents Machine generated contents note: Coverture, Copyright, and Authorial Dispossession, 2. Harriet Beecher Stowe and the Stowe v. Thomas Copyright Infringement Case 4. Fanny Fern and Periodical Reprinting in the s 5.